Advanced search collections
1812 in Works of Art from the Collection of the Russian Museum
Portrait of Alexander I
- Early 19th century
- Bronze. 68 х 37 х 27
- The State Russian Museum
- Ск-973
Portrait of Alexander Stroganov
- Canvas, oil. 54 х 45
- The State Russian Museum
- Ж-4594
Count Alexander Stroganov (1794-1814) was the only son of Sofia and Pavel Stroganovs. He went to the army in the field with his father during the Patriotic War of 1812. He was tragically killed during the Battle of Craonne in France (A shot from a cannon decapitated him).
Портрет П. В. Голенищева-Кутузова
- Bone, watercolours, gouache. 7,1 x 6,1 (овал)
- The State Russian Museum
- Ж-369
Портрет М. И. Голенищева-Кутузова
- 1806
- Bone, watercolours, gouache. 6,5 x 5,7 (овал)
- The State Russian Museum
- Ж-820
Портрет П. Х. Витгенштейна
- Watercolours, gouache. 5,2 x 4,3 (овал)
- The State Russian Museum
- Ж-463
Портрет князя Б. А. Голицына
- Bone, watercolours, gouache. Дм — 7
- The State Russian Museum
- Ж-346
Portrait of Count Pavel Stroganov
- 1808
- Canvas, oil. 69 х 56,5
- The State Russian Museum
- Ж-4596
Pavel Stroganov (1772–1817) was count and son of Alexander Stroganov and Yekaterina Petrovna (née Trubetskaya). He traveled a great deal around Russia. He went to Switzerland in order to complete his education and went to Paris in 1789. He took part in events of the French Revolution. He was called back to Russia in 1790. He became a gentleman in waiting in 1798. He was a member of the Private Committee at the beginning of the reign of Alexander I. He was also the assistant of the Minister of the Internal Affairs. He became a senator in 1806. He fought in the Finnish War (1808-1809), the Russo-Turkish War (1806-1812) and the Patriotic War of 1812.
Portrait of Life Guard Colonel Yevgraf Davydov
- 1809
- Canvas, oil. 162 x 116
- The State Russian Museum
- Ж-5134
The portrait is Orest Kiprensky’s most famous canvas and a specific manifesto of the art of the Romantic era in Russia. It was one of the works for which Kiprensky was made an academician in 1812.
Yevgraf Davydov (1775–1823): Sergeant major of the Life Guards Cavalry Regiment (1791), cornet of the Life Guards Hussar Regiment (1799), colonel (1807). Fought in the Napoleonic Wars at the Battle of Austerlitz (1805) and the Battle of Ostrovnoye near Vitebsk (1812). Lost his left leg and right arm beneath the elbow at the Battle of Leipzig (August 1813), awarded the Order of St George (3rd class), the Order of Leopold of Austria, the Order of the Red Eagle of Prussia (2nd class) and promoted to the rank of major-general.
Blessing a Militiaman in 1812
- 1810s
- Canvas, oil. 78 х 65
- The State Russian Museum
- Ж-3334
The war with Napoleon’s army gave rise to many works dedicated to various events and episodes, including this painting by Ivan Luchaninov, done for a programme given to pupils of the Academy of Arts. For this painting, he received a medal and the title of Academician.
Вид Кремля во время нашествия Наполеона в 1812 году
- Paper, . И.:15 х 22,7; Л.:17,1 х 24,6
- The State Russian Museum
- Гр.-20822
Граф Витгенштейн
- 1812
- Paper, , . И.:10,6х10,5. Д.:16,0х12.7. Л.:20,5х15,6
- The State Russian Museum
- Гр.-15171
Два кресла и диван
- Carving, gilding, . Кресло: 97 х 63 х 69 (каждое); диван: 145 х 190 х 66
- The State Russian Museum
- Меб.-679, Меб.-680, Меб.-677 (диван)
Деятельность француженки в магазине
- 1812
- Paper, etching with hand colouring. И.: 18,2 х 25; л.: 33,5 х 42; д.: 20,6 х 27,6
- The State Russian Museum
- Гр-8753
Кириловец
- 1812
- Paper, etching with hand colouring. И.: 16 х 24,2; л.: 23 х 27; д.: 21,2 х 25,8
- The State Russian Museum
- Гр-6913
Князь Багратион. Генерал от Инфантерии в Сражении под Бородиным 6 авг. 1812 года
- Paper, . И.:22,8х14,8. Д.:25,5х19,5. Л.:32х25
- The State Russian Museum
- Гр.-15061
Крестьянин Иван Долбила
- 1812
- Paper, etching with hand colouring. И.: 14,5 х 30,3; л.: 20,8 х 32,2; д.: 20,2 х 31,9
- The State Russian Museum
- Гр-6914
Поражение корпуса маршала Даву 5 ноября 1812 года при городе Красном
- 1812–1813
- Paper, charcoal pencil. 55,3 х 96,4
- The State Russian Museum
- Р-5976
Портрет П. И. Меллер-Закомельского
- 1812
- Paper, , charcoal pencil. 29,8 х 22,4
- The State Russian Museum
- Р-1056
Портрет военного врача
- 1812
- Paper, , graphite pencil. 22,3 x 17,6
- The State Russian Museum
- Р-1061
Портрет генерала Д. В. Вындомского
- 1812
- Paper, , charcoal pencil. 32,2 х 25,6
- The State Russian Museum
- Р-1051
Портрет князя Г.С. Голицына
- Canvas, oil. 67 х 56
- The State Russian Museum
- ЖБ-477
Русский Сцевола
- 1812
- Paper, etching with hand colouring. И.: 17 х 27; л.: 24,3 х 34,2; д.: 20,6 х 29,8
- The State Russian Museum
- Гр-8777
Русский ратник, домой возвращаясь, для курьезу ребятишкам бирюлек принес
- 1812
- Paper, etching with hand colouring. И.: 19,2 х 22,4; л.: 27 х 30,4; д.: 20,3 х 26,2
- The State Russian Museum
- Гр-6780
Французы голодные крысы в команде у старостихи Василисы
- 1812
- Paper, etching with hand colouring. И.: 18 х 26; л.: 25 х 37,8; д.: 23,4 х 30,6
- The State Russian Museum
- Гр-6793
"Вывоз редкостей из Парижского музея по случаю приближения союзных армий"
- Paper, etching with hand colouring. И.:22,7х29,4. Д.:26,1х32,4. Л.:26,9х35,3
- The State Russian Museum
- Гр.-322
"Казак вручает Наполеону визитной билет на взаимное посещение"
- Paper, etching with hand colouring. И.:16,9х27,5. Д.:20,3х30,0. Л.:26,9х35,3
- The State Russian Museum
- Гр.-314
"Консилиум"
- Paper, etching with hand colouring. И.:17,9х27,5. Д.:23,5х31,3. Л.:26,9х35,3
- The State Russian Museum
- Гр.-324
"Кукольная комедия"
- Paper, etching with hand colouring. И.:18,1х34,0. Д.:24,5х34,0. Л.:26,9х35,3
- The State Russian Museum
- Гр.-317
"Наполеон в Русской бане"
- Paper, etching. И.:18,9х30,7. Д.:- Л.:26,9х35,3
- The State Russian Museum
- Гр.-313
"Наполеон занимается прожектами снарядов для будущей кампании своей против Русских"
- Paper, etching with hand colouring. И.:19,3х33,5. Д.:25,0х33,7. Л.:26,9х35,3
- The State Russian Museum
- Гр.-319
"Наполеон продает с молотка похищенные им антики"
- Paper, etching with hand colouring. И.:28,7х25,8. Д.:- Л.:35,3х26,9
- The State Russian Museum
- Гр.-320
"Наполеон, в намерении своем уничтожить Пруссию, гриб съел"
- Paper, etching with hand colouring. И.:15,6х29,1. Д.:19,4х29,1. Л.:26,9х35,3
- The State Russian Museum
- Гр.-310
Portrait of Aleksey Lanskoi
- 1813
- Paper, . 25,5 х 20,8
- The State Russian Museum
- Р-2890
Portrait of Mikhail Lanskoi
- Paper, . 26 х 20,7
- The State Russian Museum
- Р-13128
Mikhail Lanskoi (circa 1787—?): Saw action in the military campaigns of 1806—07 and the Patriotic War of 1812. Served in Saratov. Commanded a Hussar division in Kovno (1832). Nephew of Alexei Tomilov, whom he helped to put his art collection together. Depicted with the Orders of St George (4th class) and St Vladimir (4th class). Awarded the St George’s Cross in June 1807.
Russian Scaevola
- Bronze. 268 x 131 x 92
- The State Russian Museum
- Ск-1859
The sculptor portrayed the feat of an unknown peasant, who, according to a legend, was captured by the French during the war of 1812. The hero was particularly athletic and therefore he was taken to serve in the French army, and as a sign that he belonged to the Emperor Napoleon, he was branded with the initial "N". The peasant didn’t want to serve the enemies of his Fatherland, so he cut off his hand with an ax. Such courage caused respect from the enemy, and he was released.
The sculptor compares the act of this Russian peasant with the feat of the ancient Roman Gaius Mucius Scaevola, who in 508 BC sacrifices his hand in the name of saving the homeland. In accordance with the norms of classicism, the author ennobles the face of the hero: he has clayey features, his expression is calm, the body is composed harmoniously. Only a cross on his neck indicates that he is not an ancient warrior, but a Russian hero.
The Entry of the French Army into Moscow 14 September 1812
- Paper, etching, lathe. И.: 33,5 х 46,8. Л.: 49,5 х 70
- The State Russian Museum
- Гр-35167
The Fire of Moscow on 15 September 1812
- Paper, aquatint with hand colouring. И.: 38,5 х 55,0. Л.: 45,6 х 57,8
- The State Russian Museum
- Гр-32009
Атаман граф Платов со своими казаками
- Paper, . И.: 32,6 х 47,5; л.: 49,1 х 69,2; д.: 42,2 х 54,2
- The State Russian Museum
- Гр-17327
Большая французская армия...
- 1813
- Paper, etching with hand colouring. И.: 14,2 х 24,2; л.: 33,7 х 43,7; д.: 23,8 х 28,2
- The State Russian Museum
- Гр-8762
Вид ввезения в С.-Петербург на раменах Кутузова-Смоленского
- etching, aquatint with hand colouring. И.: 38,4 х 53,7. Л.: 44,4 х 58,8
- The State Russian Museum
- Гр-38369
И на нашей улице праздник! Кричит пруссак
- 1813
- Paper, etching with hand colouring. И.: 18,2 х 24,7; л.: 34 х 43; д.: 20,5 х 28,4
- The State Russian Museum
- Гр-8757
Изгнание из Москвы французских актрис
- 1813
- Paper, etching with hand colouring. И.: 19 х 27; л.: 29 х 35; д.: 22,4 х 22,9
- The State Russian Museum
- Гр-8761
Князь П. И. Багратион
- Paper, . И.: 23,9 х 11,7; л.: 29,3 х 22,1; д.: 23,9 х 11,7
- The State Russian Museum
- Гр-16283
Мадамов из Москвы ведь выгнали
- 1813
- Paper, etching with hand colouring. И.: 17,4 х 25,8; л.: 22,3 х 36; д.: 20 х 28
- The State Russian Museum
- Гр-8758
Н... уже в Сенате с трофеями...
- 1813
- Paper, etching with hand colouring. И.: 17,2 х 24,2; л.: 28,7 х 38,4; д.: 20,3 х 28
- The State Russian Museum
- Гр-8773
Наполеон с сатаной после сожжения Москвы
- 1813
- Paper, etching with hand colouring. И.: 20,6 х 25,5; л.: 37,2 х 29,1
- The State Russian Museum
- Гр-8796
Наполеонова пляска
- 1813
- Paper, etching with hand colouring. И.: 13,2 х 25; л.: 31,5 х 36; д.: 20,8 х 26,3
- The State Russian Museum
- Гр-8789
Наполеонова слава
- 1813
- Paper, etching with hand colouring. И.: 18,4 х 27,8; л.: 32,6 х 42; д.: 23,2 х 29,5
- The State Russian Museum
- Гр-8780
Не все коту масленица
- 1813
- Paper, etching with hand colouring. И.: 17,1 х 24,2; л.: 26,9 х 35,3; д.: 20 х 27,1
- The State Russian Museum
- Гр-336
Неправильная ретирада
- 1813
- Paper, etching with hand colouring. И.: 18 х 25,8; л.: 24,7 х 40,7; д.: 20,6 х 27,8
- The State Russian Museum
- Гр-8752
Нос, привезенный Наполеоном с собою из России в Париж
- 1813
- Paper, etching with hand colouring. И.: 16,5 х 26,5; л.: 27,8 х 33,4; д.: 20 х 28
- The State Russian Museum
- Гр-6849
Пласт «Апофеоз Александра I»
- 1813–1814
- Porcelain, painting over glaze, gilding, . 41,5 х 36,9
- The State Russian Museum
- Ф-2181
Поражение корпуса генерала Вандама 18 августа 1813 года при селе Кульме
- 1813
- Paper, charcoal pencil. 56,1 х 96,6
- The State Russian Museum
- Р-5977
Портрет А. Р. Томилова (в форме ополченца)
- Paper, . 24,6 х 19,8
- The State Russian Museum
- Р-13136
Портрет военного
- 1813
- Paper, . 29,5 х 23,4
- The State Russian Museum
- Р-1044
Портрет графа Матвея Ивановича Платова на коне
- Canvas, oil. 57,5 x 44
- The State Russian Museum
- Ж-4873
Постой-ка, не в свои ты сани, брат, садишься!
- 1813
- Paper, etching with hand colouring. И.: 15 х 28,8; л.: 29 х 35; д.: 19 х 29,5
- The State Russian Museum
- Гр-8805
Проезд высокого путешественника от Варшавы до Парижа...
- 1813
- Paper, etching with hand colouring. И.: 15 х 31,8; л.: 33,3 х 42; д.: 23,7 х 32,7
- The State Russian Museum
- Гр-8804
Проект медали в память народного ополчения 1812 года
- 1813
- Gold, , bronze. Дм — 9,3
- The State Russian Museum
- Мед.А-12581
Расстрел французами русских патриотов в Москве в 1812 году
- 1813
- Canvas, oil. 140 х 188
- The State Russian Museum
- Ж-5056
Unknown sculptor
Mosnier Jean Laurent
1743 (4?), Paris — 1808, St PetersburgFrench painter, portraitist, miniaturist. Pupil of Louis-Jean-François Lagrenée the Elder. Court painter to Queen Marie Antoinette and Louis XVI. Contributed to the Paris Salon. Admitted into the Paris Academy of Arts in 1788. Fled to London during the French Revolution. Worked in Russia (1795(6?)–1808). Moved to St Petersburg (1795(6?)). Academician of the Imperial Academy of Arts (1802), headed the portrait class (from 1806).
Рокштуль Петер Эрнст
Unknown painter
Жирар Эрнест Жозеф Анжелон
Kiprensky Orest Adamovich
1772, Nezhinskaya (St Petersburg Province) - 1836, RomePortraitist, history painter, draughtsman.
Illegitimate son of a serf woman, Anna Gavrilova, who gave him the name Kipreisky, later changed to Kiprensky. Grew up in the family of his foster father Adam Schwalde. Emancipated from serfdom and enrolled in the Imperial Academy of Arts (1788). Studied history painting under Grigory Ugryumov and Gabriele-Francois Doyen. Fellow of the Imperial Academy of Arts (1803-09). Worked in St Petersburg, Moscow and Tver. Academician of portrait painting (1812), councillor of the Imperial Academy of Arts (1815). Contributed to the exhibitions of the Imperial Academy of Arts. Lived in Italy (1816-23, 1828-36). Contributed to the Paris Salon (1822). Donated Self-Portrait (1820) to the Galleria degli Uffizi in Florence (1825). Appointed second-class professor of history and portrait painting with automatic member¬ship of the nobility (1831). Councillor of the Accademia di Belle Arti in Naples (1831). Buried at Sant\'\' Andrea delle Fratte in Rome.
Адам Анри-Альберт (Андрей Александрович)
Venetsianov Alexei Gavrilovich
1780, Moscow - 1847, Poddubie (Tver Province)Founding father of Russian peasant genre painting. Painter, portraitist, etcher, lithographer. Son of a Moscow merchant, educated at private boarding school, worked as a draughtsman. Moved to St Petersburg (1802) and worked as a land surveyor for the crown properties and forestry departments. Studied painting independently, copied works in the Imperial Hermitage and drew pastel portraits. Academician (1811). Resigned from the civil service, moved to the country and painted genre scenes from life (early 1820s). Exhibited at the Imperial Academy of Arts and the Society for the Encouragement of Artists. Had many students, who formed the Venetsianov school in Russian art. Killed in a road accident at the Milyukov estate.
Карделли Сальватор (Cardelli Salvator) / Соломон
Luchaninov Ivan Vasilievich
1781, Toropets (Pskov Province) ‒ 1824, St PetersburgPainter, history painter, portraitist, icon painter. Audited classes at the Imperial Academy of Arts (until 1809), student of Stepan Shchukin and Alexander Warnek. Helped to paint icons for the Kazan Cathedral (before 1812). Awarded a major gold medal and fellowship at the Imperial Academy of Arts (1812).
Теребенев Иван Иванович
Vasily Shebuev
Шифляр Самуил Петрович
Imperial Porcelain Factory
Demut-Malinovsky Vasily
1779, St Petersburg — 1846, St PetersburgSculptor. Studied at the Imperial Academy of Arts (1785–1800). Fellow of the Imperial Academy of Arts in Rome (1803–1806). Taught at the Imperial Academy of Arts (from 1808). Professor (from 1813), chancellor of the sculpture department (from 1836). Oversaw the sculpture of palaces and parks in St Petersburg. Author of many ornamental and monumental works decorating St Petersburg’s buildings, indoor and memorial sculptures as well.
Ivanov Ivan
Леберехт Карл Александрович
Unknown engraver
Rugendas Johann Lorenz
Blessing a Militiaman in 1812
- 1810s
- Canvas, oil. 78 х 65
- The State Russian Museum
- Ж-3334
The war with Napoleon’s army gave rise to many works dedicated to various events and episodes, including this painting by Ivan Luchaninov, done for a programme given to pupils of the Academy of Arts. For this painting, he received a medal and the title of Academician.
Поражение корпуса маршала Даву 5 ноября 1812 года при городе Красном
- 1812–1813
- Paper, charcoal pencil. 55,3 х 96,4
- The State Russian Museum
- Р-5976
The Entry of the French Army into Moscow 14 September 1812
- Paper, etching, lathe. И.: 33,5 х 46,8. Л.: 49,5 х 70
- The State Russian Museum
- Гр-35167
The Fire of Moscow on 15 September 1812
- Paper, aquatint with hand colouring. И.: 38,5 х 55,0. Л.: 45,6 х 57,8
- The State Russian Museum
- Гр-32009
Атаман граф Платов со своими казаками
- Paper, . И.: 32,6 х 47,5; л.: 49,1 х 69,2; д.: 42,2 х 54,2
- The State Russian Museum
- Гр-17327
Вид ввезения в С.-Петербург на раменах Кутузова-Смоленского
- etching, aquatint with hand colouring. И.: 38,4 х 53,7. Л.: 44,4 х 58,8
- The State Russian Museum
- Гр-38369
Поражение корпуса генерала Вандама 18 августа 1813 года при селе Кульме
- 1813
- Paper, charcoal pencil. 56,1 х 96,6
- The State Russian Museum
- Р-5977
Расстрел французами русских патриотов в Москве в 1812 году
- 1813
- Canvas, oil. 140 х 188
- The State Russian Museum
- Ж-5056
Бегство французов из Москвы в 1812 году октября 12 дня
- 1814
- Paper, . И.:45,1 х 61,8. Л.:54,5 х 68,5
- The State Russian Museum
- Гр.-17386
Взятие Полоцка 6 октября 1812 г.
- Paper, . И.:45,8х62,1. Л.:54,1х66,0
- The State Russian Museum
- Гр.-17384
Взятие города Вязьмы 22 октября 1812
- 1814
- Paper, . И.:45,4 х 61,6. Л.:53,9 х 68,8
- The State Russian Museum
- Гр.-17388
Взятие города Вязьмы 22 октября 1812 года
- 1814
- Paper, . И.: 45 х 61,3; л.: 52 х 67
- The State Russian Museum
- Гр-31373
Переход через Неман 12 июня 1812-го года и начало войны 1812-го, 1813-го и 1814-го года
- Гравюра резцом. И.:50,8 х 80. Л.:61,1 х 87
- The State Russian Museum
- Гр.-31727
Победа при Колотском монастыре 19 октября 1812 г
- Paper, . 54,0х68,5
- The State Russian Museum
- Гр.-17387
Победа при Малом Ярославце 12 октября 1812 г.
- Paper, . И.:45,4 х 61,5. Л.:55 х 68,6
- The State Russian Museum
- Гр.-17385
Победа при Тарутине над Мюратом, королем Неаполитанским, 6 октября 1812 г.
- Paper, . И.:45,3 х 61,6. Л.:54 х 68,5
- The State Russian Museum
- Гр.-17383
Победа при городе Духовщине 26 октября 1812 г
- Paper, . И.:45,7х61,9. Д.:52,0х65,0. Л.:54,3х68,8
- The State Russian Museum
- Гр.-17389
Разбитие Наполеона при переправе через Березину 16 и 17 ноября 1812 г
- Paper, . И.:45,2х62,1. Д.:52,5х65,3. Л.:55,1х67,6
- The State Russian Museum
- Гр.-17392
Разбитие маршала Виктора при г. Старом Борисове 15 и 16 ноября 1812 г
- 1814
- Paper, . И.:45,4 х 61,8. Л.:54,5 х 68,6
- The State Russian Museum
- Гр.-17393
Разбитие маршала Давуста при г. Красном 5-го ноября 1812
- 1814
- Paper, . И.:45,3х61,7. Д.:52,3х65,3. Л.:54,1х68,8
- The State Russian Museum
- Гр.-17390
Разбитие маршала Нея при г. Красном 6 ноября 1812 г.
- Paper, . И.:45,1 х 62,1. Л.:54 х 68,7
- The State Russian Museum
- Гр.-17391
Сражение при Бородине 26 августа 1812 г
- Paper, . И.:45,5 х 61,4. Л.:55,2 х 67,5
- The State Russian Museum
- Гр.-17382
Battle of Leipzig on 6 October 1813
- 1815
- Canvas, oil. 124,5 х 237
- The State Russian Museum
- Ж-5484
The battle fought at Leipzig in Saxony on 6 October 1813, which is also called the “Battle of the Nations”, is one of the largest in world history. In this battle, Napoleon Bonaparte was defeated by the unified armies of Russia, Prussia, Austria, and Sweden, who comprised the anti-Napoleon Sixth Coalition, which also included Great Britain, Spain, and Portugal. The victory at Leipzig led to Napoleon losing his last allies and put before him a Europe united against him. The canvas was painted by Vladimir Moshkov at a time when memories of this grandiose battle were still fresh. Upon examining this painting by the recent graduate of the Academy, the Academic Council awarded him the title of Academician.
Napoleon in Moscow
- 1810s–1820s
- Paper, mezzotint. И.: 33,5 х 46,8. Л.: 49,5 х 70
- The State Russian Museum
- Гр-35169
Молебствие в Париже в день Воскресения Господня 10-го апреля 1814 года и окончание войны 1812-го, 1813-го и 1814-го года
- Гравюра резцом. И.:51 х 80,1. Л.:60 х 86
- The State Russian Museum
- Гр.-31726
В атаку
- Бумага черная на белой. И.: 4,3 х 20,6; л.: 34,6 х 22,3
- The State Russian Museum
- Р-36351
Военная застава
- Бумага черная на белой. И.: 7,9 х 21,2; л.: 34,6 х 22,3
- The State Russian Museum
- Р-36355
Наполеон, наблюдающий движение войск
- Бумага черная на белой. И.: 6,2 х 26,9; л.: 22,3 х 34,9
- The State Russian Museum
- Р-36354
Французские солдаты приветствуют Наполеона
- Бумага черная на белой. И.: 5,4 х 17; л.: 34,6 х 22,3
- The State Russian Museum
- Р-36350
Перевязка раненого на войне 1812 года
- Paper, lithography. И.:26,8х22,5. Л.:33,9х28,7
- The State Russian Museum
- Гр.-35148
Битва под Москвой, происшедшая 7 сентября 1812 года
- Paper, . И.:24,9х36,3. Д.:24,9х36,3. Л.:33,0х45,3
- The State Russian Museum
- Гр.-26672
Въезд французов в Москву 14 сентября 1812 года
- Paper, etching with hand colouring. И.:24,9 х 36,0. Л.:32,8 х 45,2
- The State Russian Museum
- Гр.-26671
Атака русских на Березине 26 ноября 1812 года
- Paper, . И.:19,8х30,3. Л.:28,5х35,6
- The State Russian Museum
- Гр.-17276
Император Александр I в Вильне 1812 года
- 1836
- Paper, lithography. И.:11,8х16,9. Л.:16,7х24,8
- The State Russian Museum
- Гр.-1172
The Heroism of Leonty Korenoi, Grenadier of the Finland Life Gurds Regiment, at the Leipzig in 1813
- 1846
- Canvas, oil. 172 х 215
- The State Russian Museum
- Ж-3561
Leontiy Korennoy took part in the battle of 1812 being in the Finland Life Gurds Regiment, in which there were the best and worthy soldiers. Korennoy fought bravely during the battle of Borodino, but it is for the events of 4th of October 1813, during the “Battle of the Nations” in Leipzig, that he has been the subject of Polidor Babaev’s painting. His battalion of Finland Life Gurds Regiment was massively attacked by the enemy, who outnumbered them, so they began to retreat. Korennoy and some of his fellow grenadiers allow the commanders and the wounded officers to escape. After he received 18 wounds, the enemy captured him as he was the only one left alive. Napoleon, who heard about Korennoy’s heroic actions, met him in person. After that, Napoleon issued a decree, in which he called Korennoy a hero and set him as an example for his French soldiers to follow. When Korennoy was recovered, he was released on Napoleon’s personal orders and was taken home.
Переход французской армии через Березину в 1812 году
- Paper, lithography. И.: 45,5 х 71,2. Л.:70,2 х 100,0
- The State Russian Museum
- Гр-32313
Сражение при Бородине 26 августа 1812 года
- Paper, . И.: 44,6 х 71,2. Л.: 64,7 х 94,2
- The State Russian Museum
- Гр-31419
Пожар Москвы. Наполеон покидает Кремль
- 1850–1852
- Paper, graphite pencil. 10,7 х 16,4
- The State Russian Museum
- Р-127
Пожар Москвы. Наполеон покидает Кремль. Наполеон у окна
- 1850–1852
- Paper, graphite pencil. 25,5 х 33
- The State Russian Museum
- Р-28931
"Протоиерей кавалергардского полка Гратинский, служащий молебствие ...15 сент. 1812г."
- Paper, . И.:23,5х34,1. Л.:29,5х36,5
- The State Russian Museum
- Гр.-28270
Бородино 26 августа 1812 года
- Paper, lithography. И.: 23,3 х 34,1. Л.: 29,7 х 36,5.
- The State Russian Museum
- Гр-28267
Кульм. 18 августа 1813 года
- Paper, lithography. И.: 23,5 х 34,3. Л.: 29,9 х 36,6
- The State Russian Museum
- Гр-28272
Полоцк 6 августа 1812 года
- Paper, lithography. И.: 23,5 х 34,5. Л.: 29,5 х 36,6
- The State Russian Museum
- Гр-28266
Генерал-фельдмаршал князь Голенищев-Кутузов Смоленский, принимающий главное начальство над Российским воинством в 1812 году
- 1873
- Paper, chromolithography. 36,5 х 43,7
- The State Russian Museum
- Гр.Луб.-1734
1."Забытая деревня". 2. "1812 год". 1. Проезжая дорога. 2. Крестьяне ведут по дороге пленных французов. Лист 9
- Paper, etching. И.:Оба: 15,3х11,3. Д.:18,0х12,2. Л.:29,8х20,7
- The State Russian Museum
- Гр.-2570
Бегство французов из Москвы 12 октября 1812 года
- Lithography. И.:11,9х17,3. Л.:14,2х19,2
- The State Russian Museum
- Гр.-36065
Разбитие маршала Виктора при г. старом Борисове 15 и 16 ноября 1812 года
- Lithography. И.:11,8х17,4. Л.:14,4х19,4
- The State Russian Museum
- Гр.-36070
"Французы в 1812 году"
- 1876-1877
- Paper, . И.:28,3х45,5. Л.:41,7х62,2
- The State Russian Museum
- Гр.-13427
Military Council in Fili in 1812
- 1880
- Canvas, oil. 79,2 х 164
- The State Russian Museum
- Ж-4176
After the Battle of Borodino, the Russian army, due to enormous losses, retreated to Moscow, taking a defensive position near Poklonnaya Hill and Sparrow Hills. On 1 September 1812 in the village of Fili near Moscow, the commander of the Russian Army, Field Marshal Mikhail Kutuzov, called a military council to discuss the question of whether to give Napoleon a new battle or to leave Moscow without a fight in order to preserve the army and give it a chance to rest and gather the reserves. Listening to the opinions of those present, the majority of whom preferred the former, Kutuzov made a unilateral decision to leave the ancient capital. The meeting occurred in complete secrecy and no minutes were taken, so the exact number of participants is unknown. The scene in the darkened hut is full of drama. With the help of lighting, Kivshenko concentrates attention on the faces and, fleshing out the character of each person, shows the individuality of his reaction to what is happening.
Военный совет в Филях 1812 г.
- 1880
- Paper, chromolithography. И.:32,7 х 44,2. Л.:47,5 х 60,6
- The State Russian Museum
- Гр.Луб.-3136
"Наполеон в России 1812 года"
- 1888
- Paper, chromolithography. 43,5 х 56,2
- The State Russian Museum
- Гр.Луб.-21
Взятие Полоцка 6 октября 1812 года
- Paper, chromolithography. 42,5 х 54,0
- The State Russian Museum
- Гр.Луб.-20
Сражение при Тарутине 6-го октября 1812 года
- 1891
- Paper, chromolithography. 42,6 х 53,6
- The State Russian Museum
- Гр.Луб.-18
"Пожар Москвы в 1812 году"
- 1902
- Paper, chromolithography. 9,8 х 14,9
- The State Russian Museum
- Гр.Луб.-1831
Бородинский бой 1812 г.
- 1902
- Paper, chromolithography. 9,7 х 14,8
- The State Russian Museum
- Гр.Луб.-1828
Бородинский бой русских с французами в 1812 году
- Paper, chromolithography. 41,8 х 59,0
- The State Russian Museum
- Гр.Луб.-23
Тихонов Михаил Тихонович
Jügel Johann Friedrich
Беггров Иван Петрович (Иоганн-Фридрих)
Klauber Ignaz Sebastian
Федоров Сергей
MOSHKOV, Vladimir Ivanovich
1792, Moscow - 1839, AstrakhanPainter, watercolourist, battle painter, author of history paintings, portraitist. Son of a merchant. Studied at the Imperial Academy of Arts (from 1801). Awarded a second silver medal (1809); first silver medal (1810) for drawings from life; second gold medal (1811); first-class gold medal and first-degree certificate (1812) for the “battle of the Romans and the Latins (Sacrificial Death of Decius Mus)” programme. Academician (1815). Appointed a painter of the embassy to Persia (August 1816). Awarded a title of titular counsellor (30 March 1818). Worked in the field army in Asia Minor (1828-1829). Travelled across the Caucasus (1820-1830s), created many sketches and studies for future drawings and watercolours. Lived in Tiflis (1830). Served at the Astrakhan customs until death.
Tolstoy Fyodor Petrovich
1783, St. Petersburg - 1873, St. PetersburgCouche Francois Louis
Bovinet Edme
Chaumont 1767–1832?Иванов Петр С.
BABAYEV, Polidor Ivanovich
1813, Kharkiv Province - 1870, TiflisPainter, battle and icon painter. Artillery second lieutenant, served in Tiflis, left military service in 1841. Occasional student of the Imperial Academy of Arts, studied under Karl Brullov. Fellow of the Society for the Encouragement of Arts (1845-1848). Awarded minor silver and gold medals (1846), a major gold medal of the Society for the Encouragement of Arts (1848). Taught drawing and draughtsmanship at the South Caucasus School for Noble Maidens and provincial grammar school, later form teacher at the Alexander Pedagogical School (Tiflis, 1860s). Painted a series of icons for Caucasian churches.
Victor
Дюпрессуар Франсуа Жозеф
Brullov (Bruleau) Karl Pavlovich
1799, St Petersburg -1852, Manziana (near Rome)Painter, watercolourist, draughtsman, history painter, portraitist, genre painter, mural painter. Born into an artistic family. Studied under Anton Ivanov, Alexei Yegorov and Vasily Shebuyev at the Imperial Academy of Arts (1809-22), graduated with a first-class gold medal. Sent to Italy by the Society for the Encouragement of Arts (1822-35). Worked in Milan, Naples and Rome. Won fame in Europe as a portraitist and history painter for such works as The Last Day of Pompeii (1827-33, Russian Museum. St Petersburg)- Returned to Russia and lived in St Petersburg. Honorary freeman (1834), second-degree professor (1835) and first-degree professor (1846) of the Imperial Academy of Arts, where he taught history painting, enjoying the love and respect of his many students. Professor of the Accademia di Belle Arti in Florence. Contributed to exhibitions in Rome, Milan, Paris and St Petersburg. Went abroad on the advice of doctors (1849), settled in Italy (1850).
Ульрих Вильгельм Карл
Savitsky Konstantin Apollonovich
Kivshenko Alexey Danilovich
1851, Count Sheremetev’s stud farm near Venyova (Tula Province) - 1895, Heidelberg (Germany)Painter, draughtsman, illustrator. Studied under Ivan Kramskoi at the Drawing School of the Society for the Encouragement of Artists (1860-1867), and under K. F. Gun at the Imperial Academy of Arts (from 1867, occasional student until 1870). Simultaneously studied at the Institute of Technology (1874-1876) and at the Academy of Medicine and Surgery. Major gold medal for The Marriage in Cana of Galilee unfinished painting (1877). Fellow of the Imperial Academy of Arts in France and Germany (1880-1883, studios of G. Max, Y. Brandt and W. von Dietz). One of the founders of the St Petersburg Society of Artists (1890). Academician (1884). Professor (1893). Taught at the Baron Stieglitz Central School of Technical Drawing (1883-1895), supervised the battle-painting studio at the Imperial Academy of Arts (1894-1895). Contributed to many exhibitions in Russia and abroad.
Portrait of Alexander I
- Early 19th century
- Bronze. 68 х 37 х 27
- The State Russian Museum
- Ск-973
Portrait of Alexander Stroganov
- Canvas, oil. 54 х 45
- The State Russian Museum
- Ж-4594
Count Alexander Stroganov (1794-1814) was the only son of Sofia and Pavel Stroganovs. He went to the army in the field with his father during the Patriotic War of 1812. He was tragically killed during the Battle of Craonne in France (A shot from a cannon decapitated him).
Портрет П. В. Голенищева-Кутузова
- Bone, watercolours, gouache. 7,1 x 6,1 (овал)
- The State Russian Museum
- Ж-369
Портрет М. И. Голенищева-Кутузова
- 1806
- Bone, watercolours, gouache. 6,5 x 5,7 (овал)
- The State Russian Museum
- Ж-820
Портрет П. Х. Витгенштейна
- Watercolours, gouache. 5,2 x 4,3 (овал)
- The State Russian Museum
- Ж-463
Портрет князя Б. А. Голицына
- Bone, watercolours, gouache. Дм — 7
- The State Russian Museum
- Ж-346
Portrait of Count Pavel Stroganov
- 1808
- Canvas, oil. 69 х 56,5
- The State Russian Museum
- Ж-4596
Pavel Stroganov (1772–1817) was count and son of Alexander Stroganov and Yekaterina Petrovna (née Trubetskaya). He traveled a great deal around Russia. He went to Switzerland in order to complete his education and went to Paris in 1789. He took part in events of the French Revolution. He was called back to Russia in 1790. He became a gentleman in waiting in 1798. He was a member of the Private Committee at the beginning of the reign of Alexander I. He was also the assistant of the Minister of the Internal Affairs. He became a senator in 1806. He fought in the Finnish War (1808-1809), the Russo-Turkish War (1806-1812) and the Patriotic War of 1812.
Portrait of Life Guard Colonel Yevgraf Davydov
- 1809
- Canvas, oil. 162 x 116
- The State Russian Museum
- Ж-5134
The portrait is Orest Kiprensky’s most famous canvas and a specific manifesto of the art of the Romantic era in Russia. It was one of the works for which Kiprensky was made an academician in 1812.
Yevgraf Davydov (1775–1823): Sergeant major of the Life Guards Cavalry Regiment (1791), cornet of the Life Guards Hussar Regiment (1799), colonel (1807). Fought in the Napoleonic Wars at the Battle of Austerlitz (1805) and the Battle of Ostrovnoye near Vitebsk (1812). Lost his left leg and right arm beneath the elbow at the Battle of Leipzig (August 1813), awarded the Order of St George (3rd class), the Order of Leopold of Austria, the Order of the Red Eagle of Prussia (2nd class) and promoted to the rank of major-general.
Blessing a Militiaman in 1812
- 1810s
- Canvas, oil. 78 х 65
- The State Russian Museum
- Ж-3334
The war with Napoleon’s army gave rise to many works dedicated to various events and episodes, including this painting by Ivan Luchaninov, done for a programme given to pupils of the Academy of Arts. For this painting, he received a medal and the title of Academician.
Граф Витгенштейн
- 1812
- Paper, , . И.:10,6х10,5. Д.:16,0х12.7. Л.:20,5х15,6
- The State Russian Museum
- Гр.-15171
Князь Багратион. Генерал от Инфантерии в Сражении под Бородиным 6 авг. 1812 года
- Paper, . И.:22,8х14,8. Д.:25,5х19,5. Л.:32х25
- The State Russian Museum
- Гр.-15061
Портрет П. И. Меллер-Закомельского
- 1812
- Paper, , charcoal pencil. 29,8 х 22,4
- The State Russian Museum
- Р-1056
Портрет военного врача
- 1812
- Paper, , graphite pencil. 22,3 x 17,6
- The State Russian Museum
- Р-1061
Портрет генерала Д. В. Вындомского
- 1812
- Paper, , charcoal pencil. 32,2 х 25,6
- The State Russian Museum
- Р-1051
Портрет князя Г.С. Голицына
- Canvas, oil. 67 х 56
- The State Russian Museum
- ЖБ-477
Portrait of Aleksey Lanskoi
- 1813
- Paper, . 25,5 х 20,8
- The State Russian Museum
- Р-2890
Portrait of Mikhail Lanskoi
- Paper, . 26 х 20,7
- The State Russian Museum
- Р-13128
Mikhail Lanskoi (circa 1787—?): Saw action in the military campaigns of 1806—07 and the Patriotic War of 1812. Served in Saratov. Commanded a Hussar division in Kovno (1832). Nephew of Alexei Tomilov, whom he helped to put his art collection together. Depicted with the Orders of St George (4th class) and St Vladimir (4th class). Awarded the St George’s Cross in June 1807.
Russian Scaevola
- Bronze. 268 x 131 x 92
- The State Russian Museum
- Ск-1859
The sculptor portrayed the feat of an unknown peasant, who, according to a legend, was captured by the French during the war of 1812. The hero was particularly athletic and therefore he was taken to serve in the French army, and as a sign that he belonged to the Emperor Napoleon, he was branded with the initial "N". The peasant didn’t want to serve the enemies of his Fatherland, so he cut off his hand with an ax. Such courage caused respect from the enemy, and he was released.
The sculptor compares the act of this Russian peasant with the feat of the ancient Roman Gaius Mucius Scaevola, who in 508 BC sacrifices his hand in the name of saving the homeland. In accordance with the norms of classicism, the author ennobles the face of the hero: he has clayey features, his expression is calm, the body is composed harmoniously. Only a cross on his neck indicates that he is not an ancient warrior, but a Russian hero.
Атаман граф Платов со своими казаками
- Paper, . И.: 32,6 х 47,5; л.: 49,1 х 69,2; д.: 42,2 х 54,2
- The State Russian Museum
- Гр-17327
Князь П. И. Багратион
- Paper, . И.: 23,9 х 11,7; л.: 29,3 х 22,1; д.: 23,9 х 11,7
- The State Russian Museum
- Гр-16283
Портрет А. Р. Томилова (в форме ополченца)
- Paper, . 24,6 х 19,8
- The State Russian Museum
- Р-13136
Портрет военного
- 1813
- Paper, . 29,5 х 23,4
- The State Russian Museum
- Р-1044
Портрет графа Матвея Ивановича Платова на коне
- Canvas, oil. 57,5 x 44
- The State Russian Museum
- Ж-4873
Бокал с портретом Г.-Л. Блюхера
- 1814–1815
- Painting, gilding. 17,2 х 5,1
- The State Russian Museum
- СТ-443
Бокал с портретом графа П. Х. Витгенштейна
- 1814–1815
- Painting, gilding. 18,9 х 8
- The State Russian Museum
- СТ-471
Портрет П. А. Шувалова
- Watercolours, gouache. 14 x 11 (овал)
- The State Russian Museum
- Ж-498
Портрет П. К. Сухтелена
- Canvas, oil. 73,5 x 57
- The State Russian Museum
- ЖБ-730
Стопа с портретом графа М. И. Платова
- 1814–1815
- Painting, gilding. 12 х 9,7
- The State Russian Museum
- СТ-429
Портрет А. И. Дмитриева-Мамонова
- Paper, , pastel, сharcoal , chalk. 50,2 x 39,1
- The State Russian Museum
- Р-5710
Портрет Александра I
- Watercolours. 6,6 x 5 (в свету; овал)
- The State Russian Museum
- Ж-441
Стопа с портретом М. И. Голенищева-Кутузова
- Painting, gilding. В. — 9; дм — 8
- The State Russian Museum
- СТ-478
Чашка с блюдцем с портретом М. И. Голенищева-Кутузова
- Porcelain, painting over glaze, gilding, . 7,4 х 8,4 х 6,5; дм блюдца — 13,4
- The State Russian Museum
- Ф-2255/а,б
Портрет Александра Николаевича Муравьева
- Canvas, oil. 69 x 59
- The State Russian Museum
- Ж-12088
Портрет графа С. Г. Строганова
- 1815–1825
- Bone, watercolours, gouache. 6,4 х 5,3
- The State Russian Museum
- Ж-376
Портрет князя Дмитрия Ивановича Лобанова-Ростовского (1752-1838)
- Canvas, oil. 71,5 x 58,5
- The State Russian Museum
- Ж-6224
Портрет чиновника с орденом Св. Владимира 4-й степени и медалью «За Отечественную войну 1812 года»
- 1821
- Canvas, oil. 67 х 53,5
- The State Russian Museum
- Ж-3274
Portrait of Dmitry Kuruta
- Canvas, oil. 70 х 62
- The State Russian Museum
- Ж-4602
Dmitry Dmitrievich Kuruta (1770–1833), a migrant from Greece, served Russia from 1787. He took part in the campaigns of 1805 and 1806–1807. In 1812 he was made senior Quartermaster of the College of Guards. In 1816 he became lieutenant general, Chief of Staff of the Polish forces, Marshall at the Court of the Grand Duke Konstantin Pavlovich in Warsaw and in 1828 an Infantry general. In 1826 he was elevated to the level of Count. He is depicted here in his quartermaster’s uniform with the Orders of St Alexander Nevsky (star), of St Vladimir of the 2nd class (star and cross on the neck), of St Anne of the 1st class (cross with diamonds), of the White Eagle (star), of Leopold of the 2nd class (Austria, cross), of Maximilian Josef (Bavaria, cross) and the Kulm Cross (Prussia). On the mounting are the Order of St George of the 4th class, the medal “In Memory of the Patriotic War of 1812” (silver, on St Andrew’s ribbon) and the Order of St John of Jerusalem (the Maltese Cross). An identical (unsigned) copy which was completed “before 1825” can be found in the Military Gallery of the Winter Palace.
Portrait of Vasily Perovsky
- 1824
- Paper, watercolours, lacquer. 29,7 х 19,4
- The State Russian Museum
- Р-192
A well-known architect, Alexander Brullov was also a distinguished draughtsman and watercolourist. Including pencil and watercolour portraits, views and genre scenes, the artist’s graphic heritage was immense and exceedingly diverse. Alexander Brullov spent a great deal of time with Vasily Perovsky in the summer of 1824. In a letter home to his parents, he describes him as “a direct and wonderful man who loves a quiet life and the arts.”Vasily Alexeyevich Perovsky (1795-1857): Illegitimate son of Count Alexei Razumovsky. Fought in the Patriotic War (1812) and the Russo-Turkish War (1828). Adjutant general (1833), member of the State Council (1845), count (1855). Brother of the writer Anton Pogorelsky and friend of the poet Vasily Zhukovsky.
Portrait of Count Pavel Shuvalov
- Canvas, oil. 71 х 62
- The State Russian Museum
- Ж-6229
Pavel Andreyevich Shuvalov (1774, 1776 or 1777–1823) was a Count, the son of Count Andrei Shuvalov and Countess Yekaterina Saltykova. In 1786–1796 he served in the Life Guards Horse Regiment, as a gentleman of the Bedchamber (1796), colonel (1798); Adjutant General of Emperor Alexander I (from 1807), Commander of the Fourth Infantry Corps (1811). He participated in the storming of Prague (1794), the Italian campaign led by Alexander Suvorov, the Russo-Swiss war (1808–1809), the Patriotic War of 1812. He accompanied Napoleon from Fontainebleau to exile on the island of Elba. He was married to the Princess Varvara Shakhovskaya (1796–1871). He appears here in the uniform of a general of the Imperial Suite with the following orders: St Alexander Nevsky (star); St Vladimir of the 2nd class (star and cross on the neck); St Anna of the 1st class (star); St George of the 4th class (cross); the Sign of the Order of St John (Maltese cross); Military Merit (Württemberg); St Louis (France); Maximilian Joseph (Bavaria) and the Commander’s Cross of the Order of Leopold (Austria).
This is a copy of the signed portrait, which is located in the military gallery of the Winter Palace (State Hermitage). It is possible that it was completed in Dawe’s studio.
Portrait of Emperor Alexander I
- 1825
- Canvas, oil. 239 х 152
- The State Russian Museum
- Ж-3922
Alexander I (the Blessed; 1777–1825) was the older son of Emperor Paul I and Empress Marie Feodorovna, née the Princess of Württemberg. He was raised by his grandmother, Catherine the Great, in the spirit of the philosophy of the Enlightenment. He ascended to the throne in 1801, after his father was murdered by a group of conspirators. The main aims of his initial domestic policies were granting equal rights for land ownership and abolishing serfdom. In the first years of his reign, he relied on a Secret (or Intimate) Committee, comprised of friends from his youth, associates and supporters of a constitutional mode of government to help him realise these goals. He enacted a series of decrees that began the process of abolishing serfdom. In “Regulations on the Establishment of Educational Institutions” (1803), three new principles were established: classless education, free education at the lower levels and consistency of educational programs. Five universities and three lyceums, including the one in Tsarkoye Selo, were founded. After the Patriotic War of 1812 and the foreign campaign of the Russian army, he had great international authority. At the Congress of Vienna (1814–1815), he initiated the creation of a Holy Alliance of European Monarchs (1815), which he himself headed. He led victorious wars against Persia (1804–1813), Turkey (1806–1812) and Sweden (1808). As a result, Western Georgia (1801), Finland (1809), Bessarabia (1812) and Azerbaijan (1813) were added to the Russian Empire. He is depicted in the uniform of the Life Guards Cavalry Regiment with the following orders: St Andrew (star), Order of the Garter (England) and the Iron Cross (Prussia) and the military order of the Sword (Sweden). On the medal brooch: Cross of the Order of St George, Fourth Class; a medal inscribed with “In memory of the Patriotic War of 1812”, Order of the Iron Cross (Prussia), Military Order of Maria Theresa (Sweden), Military Order of the Sword (Sweden), cross “In Memory of the War of 1813–1814” (Austria) and medal in “In Memory of the War of 1813–1814” (Prussian).
Бокал с крышкой и блюдцем с портретами графа В. В. Орлова-Денисова и императора Александра I
- 1820s
- Porcelain, painting over glaze, gilding, . 12,8 х 11,9 х 9; дм блюдца — 17,4
- The State Russian Museum
- Ф-2250/а,б,в
Бокал с крышкой с портретами Александра I и Елизаветы Алексеевны
- 1820s
- Porcelain, painting over glaze, gilding, . 17,1 х 13,6 х 9,8
- The State Russian Museum
- Ф-2252/а,б
Ваза с фигурами казака и гренадера
- 1820s
- Porcelain, , , , painting over glaze. 29 х 35,6 х 12,6
- The State Russian Museum
- Ф-2934
Чашка с блюдцем с портретом Александра I
- 1820s
- Porcelain, painting over glaze, gilding, . 12,5 х 10,5 х 8,6; дм блюдца — 16
- The State Russian Museum
- Ф-2253/а,б
Д. В. Давыдов. Партизан 1812 года
- Lithography. И.:34,8х27,0. Л.:49х42,0
- The State Russian Museum
- Гр.-29283
Портрет А. С. Шульгина
- Watercolours, gouache. 5,8 x 3,1 (овал)
- The State Russian Museum
- Ж-950
Чашка с крышкой и блюдцем с портретом И. Ф. Паскевича
- 1827
- Porcelain, painting over glaze, gilding, . 9,7 х 8,4 х 6,4; дм блюдца — 13
- The State Russian Museum
- Ф-7936/а,б,в
Model of Statue of Prince Mikhail Kutuzov
- Bronze. 48 х 33 х 24,5
- The State Russian Museum
- Ск-1950
Mikhail Golenishchev-Kutuzov (1745–1813) took part in the Russo-Turkish wars during the reign of Catherine the Great, and during these he was critically injured twice and lost an eye. In August 1912, he became the commander of Russian forces in the fight against Napoleon’s army. After the Battle of Borodino, he left Moscow. After subsequently driving the enemy out of Russia, Kutuzov was granted the rank of Field Marshal, the title of Prince of Smolensk, and the Order of St George, First Class, becoming its first full cavalier. In 1813, he led the unified Russo-Prussian forces. After Kutuzov’s death, the commander of the unified army was Michael Andreas Barclay de Tolly, who for his heroism in battles at Kulm and Leipzig received the Order of St George, First Class and the title of count, the rank of General Field Marshal in 1814, and a princely title in 1815.
The idea of building monuments originated in 1818, when the corresponding decree was signed by Alexander I. After his victory in the design competition (1829), Boris Orlovsky, who had returned from Italy, where he worked in Bertel Thorvaldsen’s studio, received the order to create statues of the military leaders. Following the new tastes in Western sculpture, the two field marshals were depicted in modern military uniforms, rather than imaginary garments. The realistic portrayals of people in monuments and their historical accuracy marked an important stage in the development of Russian monumental art. The ceremonial unveiling took place on 25 December 1837.
Тарелка с изображением барабанщиков роты Дворцовых гренадер в Галерее 1812 года Зимнего дворца
- 1829
- Porcelain, painting over glaze, gilding, . Дм — 23,7
- The State Russian Museum
- Ф-4031
Портрет генерал-фельдмаршала Ивана Федоровича Паскевича-Эриванского (1782‒1826)
- Bone, watercolours, gouache. 10,5 х 9,5
- The State Russian Museum
- Ж-479
"Великодушная решимость императора Александра I-го ... 1812 г."
- Paper, lithography. И.:16,3х11,8. Л.:24,8х16,7
- The State Russian Museum
- Гр.-1170
"Главнокомандующий князь Кутузов 1812 года"
- Paper, lithography. И.:16,3х11,8. Л.:24,8х16,7
- The State Russian Museum
- Гр.-1171
Унтер-офицер лей-гвардии Московского полка. Ветеран 1812 года (Андреев)
- Canvas, oil. 75 х 57
- The State Russian Museum
- Ж-5210
The Heroism of Leonty Korenoi, Grenadier of the Finland Life Gurds Regiment, at the Leipzig in 1813
- 1846
- Canvas, oil. 172 х 215
- The State Russian Museum
- Ж-3561
Leontiy Korennoy took part in the battle of 1812 being in the Finland Life Gurds Regiment, in which there were the best and worthy soldiers. Korennoy fought bravely during the battle of Borodino, but it is for the events of 4th of October 1813, during the “Battle of the Nations” in Leipzig, that he has been the subject of Polidor Babaev’s painting. His battalion of Finland Life Gurds Regiment was massively attacked by the enemy, who outnumbered them, so they began to retreat. Korennoy and some of his fellow grenadiers allow the commanders and the wounded officers to escape. After he received 18 wounds, the enemy captured him as he was the only one left alive. Napoleon, who heard about Korennoy’s heroic actions, met him in person. After that, Napoleon issued a decree, in which he called Korennoy a hero and set him as an example for his French soldiers to follow. When Korennoy was recovered, he was released on Napoleon’s personal orders and was taken home.
Портрет П. М. Волконского
- Canvas, oil. 94 х 64
- The State Russian Museum
- ЖБ-714
Крестьянин с рогатиною на плече
- 1868
- Canvas, oil. 45 х 40
- The State Russian Museum
- Ж-2517
Портрет Д. В.Давыдова, партизана войны 1812 года и поэта
- 1869
- Paper, lithography. И.:16,5 х 14,5 ок. Л.:41,5 х 29,2
- The State Russian Museum
- Гр.-5467
Ваза с портретом М. И. Голенищева-Кутузова
- Gilding, . В. — 61, дм — 42,5
- The State Russian Museum
- СТ-3033
Императорский стеклянный завод
Винберг Иван Андреевич
Тулов Федор Андреевич
Росси Петр Осипович (Pierre de Rossi)
Яковлев Иван Еремеевич
Dawe George Edward
1781, London — 1829, Kentish Town (near London)Painter, draughtsman; portraitist. Son and student of engraver F. Dawe. Elder brother of engraver Henry Edward Dawe. Studied at the Royal Academy of Arts in London (1803). Academician (1813). Honourary member of the academies of arts of Florence, Dresden, Stockholm and Paris. Worked in Russia at the invitation of Emperor Alexander I (1819). Together with his Russian assistances Alexander Polyakov and Vasily Golike created 322 portraits of Russian generals for the Military Gallery in the Winter Palace. Produced many paintings on commission. Honourary associate member of the Imperial Academy of Arts in St Petersburg (1820). First portrait painter of the Imperial Court (1828). Returned to London (1829).
Brullov (Bruleau) Alexander Pavlovich
1798, St Petersburg -1877, St PetersburgArchitect, draughtsman, watercolour artist, lithographer. Portraitist, genre painter, landscape artist. Studied at the Academy of Arts (1810-21). Sent abroad along with his brother Karl by the Artists Support Society. Lived and worked mostly in Italy, though also lived and worked in France and Germany (1821-30). Designed the restoration project for the Pompeii bath-houses (1826), engraved in Paris (1829). Made an academician for a series of projects and watercolour portraits (1831). Taught architecture at the Imperial Academy of Arts (1831-37), professor (1832), professor emeritus (1854). Member of the Milan Academy of Arts, corresponding member of the Paris Academy of Arts, full member of the London Royal Institute.
Мещеряков Василий
Гампельн Карл Карлович
Конрад
Orlovsky (Smirnov) Boris Ivanovich
1797, Bolshoe Stolobetshoe (Oryol Province) - 1837, St PetersburgSculptor. Studied under Carlo Antonio Campioni in Moscow (1807-17) and Alessandro Triscornia in St Petersburg (1818-22). Freed from serfdom for his marble bust of Tsar Alexander I (1822). Awarded a fellowship to Italy (1823). Studied under Bertal Thorvaldsen in Rome (1823-29). Returned to St Petersburg. Designed statues of Mikhail Kutuzov and Mikhail Barclay-de-Tolly in front of the Kazan Cathedral (1829-37). Sculpted the angel for the Alexander Column on Palace Square (1832-33) and decorated the Moscow Triumphal Gates (1835-37). Taught at the Imperial Academy of Arts. Academician (1831), second-class professor (1836).
Маршалкевич Станислав
Zabolotsky Pyotr
Прянишников Илларион Михайлович
Borel Petr
Деятельность француженки в магазине
- 1812
- Paper, etching with hand colouring. И.: 18,2 х 25; л.: 33,5 х 42; д.: 20,6 х 27,6
- The State Russian Museum
- Гр-8753
Кириловец
- 1812
- Paper, etching with hand colouring. И.: 16 х 24,2; л.: 23 х 27; д.: 21,2 х 25,8
- The State Russian Museum
- Гр-6913
Крестьянин Иван Долбила
- 1812
- Paper, etching with hand colouring. И.: 14,5 х 30,3; л.: 20,8 х 32,2; д.: 20,2 х 31,9
- The State Russian Museum
- Гр-6914
Русский Сцевола
- 1812
- Paper, etching with hand colouring. И.: 17 х 27; л.: 24,3 х 34,2; д.: 20,6 х 29,8
- The State Russian Museum
- Гр-8777
Русский ратник, домой возвращаясь, для курьезу ребятишкам бирюлек принес
- 1812
- Paper, etching with hand colouring. И.: 19,2 х 22,4; л.: 27 х 30,4; д.: 20,3 х 26,2
- The State Russian Museum
- Гр-6780
Французы голодные крысы в команде у старостихи Василисы
- 1812
- Paper, etching with hand colouring. И.: 18 х 26; л.: 25 х 37,8; д.: 23,4 х 30,6
- The State Russian Museum
- Гр-6793
"Вывоз редкостей из Парижского музея по случаю приближения союзных армий"
- Paper, etching with hand colouring. И.:22,7х29,4. Д.:26,1х32,4. Л.:26,9х35,3
- The State Russian Museum
- Гр.-322
"Казак вручает Наполеону визитной билет на взаимное посещение"
- Paper, etching with hand colouring. И.:16,9х27,5. Д.:20,3х30,0. Л.:26,9х35,3
- The State Russian Museum
- Гр.-314
"Консилиум"
- Paper, etching with hand colouring. И.:17,9х27,5. Д.:23,5х31,3. Л.:26,9х35,3
- The State Russian Museum
- Гр.-324
"Кукольная комедия"
- Paper, etching with hand colouring. И.:18,1х34,0. Д.:24,5х34,0. Л.:26,9х35,3
- The State Russian Museum
- Гр.-317
"Наполеон в Русской бане"
- Paper, etching. И.:18,9х30,7. Д.:- Л.:26,9х35,3
- The State Russian Museum
- Гр.-313
"Наполеон занимается прожектами снарядов для будущей кампании своей против Русских"
- Paper, etching with hand colouring. И.:19,3х33,5. Д.:25,0х33,7. Л.:26,9х35,3
- The State Russian Museum
- Гр.-319
"Наполеон продает с молотка похищенные им антики"
- Paper, etching with hand colouring. И.:28,7х25,8. Д.:- Л.:35,3х26,9
- The State Russian Museum
- Гр.-320
"Наполеон, в намерении своем уничтожить Пруссию, гриб съел"
- Paper, etching with hand colouring. И.:15,6х29,1. Д.:19,4х29,1. Л.:26,9х35,3
- The State Russian Museum
- Гр.-310
Большая французская армия...
- 1813
- Paper, etching with hand colouring. И.: 14,2 х 24,2; л.: 33,7 х 43,7; д.: 23,8 х 28,2
- The State Russian Museum
- Гр-8762
И на нашей улице праздник! Кричит пруссак
- 1813
- Paper, etching with hand colouring. И.: 18,2 х 24,7; л.: 34 х 43; д.: 20,5 х 28,4
- The State Russian Museum
- Гр-8757
Изгнание из Москвы французских актрис
- 1813
- Paper, etching with hand colouring. И.: 19 х 27; л.: 29 х 35; д.: 22,4 х 22,9
- The State Russian Museum
- Гр-8761
Мадамов из Москвы ведь выгнали
- 1813
- Paper, etching with hand colouring. И.: 17,4 х 25,8; л.: 22,3 х 36; д.: 20 х 28
- The State Russian Museum
- Гр-8758
Н... уже в Сенате с трофеями...
- 1813
- Paper, etching with hand colouring. И.: 17,2 х 24,2; л.: 28,7 х 38,4; д.: 20,3 х 28
- The State Russian Museum
- Гр-8773
Наполеон с сатаной после сожжения Москвы
- 1813
- Paper, etching with hand colouring. И.: 20,6 х 25,5; л.: 37,2 х 29,1
- The State Russian Museum
- Гр-8796
Наполеонова пляска
- 1813
- Paper, etching with hand colouring. И.: 13,2 х 25; л.: 31,5 х 36; д.: 20,8 х 26,3
- The State Russian Museum
- Гр-8789
Наполеонова слава
- 1813
- Paper, etching with hand colouring. И.: 18,4 х 27,8; л.: 32,6 х 42; д.: 23,2 х 29,5
- The State Russian Museum
- Гр-8780
Не все коту масленица
- 1813
- Paper, etching with hand colouring. И.: 17,1 х 24,2; л.: 26,9 х 35,3; д.: 20 х 27,1
- The State Russian Museum
- Гр-336
Неправильная ретирада
- 1813
- Paper, etching with hand colouring. И.: 18 х 25,8; л.: 24,7 х 40,7; д.: 20,6 х 27,8
- The State Russian Museum
- Гр-8752
Нос, привезенный Наполеоном с собою из России в Париж
- 1813
- Paper, etching with hand colouring. И.: 16,5 х 26,5; л.: 27,8 х 33,4; д.: 20 х 28
- The State Russian Museum
- Гр-6849
Постой-ка, не в свои ты сани, брат, садишься!
- 1813
- Paper, etching with hand colouring. И.: 15 х 28,8; л.: 29 х 35; д.: 19 х 29,5
- The State Russian Museum
- Гр-8805
Проезд высокого путешественника от Варшавы до Парижа...
- 1813
- Paper, etching with hand colouring. И.: 15 х 31,8; л.: 33,3 х 42; д.: 23,7 х 32,7
- The State Russian Museum
- Гр-8804
Русский мужик Вавила Мороз на заячьей охоте
- 1813
- Paper, etching with hand colouring. И.: 20,7 х 32,8; л.: 33 х 41,8; д.: 26,6 х 35
- The State Russian Museum
- Гр-8818
Смотр французским войскам на обратном их походе через Смоленск
- 1813
- Paper, etching with hand colouring. И.: 17,7 х 40,8; л.: 25,7 х 43,5; д.: 22,6 х 41
- The State Russian Museum
- Гр-8797
Твердость русского крестьянина
- 1813
- Paper, etching with hand colouring. И.: 21 х 19,8; л.: 26,7 х 33,2
- The State Russian Museum
- Гр-8782
Французские мародеры, испугавшиеся козы
- 1813
- Paper, etching with hand colouring. И.: 17,8 х 19,8; л.: 26,5 х 38,5; д.: 22,4 х 27,8
- The State Russian Museum
- Гр-8788
Французский вояжер в 1812 году
- 1813
- Paper, etching with hand colouring. И.: 12,7 х 24,5; л.: 26,3 х 32,7; д.: 18,5 х 25,7
- The State Russian Museum
- Гр-6837
Французский магазин помады и духов
- 1813
- Paper, etching with hand colouring. И.: 17,1 х 24,1; л.: 26,4 х 33,5; д.: 20,3 х 27,7
- The State Russian Museum
- Гр-8771
Французский парикмахер
- 1813
- Paper, etching with hand colouring. И.: 17,3 х 25; л.: 33 х 41,8; д.: 21 х 27,2
- The State Russian Museum
- Гр-8767
Французское воспитание
- 1813
- Paper, etching with hand colouring. И.: 17,8 х 27,6; л.: 34 х 43; д.: 20,4 х 28,2
- The State Russian Museum
- Гр-8760
Французское воспитание
- 1813
- Paper, etching with hand colouring. И.: 16,5 х 24; л.: 32,3 х 42,8; д.: 20,7 х 28,3
- The State Russian Museum
- Гр-8774
Два кресла и диван
- Carving, gilding, . Кресло: 97 х 63 х 69 (каждое); диван: 145 х 190 х 66
- The State Russian Museum
- Меб.-679, Меб.-680, Меб.-677 (диван)
Russian Scaevola
- Bronze. 268 x 131 x 92
- The State Russian Museum
- Ск-1859
The sculptor portrayed the feat of an unknown peasant, who, according to a legend, was captured by the French during the war of 1812. The hero was particularly athletic and therefore he was taken to serve in the French army, and as a sign that he belonged to the Emperor Napoleon, he was branded with the initial "N". The peasant didn’t want to serve the enemies of his Fatherland, so he cut off his hand with an ax. Such courage caused respect from the enemy, and he was released.
The sculptor compares the act of this Russian peasant with the feat of the ancient Roman Gaius Mucius Scaevola, who in 508 BC sacrifices his hand in the name of saving the homeland. In accordance with the norms of classicism, the author ennobles the face of the hero: he has clayey features, his expression is calm, the body is composed harmoniously. Only a cross on his neck indicates that he is not an ancient warrior, but a Russian hero.
Вид ввезения в С.-Петербург на раменах Кутузова-Смоленского
- etching, aquatint with hand colouring. И.: 38,4 х 53,7. Л.: 44,4 х 58,8
- The State Russian Museum
- Гр-38369
Пласт «Апофеоз Александра I»
- 1813–1814
- Porcelain, painting over glaze, gilding, . 41,5 х 36,9
- The State Russian Museum
- Ф-2181
Проект медали в память народного ополчения 1812 года
- 1813
- Gold, , bronze. Дм — 9,3
- The State Russian Museum
- Мед.А-12581
Родомысл девятого на десять века. Аллегорическое изображение Александра I
- 1813-1814
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-995
Табакерка
- 1810s
- Silver, chasing, engraving, gilding. 2,3 х 9,7 х 7
- The State Russian Museum
- Сер-1098
"Бегство Наполеона за Неман 1812 г."
- 1816
- Paper, . И.:15,9х15,9. Л.:23,6х18,9
- The State Russian Museum
- Гр.-7281
"Битва Бородинская 1812 г."
- Paper, . И.:15,8х15,9. Л.:21,6х18,8
- The State Russian Museum
- Гр.-7276
"Бой при Кульме. 1813 г."
- 1816
- Paper, . И.:15,8х15,8. Л.:23,5х18,8
- The State Russian Museum
- Гр.-7283
"Бой при Малом Ярославце 1812 г."
- Paper, . И.:16х15,9. Л.:23,4х18,7
- The State Russian Museum
- Гр.-7278
"Сражение на высотах Кацбахских. 1813 г."
- 1816
- Paper, . И.:15,9х15,8. Л.:22,6х18,3
- The State Russian Museum
- Гр.-7282
"Сражение при Березине, 1812 г."
- Paper, . И.:15,9х15,9. Л.:23,4х18,4
- The State Russian Museum
- Гр.-7280
"Сражение при Бриене. 1814 г."
- 1816
- Paper, . И.:16,1х16. Л.:23,6х18,9
- The State Russian Museum
- Гр.-7284
"Трехдневный бой г. Красном 1812 г."
- Paper, . И.:15,9х15,9. Л.:23,6х18,6
- The State Russian Museum
- Гр.-7279
I. "Народное ополчение 1812 г."
- Paper, . И.:15,9х15,9. Л.:22,3х18,3
- The State Russian Museum
- Гр.-7275
III. "Освобождение Москвы 1812 г."
- Гравюра резцом. И.:15,8х15,7. Л.:22,7х18,8
- The State Russian Museum
- Гр.-7277
Битва Бородинская, 1812 год
- 1816
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-524
Коробка
- 1816
- Silver, copper, chasing, engraving, , gilding, . 2,1 х 7,8 х 7,3
- The State Russian Museum
- Сер-1079
Народное ополчение 1812 г. Барельеф
- 1816
- Воск розовый. 0,12 х 0,15 (на свету); 0,26 х 0,26 х 0,03 (в раме)
- The State Russian Museum
- СК-523
Народное ополчение. 1812 год
- 1816
- Gypsum. 19,5 х 19,5
- The State Russian Museum
- СК-1746
Битва Бородинская. 1812 год
- 1817
- Gypsum. 19,5 х 19,5
- The State Russian Museum
- СК-1745
Бой при Малом Ярославце
- 1817-1819
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-698
Бой при Малом Ярославце. 1812 год
- 1819
- Gypsum. 19,5 х 19,5
- The State Russian Museum
- СК-1749
Освобождение Москвы, 1812 год
- 1817–1819
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-525
Освобождение Москвы. 1812 год
- 1819
- Gypsum. 19,5 х 19,5
- The State Russian Museum
- СК-1748
Сражение при Березине. 1812 год
- 1819
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-526
Трехдневный бой при Красном. 1812 год
- 1819
- Gypsum. 19,5 х 19,5
- The State Russian Museum
- СК-1747
Трехдневный бой при Красном. 1812 год
- 1817-1819
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-695
Бегство Наполеона за Неман, 1812 год
- 1820
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-527
Бегство Наполеона за Неман. 1812 год
- 1820
- Gypsum. 19,5 х 19,5
- The State Russian Museum
- СК-1736
Первый шаг Александра за пределы России, 1813 год
- 1820
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-694
Сражение при Березине. 1812 год
- 1820
- Gypsum. 19,5 х 19,5
- The State Russian Museum
- СК-1735
Чернильный прибор «Юный Марс»
- Porcelain, , , gilding. 18 х 9,5 х 9,9
- The State Russian Museum
- Ф-2927
Освобождение Берлина. 1813 год
- 1821
- Gypsum. 19,5 х 19,5
- The State Russian Museum
- СК-1738
Первый шаг Александра за пределы России, 1813 год
- 1821
- Gypsum. 19,5 х 19,5
- The State Russian Museum
- СК-1737
Тройственный союз. 1813 год
- 1821
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-528
Сражение на высотах Кацбахских. 1813 год
- 1822
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-529
Битва при Лейпциге. 1813 год
- 1823
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-697
Бой при Кульме, 1813 год
- 1823
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-530
Тройственный союз. 1815 год
- 1823
- Gypsum. 19,5 х 19,5
- The State Russian Museum
- СК-1739
Освобождение Амстердама, 1813 год
- 1824–1825
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-531
Переход за Рейн. 1813 год
- 1824-1825
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-532
Покорение Парижа
- 1814
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-696
Сражение при Бриенне. 1814 год
- 1824
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-533
Парные канделябры
- Bronze, gilding, casting, chasing. 92 х 25
- The State Russian Museum
- ОПИ/М-23, ОПИ/М-24
Парные канделябры
- Bronze, gilding, , casting, chasing, marble. В — 87; дм — 33
- The State Russian Museum
- ОПИ/М-15, ОПИ/М-16
Statue for the Project for the Monument in St Petersburg Honouring Prince Michael Andreas Barclay de Tolly, a Russian Field Marshal
- 1829 ‒ 1830
- Bronze. 48,5 х 24 х 15
- The State Russian Museum
- Ск-1951
Michael Barclay de Tolly (1761–1818) was a remarkable Russian commander. He became Commander-in-Chief of the army after Kutusov’s death. He received the Order of St. George of the First Class and the title of Count for his heroism during the battles of Kulm and Leipzig, as well as the rank of General Field Marshal in 1814, and a princely title in 1815.
The idea of building monuments originated in 1818, when the corresponding decree was signed by Alexander I. After his victory in the design competition (1829), Boris Orlovsky, who had returned from Italy, where he worked in Bertel Thorvaldsen’s studio, received the order to create statues of the military leaders. Following the new tastes in Western sculpture, the two field marshals were depicted in modern military uniforms, rather than imaginary garments. The realistic portrayals of people in monuments and their historical accuracy marked an important stage in the development of Russian monumental art. The ceremonial unveiling took place on 25 December 1837.
Бой при Арсиссюр-Об, 1814 год
- 1829
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-534
Сражение при Фер-Шампенуазе, 1814 год
- 1829
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-535
Мир Европе. 1815 год
- 1830
- Воск на грифельной доске. Дм – 16
- The State Russian Museum
- СК-536
В память Бородинской битвы, 1812 г
- 1834
- Bronze. d-65
- The State Russian Museum
- Мед.А-1360
В память боя при Малом Ярославце
- 1834-1837
- Bronze. d-65
- The State Russian Museum
- Мед.А-1362
В память народного ополчения
- 1834-1837
- Bronze. d-65
- The State Russian Museum
- Мед.А-1358
В память освобождения Москвы от нашествия иноплеменников
- 1834-1837
- Bronze. d-65
- The State Russian Museum
- Мед.А-1361
В память сражения при Березине
- 1834-1837
- Bronze. d-65
- The State Russian Museum
- Мед.А-1364
В память трехдневной битвы при г. Красном
- 1834-1837
- Bronze. d-65
- The State Russian Museum
- Мед.А-1363
В честь начальника С.П.Б. ополчения герцога Александра Вюртембергского, в память взятия г. Данцига, 1813 г
- 1834-1837
- Свинец. d-64,5
- The State Russian Museum
- Мед.А-3374
Медаль «В память Отечественной войны 1812 года»
- 1834-1837
- Silver. Дм — 2,05 (с ушком и кольцом — 24). Общий вес: 4,03 г, серебро 916°: л. в. 4,03 г
- The State Russian Museum
- Мед.А-339
В память "бегства Наполеона за Неман"
- 1834-1837
- Bronze. d-65
- The State Russian Museum
- Мед.А-1365