Бахчисарай

• Paper, sepia, ink, nib.
• The State Russian Museum
• Р-1837

Дворец в Бахчисарае

• Paper, sepia, ink, nib.
• The State Russian Museum
• Р-1838

Инкерман

• Paper, sepia, ink, nib.
• The State Russian Museum
• Р-1833

Феодосия

• Paper, sepia, ink, nib.
• The State Russian Museum
• Р-1834

Вид Тавриды

• Wood, oil.
• Alexander Radishchev Art Museum, Saratov
• Ж-425

Судак в Таврической области

• Paper, watercolours.
• The State Russian Museum
• Р-5643

Старый Крым (Пейзаж с армянской церковью)

• paper mounted on cardboard, watercolours, , ink, nib.
• The State Russian Museum
• Р-5876

Старый Крым. Руины школы (портал медресе хана Узбека)

• paper mounted on cardboard, watercolours, .
• The State Russian Museum
• Р-5870

View of the Town of Bakhchisarai

• Between 1798 and 1800
• Canvas, oil.
• The State Russian Museum
• Ж-5046

Fyodor Alexeyev dedicated most of his creative work to Russia. He chose a special kind of landscape painting – an urban landscape or the depiction of towns. As a result of his journey to the south of the country he created several pictures with views of Nikolaev, Bakhchisarai and other towns. "View of Bakhchisarai" conveys specific features of the area - typical buildings, black poplars and rocky mountains of the Crimea. Numerous scenes from everyday life give liveliness and warmth to Alexeyev’s landscape paintings.

Bakhchisarai was the capital of the Crimean Khanate, which was annexed to Russia in 1783. Alexeyev's painting depicts the interior view of the Khan's palace; in the background we can see its upper floors. On the left there is the wall of the harem, above which stands the Falcon Tower. On the right there is the Big Khan Mosque with two minarets.

A View in the Environs of Inkerman

• 1817 – 1819
• Canvas, oil. 76,5 х 55
• The State Russian Museum
• Ж-4658

A View of the Karadag Valley

• 1817 – 1819
• Canvas, oil. 55 х 76,5
• The State Russian Museum
• Ж-4659

A View of the Pointed Mountain at the Chufut-Kale

• 1817 – 1819
• Canvas, oil. 55 х 76
• The State Russian Museum
• Ж-4664

A View onto Ai-Petri

• 1817 - 1819
• Canvas, oil. 55 х 76
• The State Russian Museum
• Ж-4657

Bank with the Rocky Mountain

• 1817 – 1819
• Canvas, oil. 55 х 76
• The State Russian Museum
• Ж-4662

Развалины греческой крепости в Гурзуфе

• Paper, lithography.
• Алупкинский дворцово-парковый музей-заповедник
• Гр/з-799

Развалины древней церкви в Инкерманской горе

• Paper, lithography.
• Алупкинский дворцово-парковый музей-заповедник
• Гр/з-800

Вид в Кораисе, имении княгини А. С. Голицыной

• Paper, lithography.
• Алупкинский дворцово-парковый музей-заповедник
• Гр/з-4772

Мисхор. Дача Нарышкина.

• Paper, lithography.
• Алупкинский дворцово-парковый музей-заповедник
• Гр/д-1155

A View at the Foot of the Ayu-Dug

• 1836
• Canvas, oil. 87 х 127
• The State Russian Museum
• Ж-5500

Вид на Аю-Даг в Крыму со стороны моря

• 1836
• Canvas, oil. 85 х 126
• The State Russian Museum
• Ж-5240

Petrov Vasily Petrovich

Иванов Михаил Матвеевич

Alexeyev Fyodor Yakovlevich

Painter, founding father of the Russian school of urbanscape painting. Son of a guard at the Imperial Academy of Arts. Studied fruit and flower and landscape painting at the Imperial Academy of Arts (1766-73). Awarded a fellowship to Venice (1773-77). Studied under Giuseppe Moretti and Pietro Gaspari. Returned to St Petersburg and worked as a painter for the Imperial Theatres (1799). Copied paintings by Canaletto and Bernardo Bellotto for Catherine the Great. Nominated to the Academy (1794). Sketched places visited by Catherine the Great (1787) in south Russia (1795). Painted urbanscapes in Moscow (1800). Councillor of the Imperial Academy of Arts (1802), Taught perspective painting at the Imperial Academy of Arts (1803-24).

Miville Jacques Christophe

Бигатти Александр

Chernetsov Nikanor Grigoryevich

Landscapist, academician of the Academy of Arts, St Petersburg, brother of Grigory Chernetsov. Worked for Prince Mikhail Vorontsov, Governor General of Novorossiysk (1833 – 1836).

A View onto Ai-Petri

• 1817 - 1819
• Canvas, oil. 55 х 76
• The State Russian Museum
• Ж-4657

Мисхор. Дача Нарышкина.

• Paper, lithography.
• Алупкинский дворцово-парковый музей-заповедник
• Гр/д-1155

Ай-Петри. Крым

• Wood, oil.
• Alexander Radishchev Art Museum, Saratov
• Ж-615

Воронцовский дворец в Алупке

• Canvas, oil.
• Алупкинский дворцово-парковый музей-заповедник
• Ж-65

Ай-Петри

• Paper, oil.
• Омский областной музей изобразительных искусств имени М. А. Врубеля
• Жр-254

Uzun-Tash. Crimea

• 1887
• Paper, oil. 22 x 26
• The State Russian Museum
• Ж-1528

Мисхор, близ Ай-Петри в Крыму

• Canvas, oil.
• Ярославский художественный музей
• Ж-578

Узун-Таш. Крым

• 1887
• paper mounted on cardboard, oil. 10,9 x 17,4
• The State Russian Museum
• Ж-1315

Ai-Petri. Crimea

• 1890
• Oil. 39 x 53
• The State Russian Museum
• Ж-1532

Alexander Pushkin at the Top of Ai-Petri at Sunrise

• 1899
• Canvas, oil. 135 х 250
• The State Russian Museum
• Ж-11746

Берег Крыма близ Алупки

• Canvas, oil.
• Мурманский областной художественный музей
• Ж-451, КП-ОФ-2746

Алупка. Дворец

• Canvas, oil.
• Алупкинский дворцово-парковый музей-заповедник
• Ж-905

Алупка. Дворец Воронцова

• Canvas, oil.
• Алупкинский дворцово-парковый музей-заповедник
• Ж-907

Крымский пейзаж. Въезд в Алупкинский дворец

• Canvas, oil.
• Алупкинский дворцово-парковый музей-заповедник
• Ж-906

Окраина Алупкинского парка. Кипарисовая аллея

• Canvas, oil.
• Алупкинский дворцово-парковый музей-заповедник
• Ж-909

Алупка

• Canvas, pasted on cardboard, oil.
• Омский областной музей изобразительных искусств имени М. А. Врубеля
• Жр-226

Алупка

• Paper, watercolours, graphite pencil.
• Мемориальный музей-усадьба художника Н. А. Ярошенко (Кисловодск)
• Г-78

Крым. Ай-Петри

• Paper, watercolours, gouache.
• Калининградский музей изобразительных искусств
• Г-453, КП-665.14

Старый замок в Крыму. Алупка

• Canvas, oil.
• Alexander Radishchev Art Museum, Saratov
• Ж-1092

Ай-Петри

• Canvas, oil.
• Краснодарский краевой художественный музей имени Ф. А. Коваленко
• Ж-301, КП-10375

Bogolyubov Alexey Petrovich

Artist, draughtsman; landscape painter, marine artist. Grandson of A.N. Radishchev. In 1841 he graduated from the Naval Sea Cadet Corps. Since 1850 – auditor of the Imperial Academy of Fine Arts, studied under the tutelage of M.N.Vorobyev and B.P. Villevalde. In 1853 he graduated from the Academy of Arts with the title of class artist of the 1st degree; in the same year was appointed painter of the Naval General Staff. In 1854–1860 worked abroad. Since 1858 – academician; since 1860 – professor of marine views painting. Since 1873 – member of the Society for Travelling Art Exhibitions (also known as Peredvizhniki). After 1873 he worked abroad, had a studio in Paris. In 1885 he founded the Museum of Russian Art in Saratov and a drawing school, which was opened in 1897. Since 1893 – an actual member of the Academy of Arts.

Орловский Владимир Донатович

Levitan Isaac Ilich

Painter, graphic artist, teacher. Studied under Alexei Savrasov and Vasily Polenov at the Moscow School of Painting, Sculpture and Architecture (1873-1885). Academician of painting (1898). Member of the Society of Travelling Art Exhibitions (1891) and the Munich Sezession (1897), Contributed to exhibitions (from 1880). Contributed to the exhibitions of the Society of Travelling Art Exhibitions (1884-1900), periodical exhibitions of the Moscow Society of Lovers of the Arts (1887-1900), Fellowship of South Russian Artists (1892), Moscow Fellowship of Artists (1893), Munich Sezession (1896, 1898, 1899), Exhibition of Russian and Finnish Artists (1898), World of Art (1899, 1900), Pan-Russian Exhibition in Nizhny Novgorod (1896), International Exhibition in Munich (1898) and the World Exhibitions in Chicago (1893) and Paris (1900). Taught at the Moscow School of Painting, Sculpture and Architecture (1898-1900). 

Егорнов Александр Семенович

Kuindzhi Arkhip Ivanovich

Painter, landscapist. Studied at Hovhannes Aivazovsky\'s studio in Theodosia (1855). Worked as a retoucher in Mariupole, Odessa and St Petersburg (late 1850s-1860s). First-class artist (1878). Travelled across Russia and the Ukraine, Caucasus and Crimea. Visited France, Germany, Great Britain, Switzerland and Austria (1874-1875). Member of the Society of Travelling Art Exhibitions (1875-1880). Professor (1892). Full member of the Imperial Academy of Arts (1893). Headed the landscape painting studio at the Imperial Academy of Arts (1894-1897).

Aivazovsky (Haivazovsky) Ivan (Hovhannes) Konstantinovich

Theodosia Painter, graphic artist. Studied at the Imperial Academy of Arts (1833-1838). Fellow of the Imperial Academy of Arts in the Crimea and Italy (1838-1844). Academician (1844), professor (1847), honorary member of the Imperial Academy of Arts (1887). Member of the Accademia di San Luca in Rome (1840) and the academies of Paris (1843), Amsterdam (1845), Florence (1875) and Stuttgart (1879). Contributed to around 120 exhibitions (from 1835). Contributed to the exhibitions of the Imperial Academy of Arts (1835-1900), Paris Salon (1843, 1879), Society of Exhibitions of Works of An (1876-1883), Moscow Society of Lovers of the Arts (1881), Pan-Russian Exhibitions in Moscow (1882) and Nizhny Novgorod (1896), International Exhibitions in Philadelphia (1876), Munich (1879) and Berlin (1886) and the World Exhibitions in Paris (1858, 1878), London (1863) and Chicago (1893). Awarded the Legion d\'honneur (1857). Lived and worked in Theodosia, where he founded the General Art Studios (1865) and the Theodosia Picture Gallery (1880). 

Костанди (Костанда) Харлампий (Харитон) Дмитриевич

Kondratenko Gavriil

Korovin Konstantin Alexeyevich

Painter, theatrical designer, teacher. Studied under Vasily Perov, Alexei Savrasov and Vasily Polenov at the Moscow School of Painting, Sculpture and Architecture (1875-1886) and at the Imperial Academy of Arts (1882). Academician of painting (1905). Member of the Abramtsevo Сircle (from 1885). Member of the World of Art (1900) and founding member of the Union of Russian Artists (1903). Contributed to exhibitions (from 1878). Contributed to the periodical exhibitions of the Moscow Society of Lovers of the Arts (1888-1897) and the exhibitions of the Society of Travelling Art Exhibitions (1889-1899), Moscow Fellowship of Artists (1894-1902), Exhibition of Russian and Finnish Artists (1898), World of Art (1899-1906, 1921, 1922), 36 Artists (1901, 1902), Union of Russian Artists (1903-1923), World Exhibitions in Chicago (1893) and Paris (1900, two gold medals) and the International Exhibitions in Munich (1898), Vienna (1902), Venice (1907) and Rome (1911). Designed for theatres in Moscow and St Petersburg (from 1885). Taught at the Moscow School of Painting, Sculpture and Architecture (1901-1918), State Free Art Studios (1918-1919) and the Stroganov School (1900s-1910s). Emigrated (1922).

Surikov Vasily Ivanovich

Studied in Krasnoyarsk, at the School of Drawing, Society for the Encouragement of Artists (1869) and under Pavel Chistyakov at the Imperial Academy of Arts (1869-75). Member of the Society of Travelling Art Exhibitions (from 1881) and the Union of Russian Artists (from 1908). Full member of the Imperial Academy of Arts (1893), academician (1895). Visited Western Europe and Siberia. Lived in Moscow (from 1877). 

Лопухин Александр Ефимович

Lentulov Aristarkh Vasilyevich

Painter, theatrical designer. Studied at the Nikolai Seliverstov School of Art in Penza (1888-1900, 1905), Kiev School of Art (1900-1905) and Dmitry Kardovsky\'s studio in St Petersburg (1906-1907). Worked independently at Henri le Fauconnier\'s studio (1911). Contributed to exhibitions (from 1907). Member of the Jack of Diamonds (from 1910), Association of Artists of Revolutionary Russia (1926-1927) and the Society of Moscow Artists (1928-1929). Contributed to the exhibitions of Wreath (1907), Link (1908), Wreath/Stephanos (1908), Union of Russian Artists (1908) and the World of Art (1911, 1912). Headed the theatrical design studios at the First Free Art Studios (1919) and the department of theatrical design at the Higher Art and Technical Studios (1920). Taught at the department for raising theatrical designers\' qualifications at the Institute of Fine Arts in Moscow (1932).

Vinogradov Sergei Arsenijevich

Painter, draughtsman. Studied at the Moscow School of Painting, Sculpture and Architecture (1880–1889) and at the Imperial Academy of Arts (1889). Academician of painting (from 1912), full member of the Imperial Academy of Arts (1916). Contributed to exhibitions (from 1884). Taught at the Stroganov School of Art and Industry (1898–1913).

Бахчисарай

• Paper, sepia, ink, nib.
• The State Russian Museum
• Р-1837

Дворец в Бахчисарае

• Paper, sepia, ink, nib.
• The State Russian Museum
• Р-1838

View of the Town of Bakhchisarai

• Between 1798 and 1800
• Canvas, oil.
• The State Russian Museum
• Ж-5046

Fyodor Alexeyev dedicated most of his creative work to Russia. He chose a special kind of landscape painting – an urban landscape or the depiction of towns. As a result of his journey to the south of the country he created several pictures with views of Nikolaev, Bakhchisarai and other towns. "View of Bakhchisarai" conveys specific features of the area - typical buildings, black poplars and rocky mountains of the Crimea. Numerous scenes from everyday life give liveliness and warmth to Alexeyev’s landscape paintings.

Bakhchisarai was the capital of the Crimean Khanate, which was annexed to Russia in 1783. Alexeyev's painting depicts the interior view of the Khan's palace; in the background we can see its upper floors. On the left there is the wall of the harem, above which stands the Falcon Tower. On the right there is the Big Khan Mosque with two minarets.

A View of the Pointed Mountain at the Chufut-Kale

• 1817 – 1819
• Canvas, oil. 55 х 76
• The State Russian Museum
• Ж-4664

Бахчисарай

• Paper, lithography.
• Алупкинский дворцово-парковый музей-заповедник
• Гр/з-650

Утес. Успенский скит

• Paper, watercolours.
• Севастопольский художественный музей имени М.П. Крошицкого
• Г-718

Двор Бахчисарайского дворца

• Paper, watercolours.
• Дагестанский музей изобразительных искусств им. П.С. Гамзатовой (Махачкала)
• Г 2123, КП 2004

Landscape

• Circa 1912
• Canvas, tempera. 51,5 х 70
• The State Russian Museum
• ЖС-67

Landscape takes on an unusual motif, depicting a side street in a translucent and mysterious deserted Eastern city, as if inspired by the fantasies of A Thousand and One Nights. The harmonic tonality characteristic of many of Josif Shkolnik’s paintings, adds a special mystique to the landscape, which shines through in the intense blue-purple colour palettes and the alarming contrasting blotches of red, black, yellow and light blue. In the decorative quality of the painting, we can sense an echo of folk art — which Shkolnik, like many other artists in his circle, was fascinated by — and a kind of Orientalism, which was an important component in Russian art during the early 1910s.

Бахчисарай

• Canvas, oil.
• Музей изобразительных искусств Республики Карелия (Петрозаводск)
• Ж-585, КП-8993

Бахчисарай. Колоссы (Скалы выветривания)

• Paper, watercolours, .
• Алупкинский дворцово-парковый музей-заповедник
• Гр/с-465

У мавзолея

• Paper, watercolours.
• Алупкинский дворцово-парковый музей-заповедник
• Гр/с-478

Bakhchisaray

• 1925
• Canvas, oil. 61 x 73,5
• The State Russian Museum
• Ж-8142

Bakhchisaray. The Зьrьk Suv River. Noon

• 1926
• Canvas, oil. 84 х 116
• The State Russian Museum
• Ж-7512

Бахчисарай. Цыганская слободка. Вид на Салачик

• Canvas, oil.
• Историко-краеведческий и художественный музей (Тула)
• Ж-897

A Side Street in Bakhchisaray

• 1927
• Canvas, oil. 67 х 89
• The State Russian Museum
• Ж-6706

Bakhchisaray. Noon

• 1927
• Canvas, oil. 89 х 67
• The State Russian Museum
• Ж-6699

Bakhchisaray

• 1928
• Canvas, oil. 76,5 х 65
• The State Russian Museum
• Ж-9285

Bakhchisaray. Durbe. Morning

• 1928
• Canvas, oil. 83 х 117
• The State Russian Museum
• Ж-7514

Бахчисарай. Сумерки

• Canvas, oil.
• Белгородский государственный художественный музей
• Ж-332

Бахчисарай. Заброшенная мечеть

• Canvas, oil.
• Историко-краеведческий и художественный музей (Тула)
• Ж-1177

Бассоли (Боссоли) Карло Баттиста

Premazzi, Lois, Premazzi, Luigi

Беркос Михаил Андреевич

Shkolnik, Josif Solomonovich

Painter, theatrical designer. Studied at the Odessa School of Art (1898–1905) and the Imperial Academy of Arts in St Petersburg (1905–1907). Founding member of the Union of Youth (1909, secretary). Contributed to exhibitions (from 1908). Contributed to the exhibitions of Modern Trends in Art (1908), Impressionists (1909), Union of Youth (1910–1914), Left-Wing Trends (1915), Exhibition of Paintings and Sculptures by Jewish Artists (1918), First State Exhibition of Free Art (1919) and the Exhibition of Russian Art in Berlin (1922). Designed for theatres in St Petersburg (from 1910). Collaborated with Pavel Filonov on a production of Vladimir Mayakovsky: A Tragedy (1913) in Luna Park Theatre. Member of IZO Narkompros (1918), headed the theatrical and decorative section reorganised into Decorative Institute (1920). Professor, commissar of the Petrograd Free Art Studios (from 1919).

Жаба Альфонс Константинович

Жаба Нина Константиновна

Mashkov Ilya Ivanovich

Painter, graphic artist, teacher, portraitist, genre artist. Studied under Abram Arkhipov, Konstantin Korovin and Valentin Serov at the Moscow School of Painting, Sculpture and Architecture (1900-1909). Member of the Jack of Diamonds (1911), World of Art (1916), Society of Moscow Artists (1924-1928) and the Association of Artists of Revolutionary Russia (from 1924). Contributed to exhibitions (from 1902). Contributed to the exhibitions of the New Society of Artists (1909), Golden Fleece (1909-1910), Vladimir Izdebsky Salon (1909-1911), Jack of Diamonds (1910-1914), Moscow Salon (1911), Salon des Independants (1911, 1912) World of Art (1911, 1912, 1915-1922, 1929), Society of Moscow Artists (1927, 1928) and the Venice Biennale (1924). Taught in his own studio in Moscow (1904-1917) and at the Free Art Studios/ VKhUTEMAS/Higher Art and Technical Institute (1920-1930). Headed the central studio of the Association of Artists of Revolutionary Russia (1925-1929). Honoured artist of the RUSSIAN SOVIET FEDERATED SOCIALIST REPUBLIC (1928).

Kuprin Alexander Vasilyevich

Painter, graphic artist, monumentalist. Studied at the Amateur Drawing Club in Voronezh (1896); Lev Dmitriev-Kavkazsky’s studio in St Petersburg (1902–1904); Konstantin Juon and Ivan Dudin School of Drawing and Painting in Moscow (1905–1906); Moscow School of Painting, Sculpture and Architecture (1906–1910). Contributed to exhibitions (from 1908). Taught at art schools in Moscow and Nizhny Novgorod. Honoured Artist of the RSFSR (1956), correspondent member of the USSR Academy of Arts (1954).

Favorskaya (Favorskaya-Chekmazova) Vera

Развалины греческой крепости в Гурзуфе

• Paper, lithography.
• Алупкинский дворцово-парковый музей-заповедник
• Гр/з-799

A View at the Foot of the Ayu-Dug

• 1836
• Canvas, oil. 87 х 127
• The State Russian Museum
• Ж-5500

Вид на Аю-Даг в Крыму со стороны моря

• 1836
• Canvas, oil. 85 х 126
• The State Russian Museum
• Ж-5240

Moonlit Night in Crimea

• 1859
• Canvas, oil. 56,4 х 76
• The State Russian Museum
• Ж-5878

Вид на Аю-Даг. Крымский берег близ Ореанды

• Canvas, oil.
• Ставропольский музей изобразительных искусств
• РЖ-103

Аю-Даг. Крым

• Canvas, oil.
• Ярославский художественный музей
• Ж-92

Гурзуф

• Paper, etching.
• Чувашский государственный художественный музей (Чебоксары)
• Инв. 4380

Гурзуф

• Canvas, oil.
• Нижнетагильский музей изобразительных искусств
• Ж-49

Аю-Даг

• Paper, etching.
• Чувашский государственный художественный музей (Чебоксары)
• Инв. 7045

Таврида (Мыс Плака)

• Cardboard, oil.
• Алупкинский дворцово-парковый музей-заповедник
• Ж-160

Гурзуф

• Canvas, oil.
• Красноярский художественный музей имени В. И. Сурикова
• Ж-427

Пристань в Гурзуфе

• Canvas, oil.
• The State Russian Museum
• Ж-2005

Цветы. Гурзуф

• Canvas, oil.
• Ярославский художественный музей
• Ж-202

Гурзуф

• Canvas, oil.
• Нижнетагильский музей изобразительных искусств

Гурзуф

• Cardboard, oil.
• Ярославский художественный музей
• Ж-385

Крым. Улица

• Canvas, oil.
• Ярославский художественный музей
• Ж-2260

Гурзуф, ул. Ливанского кедра

• Canvas, oil.
• Мурманский областной художественный музей
• Ж-630, КП-ОФ-2977

Гурзуф. Берег

• Canvas, oil.
• Ставропольский музей изобразительных искусств
• СЖ-1720

Гурзуф. Ай-Далары

• Paper, watercolours.
• Брянский областной художественный музейно-выставочный центр
• Г-2027, КП-3872

Гурзуф. Бухта

• Paper, watercolours.
• Брянский областной художественный музейно-выставочный центр
• Г-2023, КП-3868

Верещагин Петр Петрович

Shishkin Ivan Ivanovich

Painter, draughtsman, engraver, landscapist. Studied at the Moscow School of Painting, Sculpture and Architecture (1852-1855) and the Imperial Academy of Arts (1856-1860). Fellow of the Imperial Academy of Arts in Germany and Switzerland (1862-1865). Worked in the studio of Rudolf Roller in Zurich (1863), painted studies in the Teutoburg Forest (1864). Lived in Dusseldorf (1864-1865). Founding member of the Society of Travelling Art Exhibitions (1870-1898). Professor (1873). Full member of the Imperial Academy of Arts (1893). Head the landscape studio at the Imperial Academy of Arts (1894-1895, 1897). Contributed to the World Exhibitions in Paris (1867, 1878), London (1872) and Vienna (1873). Lived in St Petersburg. 

Lagorio, Leo

Васильковский Сергей Иванович

Шлейн Николай Павлович

Танклевский Леонид Захарович

Шапошникова-Иваненко Елена Михайловна

Grinberg Vladimir Arievich

Painter, graphic artist, sculptor, watercolourist, illustrator, teacher. Studied at the Rostov-on-Don College of Commerce while simultaneously painting and drawing; studied in the Polytechnic Institute and New Studio in St Petersburg (from 1915). Contributed to exhibitions (from 1914). Member of the Union of Artists (1933). Taught at a school of art and workers’ school at the Rostov-on-Don University (1919–1922); Leningrad College of Art and Industry (1926–1927); Leningrad Institute of Communal Construction (1928–1941); Ilya Repin Institute of Painting, Sculpture and Architecture (1932–1933).

Черное море. Евпатория

• Canvas, oil.
• Чувашский государственный художественный музей (Чебоксары)
• Инв. 4045

Акации. Евпатория

• Canvas, oil.
• Чувашский государственный художественный музей (Чебоксары)
• Инв. 4053

Море. Евпатория

• Canvas, oil.
• Чувашский государственный художественный музей (Чебоксары)
• Инв. 7979

Облака-тучки. Евпатория

• Paper, etching.
• Чувашский государственный художественный музей (Чебоксары)
• Инв. 7043

Набросок. Евпатория. Набережная В. Терешковой. Билетные кассы

• Paper, .
• Чувашский государственный художественный музей (Чебоксары)
• Инв. 18592

Набросок. Евпатория. Свято-Николаевский собор

• Paper, .
• Чувашский государственный художественный музей (Чебоксары)
• Инв. 18591

Кокель Алексей Афанасьевич

Нивинский Игнатий Игнатьевич

Сизов Петр Владимирович

Керчь. Порт

• Paper, etching.
• Чувашский государственный художественный музей (Чебоксары)
• Инв. 1085

Перед боем в Керченском проливе 1790 г. 8 июля

• Paper, .
• Чувашский государственный художественный музей (Чебоксары)
• Инв. 405

Обелиск на горе Митридат у г. Керчи

• Paper, linocut.
• Краснодарский краевой художественный музей имени Ф. А. Коваленко
• Гр-855, КП-211

Керчь. Боспорская улица

• .
• Историко-краеведческий и художественный музей (Тула)
• Р-3465

Памятник архитектуры – церковь И. Предтечи

• Cardboard, oil.
• Восточно-Крымский историко-культурный музей-заповедник (Керчь)
• ЖСГ-533

Керчь

• Paper, gouache, pastel.
• Историко-краеведческий и художественный музей (Тула)
• Р-3832

Митридат. Керчь

• Paper, gouache.
• Историко-краеведческий и художественный музей (Тула)
• Р-3810

С горы Митридат

• Canvas, oil.
• Восточно-Крымский историко-культурный музей-заповедник (Керчь)
• ЖСГ-449

Керчь

• Paper, etching.
• Чувашский государственный художественный музей (Чебоксары)
• Инв. 18092

Заповедник

• Cardboard, oil.
• Восточно-Крымский историко-культурный музей-заповедник (Керчь)
• ЖСГ-379

Греческая церковь во имя Святого Иоанна Предтечи

• Canvas, oil.
• Восточно-Крымский историко-культурный музей-заповедник (Керчь)
• ЖСГ-766

Керчи Рождественская зимка

• Canvas, oil.
• Восточно-Крымский историко-культурный музей-заповедник (Керчь)
• ЖСГ-787

Церковь Иоанна Предтечи

• Canvas, oil.
• Восточно-Крымский историко-культурный музей-заповедник (Керчь)
• ЖСГ-786

Церковь Иоанна Предтечи

• .
• Восточно-Крымский историко-культурный музей-заповедник (Керчь)
• ЖСГ-785

Каплун Адриан Владимирович

Бибиков Виктор Сергеевич

Корчемкин Лев Николаевич

Олишевич Иван Прокопьевич

Смотров Борис Петрович

Шибнев Анатолий Демьянович

Скородумова Таисия Николаевна

Киреев Петр Петрович

Химий Василий Антонович

Щесняк Виктор Петрович

Горбачевская Валерия Александровна

Феодосия

• Paper, sepia, ink, nib.
• The State Russian Museum
• Р-1834

Вид Тавриды

• Wood, oil.
• Alexander Radishchev Art Museum, Saratov
• Ж-425

Судак в Таврической области

• Paper, watercolours.
• The State Russian Museum
• Р-5643

Morning on the Shoreline. Sudak

• 1856
• Canvas, oil. 96 х 146
• The State Russian Museum
• Ж-9146

Вид Судакской бухты

• Canvas, oil.
• Ставропольский музей изобразительных искусств
• РЖ-36

Crimea. Sudak

• 1886
• Canvas, oil. 22,8 х 30
• The State Russian Museum
• Ж-1063

Киммерия

• Paper, watercolours.
• Дагестанский музей изобразительных искусств им. П.С. Гамзатовой (Махачкала)
• Г 1793, КП 265

Крым. Судак

• Canvas, oil.
• Омский областной музей изобразительных искусств имени М. А. Врубеля
• Жр-1349

Гора Сокол. Крым. Судак

• Canvas, oil.
• Томский областной художественный музей
• Ж-768

Киммерия

• Paper, watercolours.
• Дагестанский музей изобразительных искусств им. П.С. Гамзатовой (Махачкала)
• Г 1785, КП 1997

Киммерия. Коктебель

• Paper, watercolours.
• Дагестанский музей изобразительных искусств им. П.С. Гамзатовой (Махачкала)
• Г 1772, КП 261

Крепость

• Paper, .
• Алупкинский дворцово-парковый музей-заповедник

Koktebel

• 1925
• plywood, oil. 35,5 х 45,5
• The State Russian Museum
• Ж-9104

Восточный берег Крыма. Коктебель

• Paper, watercolours.
• Томский областной художественный музей
• Г-1761

Крымский этюд. Вечерний профиль Карадага над успокоенной водой

• Paper, watercolours.
• Краснодарский краевой художественный музей имени Ф. А. Коваленко
• Ж-295, КП-10369

Судак. Крепость

• Canvas, oil.
• Орловский музей изобразительных искусств
• Ж-15

Генуэзский замок в Судаке (Крым)

• Paper, etching.
• Переславль-Залесский государственный историко-архитектурный и художественный музей-заповедник
• ПЗМ-17388

Феодосия. Сарыголь. Из окна

• Paper, watercolours.
• Чувашский государственный художественный музей (Чебоксары)
• Инв. 4077

Крымский пейзаж

• Paper, watercolours.
• Мордовский республиканский музей изобразительных искусств им. С. Д. Эрьзи (Саранск)
• Г-2017

«Тишина от луны, от холмов и от скал Карадага…»

• Paper, watercolours.
• Мордовский республиканский музей изобразительных искусств им. С. Д. Эрьзи (Саранск)
• Г-515

Волошин (Кириенко-Волошин) Максимилиан Александрович

Поляков Митрофан Максимович

Bogayevsky Konstantin Fyodorovich

Matveyeva-Mostova Zoya

Покаржевский Петр Дмитриевич

Смирнов Глеб Борисович

Ostroumova-Lebedeva Anna

Инкерман

• Paper, sepia, ink, nib.
• The State Russian Museum
• Р-1833

A View in the Environs of Inkerman

• 1817 – 1819
• Canvas, oil. 76,5 х 55
• The State Russian Museum
• Ж-4658

Развалины древней церкви в Инкерманской горе

• Paper, lithography.
• Алупкинский дворцово-парковый музей-заповедник
• Гр/з-800

Вид Балаклавы со стороны генуэзский укреплений

• Paper, lithography.
• Алупкинский дворцово-парковый музей-заповедник
• Гр/з-656

Георгиевский монастырь

• Paper, lithography.
• Алупкинский дворцово-парковый музей-заповедник
• Гр/з-657

A Russian Squadron on the Sevastopole Roadstead

• 1846
• Canvas, oil. 121 х 191
• The State Russian Museum
• Ж-8237

The painting “Sevastopol before Midday during the Tsar’s Visit” was presented during an exhibition in Feodosia on 18^th  March 1846. To judge from the facts that there is an yacht with the Emperor Standard lifted up, the people greeting the Emperor on the shore and the ships  of the Black Sea Fleet lined up in front of the yacht, it is the painting of the Russian Museum that was commissioned to the artist by Nicholas I.

Nothing in this painting foresees the tragic destiny of Sevastopol, a Black Sea pearl of the Russian crown, and the Russian fleet in the Crimean War of 1853–1856.

The boats depicted in the painting, including the 130 cannons flagship “The Twelve apostles” of the Black Sea of the Russian fleet, were submerged at the entrance to the Sevastopol Bay in 1854 to prevent the entry of the French, British and Turkish fleet. By doing so, Sevastopol was protected from the sea. The painting also depicts the ritual of sailors, which was afterwards abolished: while remaining off the harbour, the sailors would stand on the mast of the boat and keep the alignment.

Storm at Cape Aya

• 1875
• Canvas, oil. 215 х 325
• The State Russian Museum
• Ж-1777

Пристань в Севастополе

• Wood, oil.
• Alexander Radishchev Art Museum, Saratov
• Ж-213

Мыс Фиолент вблизи Севастополя

• Canvas, oil.
• Нижнетагильский музей изобразительных искусств
• Ж-328

Мыс Фиолент в Крыму (Подражание Хиросигэ)

• Paper, .
• The State Russian Museum
• Гр.-39360

Генуэзская башня в Балаклаве

• Canvas, pasted on cardboard, oil.
• Омский областной музей изобразительных искусств имени М. А. Врубеля
• Жр-986

Севастопольский базар

• Cardboard, oil.
• Томский областной художественный музей
• Ж-1232

Гавань в Севастополе

• Cardboard, oil.
• Краснодарский краевой художественный музей имени Ф. А. Коваленко
• Ж-303, КП-10377

Сушка парусов. Балаклава

• Canvas, oil.
• Севастопольский художественный музей имени М.П. Крошицкого
• Ж-430

Херсонесская базилика

• Canvas, oil.
• Севастопольский художественный музей имени М.П. Крошицкого
• Ж-1735

Исторический бульвар в Севастополе

• Canvas, oil.
• Севастопольский художественный музей имени М.П. Крошицкого
• Ж-525

Севастополь

• Canvas, oil.
• Пермская государственная художественная галерея
• Ж-897, КП-5070

Вид на панораму «Оборона Севастополя 1854–1855 гг.» с горы Матюшенко

• Cardboard, oil.
• Национальный музей героической обороны и освобождения Севастополя
• Ж-420

Берег Омеги. Севастополь

• Canvas, oil.
• Мемориальный музей-усадьба художника Н. А. Ярошенко (Кисловодск)
• Ж-636

Колокол Херсонеса

• Canvas, oil.
• Мемориальный музей-усадьба художника Н. А. Ярошенко (Кисловодск)
• Ж-643

Beggrov, Alexander Carlovich

Naval officer who became a seascape painter. Studied at the Academy of Arts (1870) and then under Léon Bonnat and Alexei Bogolyubov in Paris. Artist of the Russian Naval Ministry (from 1878 to his death). Honorary member of the Imperial Academy of Arts (1912). His talent and rich experience as a seaman allowed him to achieve success and recognition.

Vereshchagin Vasily Vasilievich

Painter. Studied at the School of Drawing of the Society for the Encouragement of the Arts (1858-1860), under Alexei Markov and Fyodor Moller at the Imperial Academy of Arts (1860–1863), Atelier de Jean Louis Gérôme and Alexandre Bida, National School of Fine Arts in Paris (1864–1866). Contributed to the exhibitions of the Paris Salon (1866), the Imperial Academy of Arts (1867 and 1873), the Society of Traveling Art Exhibitions (1874 and 1875), the Moscow Society of Lovers of Arts (1881), All-Russian Exhibition in Moscow (1882), International Exhibitions in London (1872) and Vienna (1873). Contributed to over 30 personal exhibitions in Russia and abroad. 

Сабо Иннокентий Николаевич

Крошечкин-Крошицкий Михаил Потапович

Зернова Екатерина Сергеевна

Меллин Вадим Александрович

Нисский Георгий Григорьевич

Гранди Василий Иванович

Секлюцкий Владимир Вячеславович

Bank with the Rocky Mountain

• 1817 – 1819
• Canvas, oil. 55 х 76
• The State Russian Museum
• Ж-4662

Вид в Кораисе, имении княгини А. С. Голицыной

• Paper, lithography.
• Алупкинский дворцово-парковый музей-заповедник
• Гр/з-4772

Ялта

• Paper, lithography.
• Алупкинский дворцово-парковый музей-заповедник
• Гр/з-803

Церковь в Ялте

• Paper, lithography.
• Алупкинский дворцово-парковый музей-заповедник
• Гр/д-547

Южный берег Крыма со скалами «Дива и Монах»

• Canvas, oil.
• Музей изобразительных искусств Республики Карелия (Петрозаводск)
• Ж-186, КП-1073

Ореанда. Утесы

• Canvas, oil.
• Симферопольский художественный музей
• Ж-176, КП-870

Прибой в Ялте

• Canvas, oil.
• Alexander Radishchev Art Museum, Saratov
• Ж-329

Южный берег Крыма. Вид на Ливадию сверху

• Canvas, oil.
• The State Russian Museum
• Ж-3618

Ялта

• Canvas, oil.
• Краснодарский краевой художественный музей имени Ф. А. Коваленко
• Ж-353, КП-10427

Ялтинские горы ночью

• Wood, oil.
• Омский областной музей изобразительных искусств имени М. А. Врубеля
• Жр-119

Берег Ялты

• Wood, oil.
• Омский областной музей изобразительных искусств имени М. А. Врубеля
• Жр-120

Ласточкино гнездо

• Canvas, oil.
• Переславль-Залесский государственный историко-архитектурный и художественный музей-заповедник
• ПЗМ-998

Симеиз. Скалы Дива, Монах и гора Кошка с западной стороны

• Canvas, oil.
• Ярославский художественный музей
• Ж-580

Ливадия. Старый дворец

• Paper, watercolours.
• Севастопольский художественный музей имени М.П. Крошицкого
• Г-166

Горный пейзаж с сосной. Эриклик. Крым

• Canvas, pasted on cardboard, oil.
• Ярославский художественный музей
• Ж-2819

Массандровский дворец

• Canvas, oil.
• Севастопольский художественный музей имени М.П. Крошицкого
• Ж-267

Grapes. Crimea

• 1907
• Canvas, oil. 89 х 103
• The State Russian Museum
• Ж-6490

Крым. Скалы в Симеизе

• Canvas, oil.
• Красноярский художественный музей имени В. И. Сурикова
• Ж-1417

Ялта

• Canvas, pasted on cardboard, oil.
• Краснодарский краевой художественный музей имени Ф. А. Коваленко
• Ж-1134, КП-4388

Берег и горы в Ялте

• Cardboard, oil.
• Брянский областной художественный музейно-выставочный центр
• Ж-866, КП-4901

Unknown painter

Vasilyev Fyodor Alexandrovich

Painter, landscapist. Studied under Ivan Kramskoi at the evening classes of the School of Drawing, Society for the Encouragement of Artists (1863-67) and under the restorer Ivan Sokolov at the Imperial Academy of Arts (from 1865). Worked under Ivan Shishkin on the island of Balaam (1867). Extern student of the Imperial Academy of Arts (1871; did not attend classes). Accompanied Ilya Repin and Ivan Makarov on a trip down the Volga (1870). Class artist (1872), reduced to honorary fellow (1873). Member of the Society for the Encouragement of Artists (from 1868). Contributed to the exhibitions of the Society for the Encouragement of Artists (1867-73; with interval), Imperial Academy of Arts (1872, 1873) and Moscow Society of Lovers of the Arts (1872). 

Думитрашко Виктор Иванович

Платонов Семен Сергеевич

Бенуа Альберт Николаевич

Крачковский Иосиф Евстафьевич

Ciąglinski Jan

Алисов Михаил Александрович

Егоров Евгений Васильевич