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PUSHKIN, His Time and Heroes in the Collection of the Russian Museum
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View onto the Moskvoretsk Bridge and the Kremlin
- Canvas, oil.
- The State Russian Museum
- Ж-4679
View onto Moscow from the Balcony of the Kremlin Palace in the Direction of the Moskvoretsky Bridge
- Canvas, oil.
- The State Russian Museum
- Ж-4681
This work depicts the view onto Moscow from the highest point of the Kremlin Hill. The white wall and towers of the ancient citadel are depicted in close-up. The Kremlin cathedrals can be seen on the left. Although the architectural ensemble of the Kremlin was already in place by the 1330s, it was rebuilt on a number of occasions, following fires and wars. The blocks of white stone at the wall on the right show that reconstruction of the Kremlin Hill continued even in the late eighteenth century. The building in the background is the Foundling Hospital, opened by Catherine the Great under the influence of the humanitarian ideas of the Enlightenment.
View of Palace Embankment from the Peter and Paul Fortress
- 1790s
- Canvas, oil. 72 x 107
- The State Russian Museum
- Ж-3292
This is a repeat version of a painting for which Fyodor Alexeyev was elected to the Imperial Academy of Arts – View of Palace Embankment from the Peter and Paul Fortress (1794, Tret. Gal.). On the left is the Peter and Paul Fortress with the Naryshkin Bastion. The Naryshkin Bastion was renamed the Catherine Bastion after the wife of Peter the Great (1725). The Summer Garden can be seen on the opposite bank of the River Neva. Palace Embankment begins on the right with the Marble Palace and the Betskoi and Saltykov houses.
View of the Peter and Paul Fortress and Palace Embankment
- 1799
- Canvas, oil. 71,5 x 109
- The State Russian Museum
- Ж-5048
This is a repeat version of View of the Peter and Paul Fortress and Palace Embankment (1793, Archangelskoe Mus.). Nikolai Lvov’s Neva Gates and the Commander’s Landing Wharf are depicted in the foreground.
On the opposite bank of the River Neva are part of the Old Admiralty, Winter Palace, Old Hermitage and the Hermitage Theatre (from right to left). The bridge across the Winter Canal can be seen between the Old Hermitage and the theatre. Russian Museum: From Icons to the Modern Times. Palace Editions, St Petersburg, 2015. P. 111.
Moscow. View of the Resurrection Gate. (View of the Resurrection Gate of Kitay-Gorod)
- Paper, watercolours.
- The State Russian Museum
- Р-1462
Москва. Вид от Троицких ворот на Кутафью башню и дом Пашкова
- Paper, gouache. 44 x 60,9
- The State Russian Museum
- Р-1459
Площадь в Московском Кремле
- Canvas, oil.
- The State Russian Museum
- Ж-6289
Портрет Д. В. Кочубея мальчиком
- Watercolours.
- The State Russian Museum
- Ж-838
View of Ice Slopes in Moscow during ShroveWeek
- After the original by De la Barthe Gerard Ice Slopes in Moscow on Neglinnaya Street during ShroveWeek
- early 1800s
- Paper, etching, aquatint with hand colouring.
- The State Russian Museum
- Гр-31615
View of Mokhovaya Street and the Pashkov House in Moscow
- After the original by De la Barthe Gerard View of Mokhovaya Street and the Pashkov House in Moscow
- early 1800s
- Paper, etching, aquatint with hand colouring.
- The State Russian Museum
- Гр-31605
Вид на Академию художеств и Кадетский корпус
- Canvas, oil.
- The State Russian Museum
- Ж-3155
Портрет императора Александра I (1777–1825)
- 1801–1804
- Bust., bronze. 35 х 12,5 х 11
- The State Russian Museum
- СК-219
Портрет императрицы Елизаветы Алексеевны (1779–1826), жены Александра I
- 1801–1804
- Bust., bronze. 36 х 13 х 9,5
- The State Russian Museum
- СК-223
Portrait of Alexander Stroganov
- Canvas, oil.
- The State Russian Museum
- Ж-4594
Count Alexander Stroganov (1794-1814) was the only son of Sofia and Pavel Stroganovs. He went to the army in the field with his father during the Patriotic War of 1812. He was tragically killed during the Battle of Craonne in France (A shot from a cannon decapitated him).
View of the Moscow Kremlin from the Stone Bridge
- 1800-1810
- Canvas, oil. 63 х 103
- The State Russian Museum
- Ж-3291
In 1800, with funds from the Imperial Cabinet, the artist Fyodor Alexeyev began work on a series of views of Moscow. This painting shows us one of the most entrancing panoramas that travellers would see when visiting the city. The majestic Kremlin, the massive stone bridge and the many old palaces and chambers squeezing in along the embankment were all a reminder of the time of the Kingdom of Muscovy. During Napoleon’s invasion of Russia in 1812 Moscow, which was occupied by the French, suffered an immense fire that caused irreparable damage to the city’s appearance. The picture is thus a historical document that allows us to get a visual impression of the ancient capital of Russia.
Михайловский замок в Санкт-Петербурге
- 1800s
- Paper, .
- The State Russian Museum
- Гр.-34771
Большой императорский театр в Петербурге
- Paper, etching with hand colouring.
- The State Russian Museum
- Гр.-30338
Черкес
- 1807
- Paper, pastel. 52 x 38,5
- The State Russian Museum
- Ж-3398
Portrait of Count Pavel Stroganov
- 1808
- Canvas, oil. 69 х 56,5
- The State Russian Museum
- Ж-4596
Pavel Stroganov (1772–1817) was count and son of Alexander Stroganov and Yekaterina Petrovna (née Trubetskaya). He traveled a great deal around Russia. He went to Switzerland in order to complete his education and went to Paris in 1789. He took part in events of the French Revolution. He was called back to Russia in 1790. He became a gentleman in waiting in 1798. He was a member of the Private Committee at the beginning of the reign of Alexander I. He was also the assistant of the Minister of the Internal Affairs. He became a senator in 1806. He fought in the Finnish War (1808-1809), the Russo-Turkish War (1806-1812) and the Patriotic War of 1812.
Portrait of Count Yevgraf Komarovsky
- Canvas, oil.
- The State Russian Museum
- Ж-4588
Yevgraf Fedotovich Komarovsky (1769–1843) was a Count, adjutant general, and a general of the Infantry. He was the son of a small court official. He was an ensign in the Izmailovsky Life Guards Regiment (1792). He was adjutant to the Grand Duke Konstantin Pavlovich, with whom he participated in the Italian and Swiss campaigns led by Alexander Suvorov. He was major general (1799), adjutant general (1801), Count of the Holy Roman Empire (1803). He acted as assistant to the St Petersburg military governor (1802), inspector of the Internal Guard (1811), temporary military governor of St Petersburg (1824). In 1828 he was made general of the Infantry and named senator. He left “Notes” (St Petersburg 1914). He appears here in standard general’s uniform, with the monogram of Emperor Alexander I on the epaulettes. Orders: St Vladimir of the 2nd class (5 October 1813, cross on the neck and star; the emblems of the order were approved later), St Anne of the 1st class (16 March 1806, ribbon), Commander’s cross of the Order of St John of Jerusalem (Maltese cross, 29 October 1799), Sardinian cross of St Lazarus and Mauritius of the 3rd class (received before 1802).
Portrait of Countess Sofia Stroganova
- 1808
- Canvas, oil. 69 х 56
- The State Russian Museum
- Ж-4595
Jean-Laurent Mosnier was a court painter of Louis XVI. He worked in Russia from the middle of 1790s until 1808, where he painted portraits of people of the nobility. As he was an Academician of Painting, he headed the studio of portrait painting from 1806.
Sofia Stroganova (1775–1845) was countess, wife of Pavel Stroganov. She distinguished herself by her beauty, her gentle heart and by her intellectual and wide education. After the death of her husband, as she had management qualities, she administered estates in the Novgorod and Perm provinces. She tried to improve the situation of the serfs by founding several schools, introducing the “Right to Retire” and established a period of time, after which the serfs received their freedom without paying a redemption fee.
Новый железный мост, входящий в перспективу Невского проспекта в Санкт-Петербурге
- etching, , .
- The State Russian Museum
- Гр.-30335
View of the English Embankment from Vasilyevsky Island
- 1810s
- Canvas, oil. 53 х 72,5
- The State Russian Museum
- Ж-5050
Fyodor Alexeyev depicts the corner house on the embankment of Vasilyevsky Island and the English Embankment on the other side of the River Neva. This was possibly the view from the artist’s studio at the Imperial Academy of Arts. Painted at the pinnacle of Alexeyev’s professional career, this small canvas conveys the very atmosphere of the town and port of St Petersburg. Russian Museum: From Icons to the Modern Times. Palace Editions, St Petersburg, 2015. P. 110.
View of the Kazan Cathedral in St Petersburg
- After 1810
- Canvas, oil. 71 х 112,5
- The State Russian Museum
- Ж-5049
The Kazan Cathedral in St Petersburg is one of the most important churches in the Orthodox world. It houses one of the two most venerated duplications of the Our Lady of Kazan icon, the patroness of the imperial house and the protector of the Russian land. The cathedral, built from 1801–1811 from a design by Andrei Voronikhin, was intended to emphasise the political aspirations of the Russian Empire. The majestic colonnade of the cathedral, spreading out toward Nevsky Prospect, is reminiscent of St Peter’s Basilica in Rome. This is the influence of both the romantic interest in Catholicism and the mission of Russia in the greater Christian world. In the solemn rhythm of the forms of the orders of Classical architecture, undoubtedly, there is a kind of heroic sensibility. And it is no wonder that after Napoleon’s expulsion from Russia, Kazan Cathedral became a war memorial, where in 1813 the ashes of Field Marshal Mikhail Kutuzov were laid to rest, and trophies of the Patriotic War of 1812 were housed: flags, banners, and keys to forts and cities.
Fyodor Alexeyev depicts Andrei Voronikhin’s Kazan Cathedral and the original layout of the adjoining square. The wooden obelisk crowned with a cross stood in the centre of the square until 1826. Ivan Martos’s plaster figures of St Gabriel the Archangel and St Michael the Archangel stand at the ends of the colonnade. Pendant statues of Field Marshal Mikhail Kutuzov and Field Marshal Michael Barclay de Tolly were opened outside the Kazan Cathedral in 1837.
The landscapes of Fyodor Alexeyev are created with accurate views of the city, which capture its emotional picturesqueness. In front of the Cathedral of Our Lady Kazan there is an obelisk erected in honour of the sanctification of the building. The painter drew not only the capital’s greatness, but he also depicted its everyday life. The simple street life surrounds the edifice: kiosks and stalls, laundresses washing the clothes in the canal, boats going under the bridge, on which bystanders walk. The figures of people are clustered in an intricate genre.
Вид на Адмиралтейство и Дворцовую набережную от Первого Кадетского корпуса
- Canvas, oil.
- The State Russian Museum
- Ж-3290
Портрет В. Л. Кочубея
- Canvas, oil. 90,5 x 72
- The State Russian Museum
- ЖБ-533
Портрет Ф. П. Толстого (Автопортрет?)
- Canvas, oil.
- The State Russian Museum
- Ж-3379
Вид Аничковского дворца с принадлежащим к нему строением
- 1814
- Paper, etching with hand colouring.
- The State Russian Museum
- Гр.-29632
Портрет Г. Р. Державина
- Canvas, oil. 67 х 56
- The State Russian Museum
- Ж-6331
Вид Михайловского замка в Петербурге
- 1815
- Canvas, oil. 66 x 81,5
- The State Russian Museum
- Ж-6352
Портрет А. О. Орловского
- 1815
- Canvas, oil. 70 x 56
- The State Russian Museum
- Ж-4604
Портрет Н. И. Тургенева
- Paper, lithography.
- The State Russian Museum
- Гр.-20850
Екатерина Семенова. Трагическая актриса / Портрет Е. С. Семеновой
- lathe.
- The State Russian Museum
- Гр.-24250
Парад на Дворцовой площади в Петербурге
- 1817
- Canvas, oil. 47,5 x 64,5
- The State Russian Museum
- Ж-6315
Николай Михайлович Карамзин
- 1818–1819
- Paper, .
- The State Russian Museum
- Гр-28284
Портрет Александра Николаевича Муравьева
- Canvas, oil. 69 x 59
- The State Russian Museum
- Ж-12088
Портрет В. А. Жуковского
- gouache. 9,1 x 8,1
- The State Russian Museum
- Ж-288
Портрет В. А. Жуковского
- 1818
- Paper, .
- The State Russian Museum
- Гр.-25276
Публичная библиотека
- 1818
- Paper, .
- The State Russian Museum
- Гр.-21307
Портрет В. А. Жуковского
- 1820
- Paper, lithography.
- The State Russian Museum
- Гр.-32864
Портрет М. И. Голенищева-Кутузова
- 1810–1820s
- Paper, oil. 22,5 x 19
- The State Russian Museum
- Ж-192
Портрет императора Александра I (1777–1825)
- Bust., marble. 61 х 36 х 25
- The State Russian Museum
- СК-650
Н. С. Семенова
- 1821
- Paper, .
- The State Russian Museum
- Гр.-24253
Невский проспект от Аничковского моста в сторону Адмиралтейства
- 1822
- Paper, .
- The State Russian Museum
- Гр.-30808
Портрет А. С. Пушкина
- 1822
- Paper, lithography.
- The State Russian Museum
- Гр.-7655
Портрет А. С. Пушкина в юности
- 1822
- Paper, .
- The State Russian Museum
- Гр.-21505
Portrait of Dmitry Kuruta
- Canvas, oil.
- The State Russian Museum
- Ж-4602
Dmitry Dmitrievich Kuruta (1770–1833), a migrant from Greece, served Russia from 1787. He took part in the campaigns of 1805 and 1806–1807. In 1812 he was made senior Quartermaster of the College of Guards. In 1816 he became lieutenant general, Chief of Staff of the Polish forces, Marshall at the Court of the Grand Duke Konstantin Pavlovich in Warsaw and in 1828 an Infantry general. In 1826 he was elevated to the level of Count. He is depicted here in his quartermaster’s uniform with the Orders of St Alexander Nevsky (star), of St Vladimir of the 2nd class (star and cross on the neck), of St Anne of the 1st class (cross with diamonds), of the White Eagle (star), of Leopold of the 2nd class (Austria, cross), of Maximilian Josef (Bavaria, cross) and the Kulm Cross (Prussia). On the mounting are the Order of St George of the 4th class, the medal “In Memory of the Patriotic War of 1812” (silver, on St Andrew’s ribbon) and the Order of St John of Jerusalem (the Maltese Cross). An identical (unsigned) copy which was completed “before 1825” can be found in the Military Gallery of the Winter Palace.
Вид Гостиного двора
- 1823
- Paper, .
- The State Russian Museum
- Гр.-28839
Полицейский мост
- 1823
- Paper, .
- The State Russian Museum
- Гр.- 28838
Портрет В. Л. Пушкина
- Paper, lithography.
- The State Russian Museum
- Гр.-32964
Портрет барона В. Г. Строганова
- Paper, watercolours.
- The State Russian Museum
- Р-22747
Фонтанка
- 1820s
- Paper, .
- The State Russian Museum
- Гр.-28857
Н. И. Греч
- 1824
- Paper, lithography.
- The State Russian Museum
- Гр.-28672
Портрет А. Х. Востокова
- 1824
- Paper, lithography.
- The State Russian Museum
- Гр.-24697
Портрет баснописца И. А. Крылова
- 1824
- Paper, pastel. 70 х 53,5
- The State Russian Museum
- Ж-3694
Portrait of Count Pavel Shuvalov
- Canvas, oil.
- The State Russian Museum
- Ж-6229
Pavel Andreyevich Shuvalov (1774, 1776 or 1777–1823) was a Count, the son of Count Andrei Shuvalov and Countess Yekaterina Saltykova. In 1786–1796 he served in the Life Guards Horse Regiment, as a gentleman of the Bedchamber (1796), colonel (1798); Adjutant General of Emperor Alexander I (from 1807), Commander of the Fourth Infantry Corps (1811). He participated in the storming of Prague (1794), the Italian campaign led by Alexander Suvorov, the Russo-Swiss war (1808–1809), the Patriotic War of 1812. He accompanied Napoleon from Fontainebleau to exile on the island of Elba. He was married to the Princess Varvara Shakhovskaya (1796–1871). He appears here in the uniform of a general of the Imperial Suite with the following orders: St Alexander Nevsky (star); St Vladimir of the 2nd class (star and cross on the neck); St Anna of the 1st class (star); St George of the 4th class (cross); the Sign of the Order of St John (Maltese cross); Military Merit (Württemberg); St Louis (France); Maximilian Joseph (Bavaria) and the Commander’s Cross of the Order of Leopold (Austria).
This is a copy of the signed portrait, which is located in the military gallery of the Winter Palace (State Hermitage). It is possible that it was completed in Dawe’s studio.
Дворец великого князя Николая
- Paper, .
- The State Russian Museum
- Гр.-35593
Портрет Дениса Давыдова
- 1820s
- Paper, .
- The State Russian Museum
- Гр.-20953
Портрет И. А. Крылова
- 1820s
- Paper, lithography.
- The State Russian Museum
- Гр.-28678
Портрет Н. А. Дуровой
- Wood, oil. 22,5 x 18
- The State Russian Museum
- Ж-186
Портрет П. А.Вяземского
- 1820s
- Paper, lithography.
- The State Russian Museum
- Гр.-24695
Ф. В. Булгарин
- 1825
- Paper, lithography.
- The State Russian Museum
- Гр.-28670
Михайловский замок
- 1826
- Paper, .
- The State Russian Museum
- Гр.-29412
Портрет графини Н. П. Голицыной
- Canvas, oil. 80 x 65
- The State Russian Museum
- Ж-4615
Портрет А. С. Пушкина
- 1827
- Paper, .
- The State Russian Museum
- Гр.-20754
Зал Большого каменного театра (Каменный театр)
- Paper, .
- The State Russian Museum
- Гр.-21324
Портрет балерины Е. А. Телешевой в роли Зелии из балета «Приключение на охоте»
- 1828
- Paper, lithography.
- The State Russian Museum
- Гр.-30556
Портрет княгини Н. И. Голицыной
- Watercolours.
- The State Russian Museum
- Р-22757
Model of Statue of Prince Mikhail Kutuzov
- Bronze.
- The State Russian Museum
- Ск-1950
Mikhail Golenishchev-Kutuzov (1745–1813) took part in the Russo-Turkish wars during the reign of Catherine the Great, and during these he was critically injured twice and lost an eye. In August 1912, he became the commander of Russian forces in the fight against Napoleon’s army. After the Battle of Borodino, he left Moscow. After subsequently driving the enemy out of Russia, Kutuzov was granted the rank of Field Marshal, the title of Prince of Smolensk, and the Order of St George, First Class, becoming its first full cavalier. In 1813, he led the unified Russo-Prussian forces. After Kutuzov’s death, the commander of the unified army was Michael Andreas Barclay de Tolly, who for his heroism in battles at Kulm and Leipzig received the Order of St George, First Class and the title of count, the rank of General Field Marshal in 1814, and a princely title in 1815.
The idea of building monuments originated in 1818, when the corresponding decree was signed by Alexander I. After his victory in the design competition (1829), Boris Orlovsky, who had returned from Italy, where he worked in Bertel Thorvaldsen’s studio, received the order to create statues of the military leaders. Following the new tastes in Western sculpture, the two field marshals were depicted in modern military uniforms, rather than imaginary garments. The realistic portrayals of people in monuments and their historical accuracy marked an important stage in the development of Russian monumental art. The ceremonial unveiling took place on 25 December 1837.
Statue for the Project for the Monument in St Petersburg Honouring Prince Michael Andreas Barclay de Tolly, a Russian Field Marshal
- 1829 ‒ 1830
- Bronze. 48,5 х 24 х 15
- The State Russian Museum
- Ск-1951
Michael Barclay de Tolly (1761–1818) was a remarkable Russian commander. He became Commander-in-Chief of the army after Kutusov’s death. He received the Order of St. George of the First Class and the title of Count for his heroism during the battles of Kulm and Leipzig, as well as the rank of General Field Marshal in 1814, and a princely title in 1815.
The idea of building monuments originated in 1818, when the corresponding decree was signed by Alexander I. After his victory in the design competition (1829), Boris Orlovsky, who had returned from Italy, where he worked in Bertel Thorvaldsen’s studio, received the order to create statues of the military leaders. Following the new tastes in Western sculpture, the two field marshals were depicted in modern military uniforms, rather than imaginary garments. The realistic portrayals of people in monuments and their historical accuracy marked an important stage in the development of Russian monumental art. The ceremonial unveiling took place on 25 December 1837.
А. С. Пушкин
- 1829–1830
- Paper, lithography.
- The State Russian Museum
- Гр.-36395
Петропавловская крепость
- Canvas, oil.
- The State Russian Museum
- Ж-6351
Портрет А. С. Грибоедова
- 1829
- .
- The State Russian Museum
- Гр.-20733
Портрет Николая I
- .
- The State Russian Museum
- Ск-1307
Портрет императрицы Александры Федоровны
- Bronze, copper, .
- The State Russian Museum
- Ск-1305
Vincenzo Brioschi. Portrait of the St Petersburg Postal Director Konstantin Bulgakov
- 1830
- Canvas, oil. 85 х 72
- The State Russian Museum
- Ж-3473
Konstantin Yakovlevich Bulgakov (1782–1835) was the younger son of the diplomat Yakov Bulgakov, and in 1797 he was appointed to the College of Foreign Affairs. Under Alexander I he was attached as a supernumerary to the mission to Vienna, and was then put at the disposal of the Commander-in-Chief of the Transdanubian Army, Nikolai Kamensky. He became an actual state councillor in 1814, postal director for Moscow in 1816, and was transferred to the same position in St Petersburg in 1819.
Under his direction communications by stage-coach were set up, as well as a permanent urban postal system in St Petersburg. In 1822 he concluded a postal convention with Prussia and Austria that speeded up the delivery of letters from abroad. He was appointed privy councillor in 1826 and director of the Department of Posts in 1831. He was well known for his generous philanthropic work, his love of literature and art and for organising numerous charitable evenings; he was friends with many figures in the arts and with contemporaries who were collectors (in particular Alexei Tomilov). He was the author of a correspondence that has become a chronicle of Russian life at the start of the 19th century.
Граф М. Ю. Виельгоргский
- Paper, .
- The State Russian Museum
- Гр.-27493
Наталья Николаевна Гончарова, невеста А. С. Пушкина
- Paper, .
- The State Russian Museum
- Гр.-22729
Панорама Невского проспекта. Правая, теневая сторона Невского проспекта
- 1830
- .
- The State Russian Museum
- Гр.-1930
Портрет А. Н. Хитрово
- Paper, watercolours.
- The State Russian Museum
- Р-22731
Портрет Е. А. Архаровой
- Canvas, oil. 40 x 32,3
- The State Russian Museum
- Ж-4849
Портрет М. Т. Пашковой с дочерью
- Paper, watercolours, graphite pencil, varnish.
- The State Russian Museum
- Р-22725
Портрет О.-Ю. И. Сенковского
- Paper, watercolours.
- The State Russian Museum
- Р-22698
Портрет П. А. Вяземского
- Lithography.
- The State Russian Museum
- Гр.-28642
Портрет графа П. И. Кутайсова
- Watercolours, varnish.
- The State Russian Museum
- Р-205
Портрет графини С. И. Лаваль
- Paper pasted on paper, watercolours, varnish.
- The State Russian Museum
- Р-206
Портрет писателя И. А. Крылова (1768/69–1844)
- 1830
- Bust., bronze. 59 х 37 х 29
- The State Russian Museum
- СК-365
Молебствие и парад по случаю окончания военных действий в Царстве Польском 6 октября 1831 года на Царицыном лугу в Санкт-Петербурге
- 1831
- Canvas, oil. 48 х 71
- The State Russian Museum
- Ж-3604
А. С. Пушкин в кругу знакомых
- Paper, graphite pencil.
- The State Russian Museum
- Р-51621
Вид Тифлиса
- Canvas, oil.
- The State Russian Museum
- Ж-5499
Портрет А. И. Тургенева
- 1833
- Paper, lithography.
- The State Russian Museum
- Гр.-25357
Титульный лист к альманаху «Новоселье» (Ч.1. СПб, 1833) с виньеткой «Обед у книгоиздателя А. Ф. Смирдина»
- 1833
- .
- The State Russian Museum
- Гр.-21414
Портрет А. А. Полторацкого
- Watercolours, graphite pencil, varnish.
- The State Russian Museum
- Р-201
Портрет Е. П. Бакуниной
- Watercolours, graphite pencil.
- The State Russian Museum
- Р-13095
Портрет Ивана Андреевича Крылова (1768—1844)
- Canvas, paper.
- The State Russian Museum
- Ж-5250
Портрет Николая Васильевича Гоголя
- 1834
- Lithography.
- The State Russian Museum
- Гр.-25288
Портрет графини Н. В. Строгановой
- Watercolours, varnish.
- The State Russian Museum
- Р-210
Титульный лист к альманаху «Новоселье»
- 1834
- Paper, etching, .
- The State Russian Museum
- Гр. 20755
Neva Embankment at the Imperial Academy of Arts View of the Landing Wharf with Egyptian Sphinxes by Day
- 1835
- Canvas, oil. 75 x 111
- The State Russian Museum
- Ж-5122
Much of Maxim Vorobyov’s oeuvre addresses the solemnity and majesty of St Petersburg. This particular work depicts the descent to the River Neva next to the Imperial Academy of Arts — Konstantin Ton’s New Academy Landing Wharf (1832–34). The mooring point is adorned with two sculptures of Egyptian sphinxes allegedly portraying the head of Pharaoh Amenhotep III (13th century BC). Russian Museum: From Icons to the Modern Times. Palace Editions, St Petersburg, 2015. P. 116.
Панорама Невского проспекта. Левая, солнечная сторона Невского проспекта
- 1835
- .
- The State Russian Museum
- Гр.-1929
Портрет А. А. Андро де Ланжерон
- 1835
- Wood, oil. 16 х 12,3
- The State Russian Museum
- Ж-3814
Портрет Е. И. Лужиной
- Watercolours, varnish.
- The State Russian Museum
- Р-22723
Портрет С. П. Апраксиной
- Watercolours, varnish.
- The State Russian Museum
- Р-22733
Портрет молодой грузинки
- 1830s
- Canvas, oil. 81 х 67,5
- The State Russian Museum
- Ж-3526
Портрет президента Императорской Академии художеств, директора Императорской публичной библиотеки А. Н. Оленина
- 1830s
- Bust., marble. 51 х 27 х 23
- The State Russian Museum
- СК-361
A View at the Foot of the Ayu-Dug
- 1836
- Canvas, oil. 87 х 127
- The State Russian Museum
- Ж-5500
Бал у княгини М. Ф. Барятинской
- Paper, watercolours. 16 х 18,4
- The State Russian Museum
- Р-633
Parade Celebrating the End of Millitary Action in the Kingdom of Poland on Tsaritsa Meadow in St Petersburg on 6 October 1831
- 1837
- Canvas, oil. 212 х 345
- The State Russian Museum
- Ж-6350
The parade took place one month after the capture of Warsaw. The painting depicts the panorama of Tsaritsa Meadow (today the Fields of Mars): the Summer Garden, the Engineers Castle, the Mikhailovsky Garden and the Rossi Pavilion, the Michailovsky Palace and the Barracks of the Pavlovsky Regiment. Alongside the barracks, two regiments are formed: a regiment of cavalry along the Palace and a regiment of artillery along the Summer Garden. Nikolai I, followed by his suite, rides to the Empress carriage from the place of moleben. Among the crowd of spectators, one can find Alexander Pushkin, Vasily Zhukovsky, Ivan Krylov, Karl Brullov and Alexei Olenin alongside with other musicians, diplomats, scientists and merchants. The artist supplemented the painting by an outline drawing of 223 figures and the list of depicted characters.
А. С. Пушкин
- 1837
- . 46 х 16 х 15
- The State Russian Museum
- Ск-383
Екатерина Семенова в роли Клитемнестры в трагедии Ифигения в Авлиде («Дерзни исторгнуть дочь из матерных объятий»)
- 1837
- Paper, .
- The State Russian Museum
- Гр.-23835
Портрет А. С. Пушкина
- 1837
- Bust., bronze. 52 х 37 х 22
- The State Russian Museum
- СК-2077
Бахчисарайский фонтан
- 1838 (?)
- Paper, nib, graphite pencil. 13,5 x 10,2
- The State Russian Museum
- Р-2242
Портрет А. Н. Оленина
- 1838
- Paper, .
- The State Russian Museum
- Гр.-28293
Групповой портрет: К. П. Брюллов, Я. Ф. Яненко, М. И. Глинка, Н. В. Кукольник и И. П. (?) Поливанов
- Paper, watercolours.
- The State Russian Museum
- Р-2903
Парад на Дворцовой площади
- Canvas, oil.
- The State Russian Museum
- Ж-6344
Александр I в Александро-Невской Лавре
- Canvas, oil. 52 х 39,5
- The State Russian Museum
- Ж-10509
Дом Голландской церкви на Невском проспекте
- Paper, lithography.
- The State Russian Museum
- Гр.-34761
Петр Александрович Плетнев ректор Санкт-Петербургского императорского Университета
- 1840s (?)
- Paper, lithography.
- The State Russian Museum
- Гр.-29034
Портрет Н. В. Гоголя
- Canvas, oil.
- The State Russian Museum
- Ж-3476
Портрет молодого человека
- 1841
- Canvas, oil. 71,5 х 58
- The State Russian Museum
- Ж-3710
Вид на Инженерный замок
- Canvas, oil.
- The State Russian Museum
- Ж-3628
Portrait of Alexei Yermolov
- 1843
- Canvas, oil.
- The State Russian Museum
- Ж-3762
Alexei Petrovich Yermolov (1777–1861) was the son of state councillor Pyotr Yermolov and Maria Denisovna, née Davydova. He was enrolled in the Preobrazhensky Life Guards Regiment as a child. He was educated at home.
Under the reign of Paul I he lived in exile. He took part in the military campaign of 1805-1807. In 1806 he was made a colonel, in 1808 — major general, in 1810 — Commander of an Artillery Guards Brigade, then — Commander of the Infantry Guards Division of the Lithuanian Regiment. In 1812–1814, during the Patriotic War, he was head of the staff of the 1st Army. He excelled at the Battle of Borodino. In 1816 he was named Commander-in-Chief in Georgia where military action was then taking place. Lines of fortification were built from Grozny to Yekaterinodar (now Krasnodar). Yermolov did a great deal for the Caucasus, promoting the development of trade, industry and education. Relying on military and administrative methods, he appeased many Caucasian tribes and annexed Abkhazia and the Khanates of Shirvan and Karabakh. In 1818 he was made general of Infantry. In 1827 he retired. Member of the State Council. In March 1839 “he went on holiday for medical treatment”. Living in Moscow, he was made head of the Moscow militia in 1855. He appears here in general’s uniform of the Horse Artillery Army with Orders of St Andrew the First-Called (star), St George of the 2nd class (cross on the neck and star), St Vladimir of the 1st class (star), the Kulm Cross (Prussia), Military Order of Maria Theresa (Austria). In his buttonhole are the medals “In memory of the Patriotic War of 1812” (silver, on the ribbon of St Andrew) and “For the taking of Paris”.
St Isaac’s Cathedral and the Bronze Horseman
- 1844
- Canvas, oil. 102 х 131
- The State Russian Museum
- Ж-3593
Auguste Montferrand’s St Isaac’s Cathedral (1818–1858) took several decades to build and was the most important event in the life of St Petersburg. The painting is dated 1844, when construction of St Isaac’s Cathedral was well under way. Like other artists, however, Vorobyov painted the monument while it was being built as if it were complete. St Isaac’s Cathedral was consecrated in the presence of Tsar Alexander II on 30 May 1858 and became the cathedral church of the Russian capital. The ensemble of Senatskaya Square, which has survived to the present day, took shape in the 1840s, when the Admiralty Canal was interred in pipe and filled with water.
Портрет композитора М. И. Глинки (1804–1857)
- 1844
- Bust., . 51 х 32 х 23
- The State Russian Museum
- СК-1829
Провеивание зерна на Северном Кавказе (Дагестан?)
- 1840s
- Canvas, oil. 54,5 х 64,5
- The State Russian Museum
- Ж-3531
Татьяна
- 1840s
- Canvas, oil. 113 х 85,5
- The State Russian Museum
- Ж-3495
Портрет М. П. Ланского
- Canvas, oil. 92,5 х 67
- The State Russian Museum
- Ж-3328
Alexei Illarionovich Filosofov (1799–1874). He got education in the Page Corps. In 1818 he was an ensign in the 1st Life Guards Artillery Brigade. He took part in the Russo-Persian War of 1826–1828 and the Russo-Turkish War of 1828–1829. In August 1828 during the taking of Akhaltsikhe he was awarded a gold sword with the inscription “for courage” along with the rank of colonel and the Imperial Order of the Lion and the Sun, and named adjutant to the Field Marshal General Grand Duke Michael Pavlovich. In 1830 he took part in the French expedition against the Algerian Uprising, and in 1831 in the suppression of the rebellion in Poland. In 1836 he was made major general. From 1838 he was tutor to their Imperial Highnesses Nicholas Nikolayevich and Michael Nikolayevich; from December he was the retinue of His Imperial Majesty Nicholas I. In July 1842 he became adjutant general, and in March 1847— lieutenant general. From 1854 he superintended the Kronstadt Artillery and in 1859 became general of Artillery.
He died in Paris. He appears here in the uniform of major general with the Orders of St Anne of the 1st class, St Vladimir of the 3rd class (cross on the neck), Sword (Sweden), Order of Military Merit Virtuti Militari; on the block: Order of St George of the 4th class, medal “For the Russo-Turkish War of 1828–1829” and “For the taking of Warsaw in 1831”.
Штурм Пугачевым Казани
- 1847
- Canvas, oil. 58,3 х 71,4
- The State Russian Museum
- Ж-12130
Portrait of Ivan Paskevich
- Canvas, oil.
- The State Russian Museum
- Ж-3432
Ivan Fyodorovich Paskevich (1782–1856) was a Russian military official. He participated in military action against the Turkish army (1806–1811), the Patriotic War of 1812 (Smolensk, Borodino, Vyazma), the Battle of Nations near Leipzig and others. By order of Nicholas I, he took part in the Decembrist trial. He began serving in the Caucasus under the command of Yermolov in 1826, and in 1827 he succeeded him as Commander of the Caucasian Corps and the Commander-in-Chief in Georgia. His successful actions against the Persians resulted in the capture of Erivan and the Treaty of Turkmenchay, which recognised Russia’s suzerainty over the Erivan and Nakhichevan khanates, and he was created Count Erivan. His skilful leadership against the Turks in Asia Minor (1828–1829) yielded him the title of Field Marshal, and his suppression of the Polish Uprising (1831) created him Prince of Warsaw and was made governor of the Kingdom of Poland. He led the suppression of the Hungarian Revolution (1848–1849), participated in the Crimean War (1853–1856) and was commander-in-chief of troops on the western borders and on the Danube. He is depicted in the uniform of the Hussar Regiment of Alexandria, of which he became the colonel-in-chief on 1 September 1845, with the Orders of St Andrew the Apostle (ribbon and star; 1828); St George of the 1st class (cross on the neck and star; 1829); Turkish Order of the Moon (?) and medal brooch, as well as an award medallion with a portrait of Nicholas I.
Зарема
- 1850
- Canvas, oil. 86 x 71
- The State Russian Museum
- Ж-6291
Портрет графа А. Ф. Орлова
- Canvas, oil. 75,5 x 62
- The State Russian Museum
- Ж-6218
Портрет В. И. Даля
- Paper, etching.
- The State Russian Museum
- Гр.-43778
Portrait of Mikhail Pogodin
- 1860
- Paper, lithography.
- The State Russian Museum
- Гр.-5595
Портрет М.И. Глинки
- Paper, lithography.
- The State Russian Museum
- Гр.-5598
На 25-летие со дня смерти А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-1984
Портрет князя В. Ф. Одоевского
- 1860s
- Paper, lithography.
- The State Russian Museum
- Гр.-24934
Царское Село. Екатерининский дворец и лицей
- .
- The State Russian Museum
- Гр.-10715
Портрет Д. А. Веневитинова
- Paper, lithography.
- The State Russian Museum
- Гр.-5257
Портрет Н. И. Гнедича
- Paper, lithography.
- The State Russian Museum
- Гр.-5262
Портрет писателя А. Дельвига
- Paper, lithography.
- The State Russian Museum
- Гр.-5270
View of the Bronze Horseman on Senate Square in St Petersburg
- 1870
- Canvas, oil. 52 x 71
- The State Russian Museum
- Ж-4241
Портрет Петра Александровича Плетнева
- 1870
- Paper, .
- The State Russian Museum
- Гр.-29659
Портрет писателя князя П. П. Вяземского
- 1873
- Canvas, oil. 72 х 63
- The State Russian Museum
- ЖБ-567
Портрет А. М. Горчакова
- 1880
- Canvas, oil. 71 x 62 (овал)
- The State Russian Museum
- Ж-9788
Моцарт и Сальери слушают игру слепого скрипача (Сцена I)
- Paper, charcoal pencil.
- The State Russian Museum
- Р-55056
Сальери (Сцена I)
- Paper, charcoal pencil.
- The State Russian Museum
- Р-55054
Сальери всыпает яд в бокал Моцарта (Сцена II)
- Paper, charcoal pencil.
- The State Russian Museum
- Р-55055
Портрет К. Н. Батюшкова
- 1883
- Paper, .
- The State Russian Museum
- Гр.-27614
Крым. Бахчисарай. Лунная ночь
- 1880s
- Canvas, oil. 27 х 37
- The State Russian Museum
- Ж-10714
Портрет князя П. П. Вяземского
- 1888
- Canvas, oil. 90 х 64
- The State Russian Museum
- Ж-2552
Статуя «Девушка, разбившая кувшин» в Царскосельском парке
- Paper, pastel. 35,3 х 48,5
- The State Russian Museum
- ЖБ-273
Portrait of Nikolai Rimsky-Korsakov
- 1893
- Canvas, oil. 125 x 89,5
- The State Russian Museum
- Ж-4013
Rimsky-Korsakov, Nikolai Andreyevich (1844–1908): Composer
Alexander Pushkin at the Top of Ai-Petri at Sunrise
- 1899
- Canvas, oil. 135 х 250
- The State Russian Museum
- Ж-11746
В память 100-летия со дня рождения А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-2049
Жетон на 100-летие со дня рождения А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-4509
Жетон на 100-летие со дня рождения А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-2592
Жетон на 100-летие со дня рождения А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-2590
Портрет А. С. Пушкина
- Bronze.
- The State Russian Museum
- Ск-1762
Портрет А. С. Пушкина
- 1899
- Paper, etching.
- The State Russian Museum
- Гр.-19460
Портрет А. С. Пушкина
- 1899 (?)
- Paper, .
- The State Russian Museum
- Гр.-19461
Руслан и Голова
- oilcloth, oil, bronze paint. 19 x 34,5
- The State Russian Museum
- ЖБ-102
The Swan Princess
- 1900
- Wood, oil. 23 x 18,9
- The State Russian Museum
- Ж-1836
The Swan Princess
- 1900
- Wood, oil. 23 x 19,5
- The State Russian Museum
- Ж-1828
Thirty-Three Bogatyrs
- Unfinished
- 1901
- Canvas, oil. 180,5 x 230
- The State Russian Museum
- Ж-1832
У царских врат
- 1901
- Cardboard, tempera. 37,5 х 28
- The State Russian Museum
- Ж-2025
Проект памятника А. С. Пушкину
- 1902
- . 72 х 76 х 63
- The State Russian Museum
- Ск-1060
Six-Winged Seraph
- 1904
- Canvas, oil. 131 x 155
- The State Russian Museum
- Ж-1838
Six-Winged Seraph is linked to the theme of the prophetic mission of the artist, one that greatly occupied Symbolists of various lands and times. From the 1890s onwards, inspired by Alexander Pushkin’s poem The Prophet, Mikhail Vrubel dedicated a series of compositions in painting and graphic art to this theme. The artist seems to paint an inner vision of a «fire-like» messenger of God, an angel with a fiery gaze, the patron and merciless judge of the artist-prophet, reminding artists of their sublime mission and calling them «to burn people’s hearts with a word» and awaken their souls «from the trifles of everyday life with majestic images.» Vrubel’s inner experiences of the time when he was working on Fallen Demon are reflected in the painting’s sublime construction and its assiduity of feeling. The startling tones conjure up associations with the Byzantine mosaics in Venice and Ravenna seen by the artist in his youth. Russian Museum: From Icons to the Modern Times. Palace Editions, St Petersburg, 2015. P. 239.
«Во все время разговора он стоял позадь забора…»
- 1905
- Paper, watercolours, ink.
- The State Russian Museum
- Р-57753
Пир у князя Гвидона
- 1905
- Paper, watercolours, ink, nib. 36,2 x 41,5
- The State Russian Museum
- Р-48964
Титульный лист
- 1905
- Paper, watercolours, bronze, ink. 28,4 х 34,6
- The State Russian Museum
- Р-53026
Тридцать три богатыря
- 1905
- Paper, watercolours.
- The State Russian Museum
- Р-2127
Царевна Лебедь. Концовка
- 1905
- Paper, watercolours, ink, gold. 16,5 х 23,2
- The State Russian Museum
- Р-8643
„И, дивясь, перед собой видит город он большой…“
- 1905
- Paper, watercolours, ink.
- The State Russian Museum
- Р-2132
Александр I
- 1906
- Canvas, oil. 340 х 172
- The State Russian Museum
- ЖБ-964
Голова А. С. Пушкина
- 1906–1907
- Canvas mounted on cardboard, oil. 33 x 26
- The State Russian Museum
- Ж-2514
Иллюстрация к сказке А. С. Пушкина "Сказка о рыбаке и рыбке"
- 1908
- Cardboard, watercolours, ink. 30 x 37,8
- The State Russian Museum
- Р-2134
Alexander Pushkin at the Convocation at the Lyceum on 8 January 1815
- Original painting of the same name (1910–1911, Prague Castle, Czech Republic)
- 1910
- Canvas, oil. 43 x 60,7
- The State Russian Museum
- Ж-2776
Pushkin, Alexander Sergeyevich (1799–1837): Russian poet, prose writer, playwright.
В память 110-летия Царскосельского лицея
- 1911
- .
- The State Russian Museum
- Мед.А-2181
Portrait of Fyodor Chaliapin in the Role of Boris Godunov
- 1912
- Canvas, , colour-wash, gouache, pastel, silver foil. 211,5 x 39,5
- The State Russian Museum
- Ж-4345
Alexander Golovin created a series of portraits of Fyodor Chaliapin, conveying both the famous opera singer’s outer appearance and his stage images. Golovin’s theatrical portraits brightly express the theatrical action, conjuring up the musical phrase sounding on stage at that particular moment in time. Portrait of Fyodor Chaliapin in the Role of Boris Godunov is majestic and monumental; a pageant unfolding against a theatrical curtain. The subject’s sumptuous robe, embroidered with precious stones and golden threads, occupies a large part of the painting without distracting attention from the singer’s expressive face, which rounds off the composition. This tense image of Boris Godunov is psychologically rich and full of drama. Russian Museum: From Icons to the Modern Times. Palace Editions, St Petersburg, 2015. P. 251.
The Bronze Horseman
- 1912
- Canvas, oil. 425 х 286
- The State Russian Museum
- Ж-5802
Палата царского дворца в Тмутаракани
- 1912
- Cardboard, tempera, oil, gouache, bronze. 47,6 х 78
- The State Russian Museum
- Ж-2028
Chernomore’s Garden
- 1913
- Paper, watercolours, gouache, graphite pencil.
- The State Russian Museum
- Р-53022
Mikhail Glinka’s opera Ruslan and Lyudmila was staged at the Mariinsky and Bolshoi Theatres with sets by Konstantin Korovin and Alexander Golovin. On the wide new stage of the People’s House (now the Music Hall, St Petersburg), however, the opera was successfully staged with sets and costumes by Ivan Bilibin. The inevitable comparison of Bilibin’s interpretation of Chernomore’s Garden with that of Alexander Golovin (or an even earlier one by Sergei Malyutin) reveals just how strongly Bilibin’s experience as a book illustrator was reflected in his theatrical designs. This can be seen in the graphic nature of this watercolour painting and the conscientious following of the text of Pushkin’s poem.
Чесменская колонна в Царском Селе
- 1914
- Paper, pastel. 41,5 х 23
- The State Russian Museum
- ЖБ-195
Эскиз декорации к «Пиру во время чумы»
- 1914
- Paper, pastel. 43 х 69
- The State Russian Museum
- Ж-2103
Игрушка елочная «Рыбка»
- 1910s
- Wood, carving, painting. 5,3 х 10,2 х 4,2
- The State Russian Museum
- ОНИ/Д-443
Игрушка-укладка «Боярыня»
- 1910s
- Wood, , painting, carving.
- The State Russian Museum
- ОНИ/Д-456
Кегля «Витязь»
- 1910s
- Wood, , , painting. 25 х 8 х 8
- The State Russian Museum
- ОНИ/Д-447
Спичечница «Баба»
- 1910s
- Wood, , painting, carving.
- The State Russian Museum
- ОНИ/Д-455
«В опасный путь средь бурных вод его пустились генералы...»
- 1916
- Paper, ink, white pigment, graphite pencil. 28,7 x 38,2
- The State Russian Museum
- Р-2574
«Евгений стремглав, не помня ничего... бежит»
- 1916
- Paper, ink, brush, white pigment, graphite pencil. 22,7 x 33,8
- The State Russian Museum
- Р-2578
«И наконец, остервенясь, на город кинулась...»
- 1916
- Paper, ink, brush, graphite pencil. 32,1 x 48,5
- The State Russian Museum
- Р-5102
«И озарен луною бледной, простерши руку в вышине, за ним несется Всадник Медный на звонко-скачущем коне»
- 1916
- Paper, ink, brush, white pigment, , graphite pencil. 27,1 x 50,1
- The State Russian Museum
- Р-5106
«Люблю воинственную живость...»
- 1916
- Paper, ink, white pigment, graphite pencil. 23,8 x 39,2
- The State Russian Museum
- Р-2572
«На балкон, печален, смутен, вышел он»
- 1916
- Paper, ink, brush, white pigment, graphite pencil. 23,5 x 36,3
- The State Russian Museum
- Р-2575
«Над омраченным Петроградом дышал ноябрь осенним хладом»
- 1916–1918
- Paper, ink, brush, white pigment, graphite pencil. 25,3 x 32,6
- The State Russian Museum
- Р-2573
“On the Shore of Empty Waves…”
- 1916
- Paper, ink, brush, italian pencil. 32,4 x 60,4
- The State Russian Museum
- Р-5100
Руслан и голова. Иллюстрация к сказке А. С. Пушкина "Руслан и Людмила"
- 1917
- paper mounted on cardboard, ink, nib.
- The State Russian Museum
- РС-4022
«Он очутился под столбами большого дома»
- 1918
- Paper, ink, graphite pencil. 24,5 x 34,4
- The State Russian Museum
- Р-5104
Барин-англоман
- Paper, watercolours, gouache, ink, graphite pencil.
- The State Russian Museum
- Р-38355
Герман
- Paper, watercolours, ink, nib, white pigment, graphite pencil.
- The State Russian Museum
- Р-38357
Дети
- Paper, watercolours, ink, nib, graphite pencil, fabric.
- The State Russian Museum
- Р-38346
Дети
- Paper, watercolours, ink, nib, white pigment, .
- The State Russian Museum
- Р-38340
Елецкий
- Paper, ink, nib, watercolours, graphite pencil.
- The State Russian Museum
- Р-38343
Кавалергард
- Paper, watercolours, ink, nib, silver paint, white pigment, graphite pencil.
- The State Russian Museum
- Р-38347
Летний сад
- Paper, gouache, graphite pencil.
- The State Russian Museum
- Р-60248
Няньки
- Paper, watercolours, ink, nib, graphite pencil.
- The State Russian Museum
- Р-38336
Подруга Лизы
- Paper, watercolours, white pigment, ink, graphite pencil.
- The State Russian Museum
- Р-38334
Иллюстрация к поэме А. С. Пушкина «Русалка»
- 1922
- Paper, .
- The State Russian Museum
- С.Гр.-9336
Иллюстрация к поэме А. С. Пушкина «Русалка»
- 1922
- Paper, .
- The State Russian Museum
- С.Гр.-9337
Иллюстрация к поэме А. С. Пушкина «Домик в Коломне»
- 1922–1925
- Paper, .
- The State Russian Museum
- С.Гр.-4483
Иллюстрация к поэме А. С. Пушкина «Домик в Коломне»
- 1922–1925
- Paper, .
- The State Russian Museum
- С.Гр.-4485
Серия фигур-иллюстраций к поэме А. С. Пушкина «Бахчисарайский фонтан»
- Porcelain, painting over glaze, gilding.
- The State Russian Museum
- СФ-107, СФ-108, СФ-109
Фигура «Гирей»
- Porcelain, painting over glaze, gilding.
- The State Russian Museum
- СФ-107
Фигура «Зарема»
- Porcelain, painting over glaze, gilding.
- The State Russian Museum
- СФ-108
Фигура «Мария»
- Porcelain, painting over glaze, gilding.
- The State Russian Museum
- СФ-109
Городище. Вал времен Иоанна Грозного. Тригорское. Пушкинский заповедник
- 1924
- Paper, graphite pencil.
- The State Russian Museum
- РС-2074
Портрет А. С. Пушкина
- 1924
- Paper, .
- The State Russian Museum
- С.Гр.-9317
Село Михайловское, река Сороть и озеро Kучане с площадки дома Пушкина
- 1924
- Paper, graphite pencil.
- The State Russian Museum
- РС-2047
Село Михайловское. Въездная аллея в усадьбу
- 1924
- Paper, graphite pencil.
- The State Russian Museum
- РС-2049
Село Михайловское. Руины дома Пушкина и дома няни со стороны спуска
- 1924
- Paper, graphite pencil.
- The State Russian Museum
- РС-2050
Село Михайловское. Сени домика няни
- 1924
- Paper, graphite pencil.
- The State Russian Museum
- РС-2057
Тригорское. Усадьба Вульфа. Пушкинский заповедник
- 1924
- Paper, graphite pencil.
- The State Russian Museum
- РС-2072
У стен Святогорского монастыря и дорога в село Михайловское
- 1924
- Paper, graphite pencil.
- The State Russian Museum
- РС-2063
Портрет В. Л. Кочубея
- Bone, watercolours, gouache.
- The State Russian Museum
- Ж-834
Шкатулка «У Лукоморья»
- 1927
- Papier-mâche, tempera, gold, varnish, . 9,5 х 28 х 7,5
- The State Russian Museum
- ОНИ/Р-1772
Акулина и Алексей в лесу.
- 1929
- Paper, ink.
- The State Russian Museum
- РС-92
Городище и Тригорский парк. Тригорское - Пушкинский заповедник
- 1929
- Paper, graphite pencil.
- The State Russian Museum
- РС-2071
Дорога из Петровского в село Михайловское
- 1929
- Paper, graphite pencil.
- The State Russian Museum
- РС-2048
Онегин и Татьяна в саду
- 1929
- Paper, ink.
- The State Russian Museum
- РС-89
После венчания
- 1929
- Paper, ink.
- The State Russian Museum
- РС-96
Тригорское. «Диван Онегина». Пушкинский заповедник
- 1929
- Paper, graphite pencil.
- The State Russian Museum
- РС-2070
Группа «Кумушки». Персонажи сказки А. С. Пушкина «Сказка о царе Салтане»: Ткачиха, Повариха и сватья баба Бабариха
- Porcelain, painting over glaze.
- The State Russian Museum
- СФ-843
Портрет А. С. Пушкина
- 1920–1930s
- Paper, .
- The State Russian Museum
- РС-4568
Чашка с блюдцем «Зарема»
- Porcelain, painting over glaze, gilding, , .
- The State Russian Museum
- СФ-1195 а,б
Шкатулка «Бахчисарайский фонтан»
- 1930
- Papier-mâche, tempera, varnish, .
- The State Russian Museum
- ОНИ/Р-1770
Портрет А. С. Пушкина
- 1932
- Paper, .
- The State Russian Museum
- С.Гр.-760
Декоративная тарелка «Зарема»
- Porcelain, painting over glaze, gilding, .
- The State Russian Museum
- СФ-1197
Лицей
- 1933
- Paper, .
- The State Russian Museum
- С.Гр.-801
Портрет А. С. Грибоедова
- 1933
- Paper, .
- The State Russian Museum
- С.Гр.-787
Портрет А. С. Пушкина
- 1933
- Paper, .
- The State Russian Museum
- С.Гр.-765
Портрет Н. В. Гоголя
- 1933
- Paper, .
- The State Russian Museum
- С.Гр.-766
Портрет А. С. Пушкина
- 1934
- Paper, .
- The State Russian Museum
- С.Гр.-805
Портрет А. С. Пушкина
- 1934
- Canvas, oil. 100 x 87,5
- The State Russian Museum
- Ж-4487
Пушкинский заповедник. Аллея в Михайловском
- 1934
- Paper, , .
- The State Russian Museum
- С.Гр.-2571
Бес
- 1930s
- Wood, carving. 17 х 9 х 11
- The State Russian Museum
- ОНИ/Д-3412
Иллюстрация к драме А.С. Пушкина «Египетские ночи»
- 1935
- Paper, .
- The State Russian Museum
- С.Гр.-14929
Косынка «Евгений Онегин»
- 1930s
- . 157 х 95
- The State Russian Museum
- ТК-1610
Онегин и Ленский
- 1930s
- Wood, carving. 22 х 18,7 х 13
- The State Russian Museum
- ОНИ/Д-3385
Офицер в санях
- 1930s
- Wood, carving. 16 х 30,5 х 5,4
- The State Russian Museum
- ОНИ/Д-3384
Портрет А. С. Пушкина
- 1935
- Paper, .
- The State Russian Museum
- С.Гр.-4581
Пушкин
- 1930s
- Paper, ink. 26,3 x 25,7
- The State Russian Museum
- РС-16043
Пушкинские места. Пруд в Тригорском
- 1935
- Paper, tempera. 30,5 x 42
- The State Russian Museum
- РС-12975
«И проклиная свой ночлег и своенравную красотку…»
- 1936
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4021
«Старый муж, грозный муж…»
- 1936
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4030
А. С. Пушкин
- 1936
- Bronze. 45 x 25 x 22
- The State Russian Museum
- СО-22
Бюст А. С. Пушкина
- Bisque.
- The State Russian Museum
- СФ-276
Бюст А. С. Пушкина
- Bisque.
- The State Russian Museum
- СФ-415
Вид на Тригорское
- 1936
- Paper, .
- The State Russian Museum
- С.Гр.-4706
Иллюстрация к драме А. С. Пушкина «Моцарт и Сальери»
- 1936
- Paper, .
- The State Russian Museum
- С.Гр.-2484
Иллюстрация к пьесам в стихах А. С. Пушкина «Маленькие трагедии»
- 1936–1937
- Paper, ink, , , white pigment. 18,3 x 11,2
- The State Russian Museum
- РС-23917
Иллюстрация к пьесам в стихах А. С. Пушкина «Маленькие трагедии»
- 1936–1937
- Paper, ink, , , white pigment. 18,2 x 11,2
- The State Russian Museum
- РС-23915
Иллюстрация к пьесам в стихах А. С. Пушкина «Маленькие трагедии»
- 1936–1937
- Paper, , . 18,5 x 11,2
- The State Russian Museum
- РС-23919
Композиция «Пушкин на диване»
- Painting over glaze, , gilding.
- The State Russian Museum
- СФС-402
Портрет А. С. Пушкина
- 1936
- Paper, .
- The State Russian Museum
- С.Гр.-446
Рыбак с неводом
- 1936
- Wood, carving. 15,5 х 6 х 3,5
- The State Russian Museum
- ОНИ/Д-3411
С. Михайловское. Аллея Керн
- 1936
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4838
С. Михайловское. Домик няни
- 1936
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4833
С. Михайловское. Р. Сороть
- 1936
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4846
С. Михайловское. Р. Сороть и лесистый холм
- 1936
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4830
С. Михайловское. Руины дома Пушкина и домик няни
- 1936-1937
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4828
Село Михайловское. Озеро Малец - Усадьба поэта
- 1936
- Paper, .
- The State Russian Museum
- С.Гр.-1631
Тригорское. «Диван Онегина»
- 1936-1937
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4852
Тригорское. Вид с «Городища» на усадьбу Вульфа
- 1936-1937
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4849
Тригорское. Вид с «Городища» на усадьбу Вульфа
- 1936-1937
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4848
Тригорское. Дуб современный Пушкину
- 1936
- Paper, .
- The State Russian Museum
- С.Гр.-4707
Фигура «Пушкин перед дуэлью»
- Bisque.
- The State Russian Museum
- СФ-280
Чернильный прибор с крышкой «А. С. Пушкин за работой»
- Porcelain.
- The State Russian Museum
- СФ-104 а,б
Эскиз росписи «У Лукоморья»
- 1936
- Paper, watercolours. 46 х 77,5
- The State Russian Museum
- ОНИ/Р-1820
А. С. Пушкин
- 1937
- . 79 x 51 x 32
- The State Russian Museum
- СО-2008
А. С. Пушкин
- 1937
- Gypsum. 47,5 x 27,5 x 28,5
- The State Russian Museum
- СО-849
А. С. Пушкин
- 1937
- .
- The State Russian Museum
- СО-277
Дубровский
- 1937 (?)
- Wood, carving. 16,2 х 27,5 х 12
- The State Russian Museum
- ОНИ/Д-3383
Медаль на 100-летие со дня смерти А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-3160
Проект памятника А. С. Пушкину
- 1937
- Bronze. 46,5 x 25 x 17
- The State Russian Museum
- СО-1557
С. Михайловское. Аллея в усадьбу
- 1937
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4834
Эскиз заглавного листа для мультфильма «Сказка о рыбаке и рыбке»
- 1937
- Paper, tempera, ink. 27 х 28
- The State Russian Museum
- ОНИ/Р-1843
Золотая рыбка
- 1938
- Paper, watercolours. 46 х 76,5
- The State Russian Museum
- ОНИ/Р-1822
Пластина «Ратмир в волшебном замке»
- 1938
- Porcelain, tempera, gold, . 21 х 14,6 х 0,5
- The State Russian Museum
- ОНИ/Р-3815
«Живая голова»
- 1939
- Paper, tempera, ink. 38,4 х 22,4
- The State Russian Museum
- ОНИ/Р-1842
Онегин дома
- 1939
- Watercolours, , white pigment.
- The State Russian Museum
- РС-23643
Пластина «У лукоморья»
- 1939
- Tempera, gold, varnish, . 7,5 х 10 х 0,1
- The State Russian Museum
- ОНИ/Р-3920
Татьяна
- 1939
- Watercolours, white pigment. 20,1 x 22,2
- The State Russian Museum
- РС-23642
Татьяна у окна
- 1939
- Watercolours, white pigment. 20,8 x 23,7
- The State Russian Museum
- РС-23641
"Dubrovsky. A casket
- Mstera, Vladimir region
- Papier-mâche, tempera, varnish, painting. 6,5 x 19,5 x 12,5
- The State Russian Museum
- ОНИ/Р-1669
Since the 14th century the Epiphany Sloboda of Mstera, Vyaznikovsky district in the Vladimir region had been ne of many Russian centres of icon painting. Mstera icon painters, who knew many old styles of icon painting were famous throughout the country. They followed the masters of the Stroganov school of icon painting which characterised by the miniature scenes and many details. At the beginning of the 20th century icon paining faced a crisis because of the invention of chromolithography. The icon painters couldn’t meet the competition with the mechanised production of printed icons. Mstera icon painters were eager to find a new path in art after 1917. They tried themselves in the wall rugs’ oil painting on the canvas, wooden objects. In 1931 the masters turned to the lacquer miniature on papier-mache. The founders of a new art in the Mstera were hereditary icon painters A. Bryagin, A. Kotyagin, N. Klykov and I. Morozov.
One of the Klykov’s works is the casket "Dubrovsky". The subject of the painting is based on the story of the great Russian writer Alexander Pushkin. In contrast to the images of Palekh artists, the characters of Klykov are real people acting in a specific situation. But there is a degree of conventionality and generalisation that is essential in the lacquered miniature. There is a great role of coloring, built on the combinations of plane and pure colors, with the help of which Klykov "models" the characters’ figures, emphasizing their volume with glare and not with a chiaroscuro.
А. С. Пушкин
- Bronze. 70 x 25 x 26
- The State Russian Museum
- СО-712
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1940
- Paper, .
- The State Russian Museum
- С.Гр.-8041
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1940
- Paper, .
- The State Russian Museum
- С.Гр.-8039
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1940
- Paper, .
- The State Russian Museum
- С.Гр.-8042
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1940
- Paper, .
- The State Russian Museum
- С.Гр.-8040
Портрет А. С. Пушкина
- 1940
- . 52 x 44 x 39
- The State Russian Museum
- СО-755
Пушкин в Тригорском
- 1940
- Paper, graphite pencil.
- The State Russian Museum
- РС-2861
Черт
- 1940
- Paper, , tempera. 21,8 х 11
- The State Russian Museum
- ОНИ/Р-1847
Черт полосатый
- 1940
- Paper, , tempera. 21,8 х 11,5
- The State Russian Museum
- ОНИ/Р-1846
Иллюстрации к поэме А. С. Пушкина «Медный всадник»
- 1942
- Paper, ink. 23 x 19,8
- The State Russian Museum
- РС-13472
Иллюстрации к поэме А. С. Пушкина «Медный всадник»
- 1942
- Paper, ink. 22,8 x 19,8
- The State Russian Museum
- РС-13473
А. С. Пушкин
- 1943
- Paper, ink, nib. 39,5 x 29
- The State Russian Museum
- РС-6497
У разбитого корыта
- Wood, carving.
- The State Russian Museum
- ОНИ/Д-360
Шкатулка «Бесы»
- 1943
- Papier-mâche, tempera, gold, varnish, . 9,7 х 12,5 х 2
- The State Russian Museum
- ОНИ/Р-3922
Шкатулка «Тройка»
- 1943
- Papier-mâche, tempera, gold, varnish, . 10 х 17 х 4,5
- The State Russian Museum
- ОНИ/Р-4635
Царь Дадон и звездочет
- Wood, carving.
- The State Russian Museum
- ОНИ/Д-361
Памятник А. С. Пушкину
- 1945
- Cardboard, oil. 32,9 x 23,8
- The State Russian Museum
- Ж-1762
Руслан и Голова
- 1945
- Wood, carving.
- The State Russian Museum
- ОНИ/Д-345/а, б
Герман и Лиза
- 1946
- Paper, . 29,6 x 22
- The State Russian Museum
- РС-1888
Герман у графини
- 1946
- Paper, . 28 x 22
- The State Russian Museum
- РС-1887
А. С. Пушкин
- 1948
- Gypsum. 180 x 51 x 53
- The State Russian Museum
- СО-1303
Бюст А. С. Пушкина
- 1948
- .
- The State Russian Museum
- СТ-2054
Царскосельский лицей
- 1948
- Paper, .
- The State Russian Museum
- С.Гр.-6445
Шкатулка «Сказка о царе Салтане»
- 1948
- Papier-mâche, tempera, varnish, . 8 х 10,8 х 3
- The State Russian Museum
- ОНИ/Р-5432
Бюст А. С. Пушкина
- Porcelain.
- The State Russian Museum
- СФ-318
Иллюстрация к «Сказке о Золотом петушке» А. С. Пушкина
- 1949
- Paper, watercolours.
- The State Russian Museum
- РС-7364
Иллюстрация к «Сказке о Золотом петушке» А. С. Пушкина
- 1949
- Paper, watercolours.
- The State Russian Museum
- РС-7367
Композиция «Пушкин на прогулке»
- Porcelain.
- The State Russian Museum
- СФ-307
Ларец „Сказки Пушкина“
- Papier-mâche, tempera, gold, varnish, painting.
- The State Russian Museum
- ОНИ/Р-1808
Пушкинский заповедник. Михайловское. Савкина гора
- 1949
- Paper, .
- The State Russian Museum
- С.Гр.-6375
Пушкинский заповедник. Тригорское. Воронич
- 1949-1950
- Paper, lithography.
- The State Russian Museum
- С.Гр.-17896
Пушкинский заповедник. Тригорское. Воронич
- 1949
- Paper, .
- The State Russian Museum
- С.Гр.-17893
А. С. Пушкин
- 1937-1960
- Gypsum. 53 x 52 x 31
- The State Russian Museum
- СО-607
Встреча с кудесником
- 1950
- Wood, carving. 33,3 х 37,5 х 17,5
- The State Russian Museum
- ОНИ/Д-1327
Пушкинский заповедник. Михайловское
- 1950
- Paper, .
- The State Russian Museum
- С.Гр.-17904
Смерть Олега
- 1950
- Wood, carving. 23,5 х 21 х 12,5
- The State Russian Museum
- ОНИ/Д-1329
Фигура «Пушкин-лицеист»
- Porcelain.
- The State Russian Museum
- СФ-426
Царь Дадон и Звездочет
- 1950
- Wood, carving. 33,5 х 37 х 14,5
- The State Russian Museum
- ОНИ/Д-1328
Герман у дома графини
- 1951– 1952
- Paper, watercolours, white pigment.
- The State Russian Museum
- РС-4123
Шкатулка «Сказка о рыбаке и рыбке»
- 1953
- Papier-mâche, tempera, gold, varnish, . 10,6 х 16 х 4,7
- The State Russian Museum
- ОНИ/Р-3915
А. С. Пушкин
- 1948-1960
- Bronze.
- The State Russian Museum
- СО-1287
Бисерница «Тройка»
- 1954
- Papier-mâche, tempera, gold, varnish, . 4,3 х 6 х 3,5
- The State Russian Museum
- ОНИ/Р-2037
Вешалка «Белка»
- 1950s
- Wood, carving, . 19,5 х 4,8 х 2
- The State Russian Museum
- ОНИ/Д-3440
Золотой петушок
- 1950s
- Wood, carving. 18,3 х 4,4 х 10,8
- The State Russian Museum
- ОНИ/Д-365
Иллюстрация к трагедии А. С. Пушкина «Борис Годунов»
- 1955
- Paper, .
- The State Russian Museum
- С.Гр.-8523
Иллюстрация к трагедии А. С. Пушкина «Борис Годунов»
- 1955
- Paper, .
- The State Russian Museum
- С.Гр.-8519
Портрет А. С. Пушкина
- 1955
- Paper, .
- The State Russian Museum
- С.Гр.-8508
Портрет Адама Мицкевича
- .
- The State Russian Museum
- С.Гр.-7693
Шкатулка «Сказка о мертвой царевне»
- 1955
- Papier-mâche, tempera, varnish, . 27 х 22 х 6
- The State Russian Museum
- ОНИ/Р-2071
А. С. Пушкин
- 1956
- Bronze. 91 x 60 x 26
- The State Russian Museum
- СО-709
А. С. Пушкин
- 1958
- Marble. 35 x 37 x 28
- The State Russian Museum
- СО-772
Барельеф «А. С. Пушкин»
- Bisque.
- The State Russian Museum
- СФ-989
Скребницей чистил он коня
- 1959
- . 17,7 х 19 х 11,5
- The State Russian Museum
- ОНИ/Д-2988
Иллюстрация к драме А. С. Пушкина «Каменный гость»
- 1960
- Paper, .
- The State Russian Museum
- С.Гр.-9081
Иллюстрация к драме А. С. Пушкина «Скупой рыцарь»
- 1960
- Paper, .
- The State Russian Museum
- С.Гр.-9076
Ширма «Руслан и Людмила»
- 1960
- . 142 х 220 х 4
- The State Russian Museum
- ОНИ/Р-2308
Шкатулка «Сказка о царе Салтане»
- 1960
- Papier-mâche, tempera, varnish, , . 3,5 х 10,8 х 7,0
- The State Russian Museum
- ОНИ/Р-5392
Пластина «Царь Салтан в гостях у князя Гвидона»
- 1961
- Papier-mâche, tempera, varnish, . 28 х 22,2
- The State Russian Museum
- ОНИ/Р-2879
Коробка «Сказка о мертвой царевне и семи богатырях»
- 1962
- Papier-mâche, tempera, varnish, . 5,5 х 5,5 х 6
- The State Russian Museum
- ОНИ/Р-2364
Ларец «Сказка о золотом петушке»
- 1962
- Papier-mâche, varnish, tempera, painting. 12 х 16,8 х 9,7; 11,3 х 16,4
- The State Russian Museum
- ОНИ/Р-2522
Ларчик «Золотой петушок»
- 1962
- Papier-mâche, varnish, tempera, . 6 х 6 х 4
- The State Russian Museum
- ОНИ/Р-2866/аб
Портсигар «Бахчисарайский фонтан»
- 1962
- Papier-mâche, tempera, varnish, . 12 х 10 х 26
- The State Russian Museum
- ОНИ/Р-2361
Балда с балалайкой и сидящий бес
- 1964
- Wood, carving. 24 х 8,5 х 22,4
- The State Russian Museum
- ОНИ/Д-3625
Бисерница «У Лукоморья»
- 1964
- Papier-mâche, tempera, gold, varnish, . 2,5 х 3 х 2,8
- The State Russian Museum
- ОНИ/Р-3359
Медаль в честь А. С. Пушкина с изображением «скамьи Онегина» в селе Тригорском
- .
- The State Russian Museum
- Мед.А-4366
Медаль в честь А. С. Пушкина с изображением липовой аллеи в селе Михайловском
- .
- The State Russian Museum
- Мед.А-4367
Медаль в честь А. С. Пушкина с изображением могилы поэта
- .
- The State Russian Museum
- Мед.А-4004
Поп и Балда
- 1964
- Wood, carving. 19,5 х 21,4 х 8,8
- The State Russian Museum
- ОНИ/Д-2229
Бисерница «Руслан и Черномор»
- 1966
- Papier-mâche, tempera, gold, varnish, . 4 х 3,3 х 2
- The State Russian Museum
- ОНИ/Р-3050
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1966
- Paper, .
- The State Russian Museum
- С.Гр.-10974
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1966
- Paper, .
- The State Russian Museum
- С.Гр.-10980
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1966
- Paper, .
- The State Russian Museum
- С.Гр.-10978
Ларчик «Сказки А. С. Пушкина»
- 1966
- Papier-mâche, tempera, gold, varnish, . 6 х 5 х 4,1
- The State Russian Museum
- ОНИ/Р-3047
Панно «Сказка о царе Салтане»
- 1967
- Linen, . 251 х 255
- The State Russian Museum
- К-3586
Старик и золотая рыбка
- 1967
- Clay, , painting. 10,5 х 19,5 х 9,5
- The State Russian Museum
- Г-2477
Старик поймал золотую рыбку
- 1967
- Clay, , painting.
- The State Russian Museum
- Г-2476
Шкатулка «Сказка о мертвой царевне»
- 1967
- Papier-mâche, tempera, varnish, . 3,5 х 15,8 х 8,5
- The State Russian Museum
- ОНИ/Р-3372
А. С. Пушкин
- 1970
- . 98 x 29 x 84
- The State Russian Museum
- СО-946
Встреча в Петровском
- 1970
- Canvas, oil. 100 x 100
- The State Russian Museum
- Ж-10764
Коробочка «Сказка о мертвой царевне»
- 1970
- Papier-mâche, tempera, varnish, . 3,4 х 3,8 х 2,9
- The State Russian Museum
- ОНИ/Р-3643
Пушкин
- 1970
- Hardboard, oil. 63 x 77,5
- The State Russian Museum
- ЖС-635
Пласт «У лукоморья дуб зеленый»
- Porcelain, painting over glaze, gilding, .
- The State Russian Museum
- СФ-2559
Блюдо «Сказка о царе Салтане»
- 1972
- Porcelain, casting, .
- The State Russian Museum
- ОНИ/Р-4793
«А ткачиха с поварихой, с сватьей бабой Бабарихой...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3095; Г-3096; Г-3097
«Град на острове стоит..»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3124; Г-3126
«Едет флот царя Салтана..»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3121; Г-3122; Г-3123
«И привез гонец хмельной...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3100; Г-3101
«К морю сам идет Гвидон; там царя встречает он...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3163; Г-3164; Г-3165
«Князь для белочки потом выстроил хрустальный дом..»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3125; Г-3127; Г-3128
«Три девицы под окном пряли поздно вечерком...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3092; Г-3093; Г-3094
«Царь Салтан, с женой простяся...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3098; Г-3099
«Чем вы, гости, торг ведете...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3107; Г-3108; Г-3109; Г-3110; Г-3111; Г-3112
А. С. Пушкин
- 1973–1974
- Paper, charcoal pencil. 42,1 x 29,7
- The State Russian Museum
- РС-16424
А. С. Пушкин
- 1973
- .
- The State Russian Museum
- СО-1914
Баба Бабариха
- 1973
- Clay, , painting, dutch metal. 12,5 х 6 х 6,5
- The State Russian Museum
- Г-3120
Князь Гвидон убивает коршуна
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3105; Г-3106
Осенние дожди
- 1973
- Canvas mounted on cardboard, oil. 50 x 70
- The State Russian Museum
- Ж-9429
Пласт «Руслан и Людмила. У Лукоморья дуб зеленый»
- Porcelain, , painting over glaze, gilding.
- The State Russian Museum
- СФ-2793
Пушкин в Михайловском
- 1973
- Paper, graphite pencil. 21,1 x 30
- The State Russian Museum
- РС-12198
Рассказчик
- 1973
- Clay, , painting, dutch metal. 12 х 4 х 5,5
- The State Russian Museum
- Г-3166
Тригорское. Скамья Онегина
- 1973
- Canvas mounted on cardboard, oil. 47,5 x 70
- The State Russian Museum
- Ж-9424
Царица и князь Гвидон на острове
- 1973
- Clay, , painting, dutch metal. 11 х 5 х 5
- The State Russian Museum
- Г-3102
Черномор. 33 богатыря
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3129; Г-3130-3162
А. С. Пушкин
- 1974
- Paper, charcoal pencil. 42,1 x 29,8
- The State Russian Museum
- РС-16428
Застолье после взятия крепости
- 1974
- Paper, сharcoal , .
- The State Russian Museum
- РС-25017
Пугачев и его войско
- 1974
- Paper, .
- The State Russian Museum
- РС-25018
Набросок к картине «А. С. Пушкин и А. П. Керн»
- 1970s
- Paper, .
- The State Russian Museum
- РС-16423
Пушкин
- 1970s
- Bronze. 50 x 40 x 30
- The State Russian Museum
- СО-1506
Шкатулка «Сказка о мертвой царевне и о семи богатырях»
- 1975
- Papier-mâche, tempera, gold, varnish, . 17,5 х 24 х 5,5
- The State Russian Museum
- ОНИ/Р-4056
Пушкин
- 1976
- Bronze. 35 x 10 x 11
- The State Russian Museum
- СО-1173
Шкатулка «Барышня-крестьянка»
- 1976
- Papier-mâche, tempera, gold, varnish, . 14,5 х 14,5 х 4
- The State Russian Museum
- ОНИ/Р-3873
Шкатулка «Сказка о царе Салтане»
- 1976
- Papier-mâche, tempera, varnish, . 11 х 19,5 х 4,3
- The State Russian Museum
- ОНИ/Р-3884
Шкатулка «Сказка о царе Салтане»
- 1977
- Papier-mâche, tempera, gold, varnish, . 15 х 24,5 х 4,5
- The State Russian Museum
- ОНИ/Р-4109
Шкатулка „Сказка о мертвой царевне“
- Papier-mâche, tempera, gold, varnish, .
- The State Russian Museum
- ОНИ/Р-4110
Вечер. Пушкин
- 1978
- Canvas, oil. 40 x 50,5
- The State Russian Museum
- Ж-10602
"Alexander Pushkin at Nikolai Gogol’s place". A Casket
- Fedoskino, The Moscow Region
- Papier-mâche, , oil, varnish, painting. 8 х 11 х 3
- The State Russian Museum
- ОНИ/Р-5165
In 1910, after the closure of the Lukutin factory, the craftsmen formed the Fedoskino Labour Artel, on the basis of which local art revived in the subsequent time. The contemporary artists of Fedoskino are creating new original compositions, developing the traditional trends that emerged in the Fedoskino miniature of the 19th century. The characteristic laconic structure of the composition, the expressiveness of movement, the simplicity of the drawing, the luminosity of Russian lacquers were absorbed from the age-old folk paintings and the experience of easel works.
Молодой поэт
- 1979
- . 25,7 x 18
- The State Russian Museum
- РС-12203
Пушкин
- 1979
- Paper, сharcoal . 20,9 x 29,7
- The State Russian Museum
- РС-12211
Пушкин и дама
- 1979
- сharcoal , , pastel. 21,1 x 30,3
- The State Russian Museum
- РС-12208
Баул «Сказка о золотом петушке»
- 1981
- Papier-mâche, tempera, gold, varnish, , copper, , . 6 х 3,3 х 4,5
- The State Russian Museum
- ОНИ/Р-4954
Натюрморт. Маска Пушкина
- 1982
- Paper, watercolours. 49 x 59
- The State Russian Museum
- РС-14355
Прощание
- 1983
- Canvas, oil. 114 x 183
- The State Russian Museum
- ЖС-45
Ларчик «Сказка о рыбаке и рыбке»
- 1984
- Papier-mâche, tempera, gold, varnish, . 4 х 5 х 2,5
- The State Russian Museum
- ОНИ/Р-4607
Памяти поэта
- 1984–1985
- Canvas, oil. 190 x 170
- The State Russian Museum
- ЖС-58
Пластина «Воспоминание о Петербурге»
- 1984
- Papier-mâche, tempera, gold, varnish, . 16,2 х 33,5 х 1,2
- The State Russian Museum
- ОНИ/Р-4579
Шкатулка «Гости Гвидона»
- 1984
- Papier-mâche, tempera, gold, varnish, . 15 х 21 х 4,8
- The State Russian Museum
- ОНИ/Р-4602
Пушкин. Лицей
- 1985
- Paper, , watercolours.
- The State Russian Museum
- С.Гр.-18676
Шкатулка „Сказка о рыбаке и рыбке“
- 1980s
- Papier-mâche, tempera, gold, varnish, . 12,5 х 17,5 х 4
- The State Russian Museum
- ОНИ/Р-4949
Ларчик «Сказки Пушкина»
- 1987
- Papier-mâche, tempera, gold, varnish, . 8 х 8 х 5,5
- The State Russian Museum
- ОНИ/Р-4951
Медаль в память 150-летия со дня смерти А. С. Пушкина
- .
- The State Russian Museum
- Мед.А-19309
Михайловское. Остров Уединения
- 1987
- Paper, , etching.
- The State Russian Museum
- С.Гр.-17279
Юбилей Пушкина в Тифлисе
- 1988
- Cardboard, tempera, silver paint. 41,5 x 60
- The State Russian Museum
- РС-22866
Пушкин в Испании
- 1989–1990
- Paper, ink. 24,4 x 37,1
- The State Russian Museum
- РС-16685
Пушкин в Испании
- 1989–1990
- Paper, ink. 36,1 x 47,9
- The State Russian Museum
- РС-16679
Пушкин в Испании
- 1989–1990
- Paper, ink. 36 x 48,1
- The State Russian Museum
- РС-16678
Пушкин в Испании
- 1989–1990
- Paper, ink. 36 x 48
- The State Russian Museum
- РС-16681
Из серии «Пушкин в Тифлисе»
- 1990–1991
- Ink. 21,1 x 30
- The State Russian Museum
- РС-22857
Из серии «Пушкин в Тифлисе»
- 1990–1991
- Paper, ink. 36,8 x 24,6
- The State Russian Museum
- РС-22859
Из серии «Пушкин в Тифлисе»
- 1990–1991
- Paper, ink. 36 x 48
- The State Russian Museum
- РС-22861
Из серии «Пушкин в Тифлисе»
- 1990–1991
- Paper, ink. 36 x 48
- The State Russian Museum
- РС-22862
Из серии «Пушкин на Кавказе»
- 1990–1991
- Ink, watercolours, , . 30 x 21,1
- The State Russian Museum
- РС-22854
Из серии «Пушкин на Кавказе»
- 1990–1991
- Watercolours, ink, . 21,1 x 30
- The State Russian Museum
- РС-22852
Из серии «Пушкин на Кавказе»
- 1990–1991
- Watercolours, ink, silver paint. 30 x 21,1
- The State Russian Museum
- РС-22849
Из серии «Пушкин на Кавказе»
- 1990–1991
- Watercolours, ink, silver paint. 30 x 21,2
- The State Russian Museum
- РС-22848
Из серии «Пушкин на Кавказе»
- 1990–1991
- Ink, watercolours, white pigment, . 30 x 21,1
- The State Russian Museum
- РС-22850
Из серии «Пушкин на Кавказе»
- 1990–1991
- Ink, watercolours, silver paint. 30 x 21,1
- The State Russian Museum
- РС-22853
Из серии «Пушкин на Кавказе»
- 1990–1991
- Ink, watercolours, silver paint, white pigment. 30 x 21,1
- The State Russian Museum
- РС-22856
Из серии «Пушкин на Кавказе»
- 1990–1991
- Ink, watercolours, silver paint. 21,1 x 30
- The State Russian Museum
- РС-22855
Из серии «Пушкин на Кавказе»
- 1990–1991
- Watercolours, ink, silver paint. 30 x 21,1
- The State Russian Museum
- РС-22851
Кубок «Подвиг любви»
- 1990–1991
- .
- The State Russian Museum
- Рк-473
Ларчик «Сказки Пушкина»
- 1994
- Papier-mâche, tempera, gold, varnish, . 10 х 7,2 х 9
- The State Russian Museum
- ОНИ/Р-5212
Шкатулка «Сказка о рыбаке и рыбке»
- 1994
- Papier-mâche, tempera, gold, varnish, . 10 х 17,3 х 4
- The State Russian Museum
- ОНИ/Р-5022
А. С. Пушкин
- 1990s
- Paper, wood. 120 x 55 x 40
- The State Russian Museum
- СО-3002
Встреча
- 1996
- Bronze. 40 x 27,5 x 22
- The State Russian Museum
- СО-2679
Из серии «Анекдоты из жизни Пушкина». Лист 3
- 1999
- Paper, .
- The State Russian Museum
- С.Гр.-19394
Из серии «Анекдоты из жизни Пушкина». Лист 5
- 1999
- Paper, .
- The State Russian Museum
- С.Гр.-19396
De La Barthe G.
Circa 1730 - ?French painter, landscapist. Studied under Joseph-Marie Vien. Worked in Russia (1787–1810). Information on the artist is extremely sketchy. Several publications identify him with his namesake, also a painter who worked in the latter half of the eighteenth century. Painted a series of views of Moscow and its environs in oil and watercolours (1794‒1798) which are well-known thanks to the engravings done by various engravers, first published in Moscow in 1799 by Johann Walser.
Alexeyev Fyodor Yakovlevich
1753/1754 (?). St Petersburg - 1824, St PetersburgPainter, founding father of the Russian school of urbanscape painting. Son of a guard at the Imperial Academy of Arts. Studied fruit and flower and landscape painting at the Imperial Academy of Arts (1766-73). Awarded a fellowship to Venice (1773-77). Studied under Giuseppe Moretti and Pietro Gaspari. Returned to St Petersburg and worked as a painter for the Imperial Theatres (1799). Copied paintings by Canaletto and Bernardo Bellotto for Catherine the Great. Nominated to the Academy (1794). Sketched places visited by Catherine the Great (1787) in south Russia (1795). Painted urbanscapes in Moscow (1800). Councillor of the Imperial Academy of Arts (1802), Taught perspective painting at the Imperial Academy of Arts (1803-24).
Moshkov Illarion Vasilyevich
Unknown painter
Lory Gabriel Ludwig, circle of
Lory Gabriel Ludwig
Mayr (de Mayr, von Mayr, Mayer, Meyer) Johann Georg
1760, Nuremberg (Germany) - 1816, St PetersburgPainter, draughtsman, landscapist, portraitist, il¬lustrator, engraver. Elder brother of the draughts-man and engraver Johann Christoph Mayr. Studied in Nuremberg. Invited to St Petersburg (1778). Worked atthe Imperial Academyof Sciences, draw¬ing inventions and texts , turning sketches into finished drawings for copper engraving, correct¬ing new engravings and teaching drawing, engrav¬ing and watercolour painting. Awarded more du¬ties and students following the appointment of Princess Ekaterina Dashkova as director of the Im¬perial Academy of Sciences (1783). Painted en¬gravings made by other artists (from 1788).
Unknown sculptor
Mosnier Jean Laurent
1743 (4?), Paris — 1808, St PetersburgFrench painter, portraitist, miniaturist. Pupil of Louis-Jean-François Lagrenée the Elder. Court painter to Queen Marie Antoinette and Louis XVI. Contributed to the Paris Salon. Admitted into the Paris Academy of Arts in 1788. Fled to London during the French Revolution. Worked in Russia (1795(6?)–1808). Moved to St Petersburg (1795(6?)). Academician of the Imperial Academy of Arts (1802), headed the portrait class (from 1806).
Патерсен Беньямин
Orlovsky, Alexander Osipovich
1777, Warsaw å 1832, St PetersburgDraughtsman, lithographer, painter, genre artist, portraitist, landscapist, battle-painter, animalist. Studied in Jean Pierre Norblin de la Gourdaine s studio in Warsaw. Lived in St Petersburg (from 1802) where he was in the staff of Grand Duke Konstantin Pavlovich. Academician for Cossack Bivouac (1809). Created Horsemen (1816), the first dated lithograph in Russia. At the end of the 1810s through the 1820s, he created several series of
lithographs of scenes from Russian folk life that were very successful. A rare example of the artist s work in book graphic art is his illustrations to the fables of Ivan Krylov (1824). Intended for publica¬tion in 1825, they were printed by the Circle of Lovers of Fine Publications only in 1907.
VOGEL VON VOGELSTEIN, Carl Christian
1788, Wildenfels — 1868, MunichGerman painter, portraitist, author of history and religious compositions. Studied under his father, the famous painter Chriatian Vogel (1759–1816). Graduated from the Königliche Akademie der Künste in Dresden. Worked in Derpt (1807), Russia (1808–1812). Lived in St Petersburg, Bolshaya Morskaya street, prince Grigory Gagarin’s house (from December 1808). Lived in Rome (from 1812 till 1820), in Dresden (from 1820). Professor at Königliche Akademie der Künste in Dresden. Awarded the title of honourary free member of the Imperial Academy of Arts (27 September 1833).
Ivanov Ivan
Martynov, Andrei Efimovich
1768, St Petersburg – 1826, RomePainter, draughtsman, watercolourist, engraver, lithographer. Son of a soldier of the Preobrazhensky Life Guards Regiment. Studied at the Imperial Academy of Arts (1773–1788). Fellow of the Imperial Academy of Arts in Italy (1788). Worked under Jakob Philipp Hackert in Italy. Returned to Russia (1794). Academician (1795), councillor (1802). Accompanied Count Golovkin’s embassy to China (1805–1806). Published the Painterly Journey from Moscow to the Chinese Border album of etchings. Worked for the Imperial Theatres (1808–1819). Travelled along the Baltic coastline with the suite of Empress Elizabeth Alexeyevna, painted watercolour views of Plen (1810). Produced the Views of St Petersburg and Environs series of lithographed watercolours. Painted and engraved views of Siberia, Crimea, River Volga, Mongolia and Italy. Went to Italy to recuperate from illness (1824).
Reichel Carl Christian Filipp
Уткин Николай Иванович
Vorobyov Maxim Nikiforovich
1787, Pskov - 1855, St PetersburgPainter, draughtsman, engraver. Studied architecture under Jean-Francois Thomas de Thomons and landscape painting under Fyodor Alexeyev and possibly under Mikhail Ivanov at the Imperial Academy of Arts (1798-1809). Awarded second silver medals (1806, 1807), first silver medal (1808), first gold medal and first-class degree (1809). Reputedly joined Fyodor Alexeyev\'\'s expedition to paint views of central Russian towns (1810-12). Academician (1814). Painted views of the environs of Moscow for the Imperial Academy of Arts (1817) and studies for the court during the Russo-Turkish War (1828). Mostly painted Italian views during the last years of his life. Taught at the Imperial Academy of Arts (1815-55), professor (1823), headed the perspective painting class and landscape class (from 1826). Academy councillor for perspective painting (1827), professor emeritus (1843).
Borovikovsky Vladimir Lukich
1757, Mirgorod - 1825, St PetersburgPainter, draughtsman, miniaturist, icon painter, portraitist. Born into a family of low rank Cossacks. Studied painting under his father, the icon painter Luke Borovik, in Mirgorod. Listed "above the specified number" in the Mirgorod regiment where his father and relatives served (1774). Awarded the rank of "comrade of the colours" (1783), resigned with the rank of lieutenant. Moved to St Petersburg (1788) and studied under Dmitry Levitsky and Johann Baptiste I Lampi. Nominated to the Imperial Academy of Arts (1794), academician of portrait painting (1795). Councillor of the Imperial Academy of Arts (1802). Contributed to the iconostasis of the Kazan Cathedralin St Petersburg (1804). Mason and member of Ekaterina Tatarinova\'\'s mystical sect.
Vendramini, Francesco
Галактионов Степан Филиппович
Тулов Федор Андреевич
Эстеррейх Отто Герман (Ермолай (?) (Емельян) Иванович
Beggrow Carl Рetrovich (Carl Joachim)
1799, Riga - 1875, St PetersburgLithographer, watercolourist, painter. Studied under Maxim Vorobyov at the Imperial Academy of Arts (1818-21). Worked as a lithographer at the Central Board of Communications (from 1825). Nominated to the Imperial Academy of Arts (1831), academician of perspective painting (1832). Worked on commissions for the Society for the Encouragement of Artists (1820s-early 1830s), contributed to the series Views of St Petersburg and Envimns.
Гейтман Егор Иванович
Гиппиус Густав Фомич (Густав Адольф)
Dawe George Edward
1781, London — 1829, Kentish Town (near London)Painter, draughtsman; portraitist. Son and student of engraver F. Dawe. Elder brother of engraver Henry Edward Dawe. Studied at the Royal Academy of Arts in London (1803). Academician (1813). Honourary member of the academies of arts of Florence, Dresden, Stockholm and Paris. Worked in Russia at the invitation of Emperor Alexander I (1819). Together with his Russian assistances Alexander Polyakov and Vasily Golike created 322 portraits of Russian generals for the Military Gallery in the Winter Palace. Produced many paintings on commission. Honourary associate member of the Imperial Academy of Arts in St Petersburg (1820). First portrait painter of the Imperial Court (1828). Returned to London (1829).
Sokolov Pyotr Fyodorovich
1797, Moscow - 1848, Stary Merchik (Orlov-Denisov estate), near KharkivPainter, watercolour painter. Portraitist and author of compositions on historical themes. Studied at the Imperial Academy of Arts (1800s-10s). Awarded a minor gold medal (1809), made an academician of watercolour portrait painting (1839). Travelled across France and Germany (1842-43), lived in Moscow (1846-48). Associated with the golden age of watercolour portraiture in Russian art in the second quarter of the nineteenth century. His works were extremely popular and his customers included members of the Imperial family and the upper classes.
Olenin Pyotr
Афанасьев Афанасий
Джеймс Джон Томас
Mitoire, Benois Charles
17… ?–after 1830, ?French painter and lithographer, portraitist, genre painter. Became a Russian citizen (1806). Appointed to the Imperial Academy of Arts (from 3 March 1813) for the “drawn from life” portrait. Academician of the Imperial Academy of Arts (from 1813) for the portrait of FeodosiusShchedrin.
Сандомури Александр Иванович
Безлюдный Андрей Семенович
Orlovsky (Smirnov) Boris Ivanovich
1797, Bolshoe Stolobetshoe (Oryol Province) - 1837, St PetersburgSculptor. Studied under Carlo Antonio Campioni in Moscow (1807-17) and Alessandro Triscornia in St Petersburg (1818-22). Freed from serfdom for his marble bust of Tsar Alexander I (1822). Awarded a fellowship to Italy (1823). Studied under Bertal Thorvaldsen in Rome (1823-29). Returned to St Petersburg. Designed statues of Mikhail Kutuzov and Mikhail Barclay-de-Tolly in front of the Kazan Cathedral (1829-37). Sculpted the angel for the Alexander Column on Palace Square (1832-33) and decorated the Moscow Triumphal Gates (1835-37). Taught at the Imperial Academy of Arts. Academician (1831), second-class professor (1836).
Раух Христиан Даниэль
Brioschi Vicentio
1786, Florence - 1843 St. PetersburgPainter, lithographer, history painter, portraitist. Studied under P. Benvenuti at the Accademia di Belle Arti in Florence. Worked in St Petersburg (from 1811). Appointed painter (1812), academician of the Imperial Academy of Arts for Cain Cursed by the Lord for Fratricide and Running from the Wrath of God (1813). Custodian and restorer of painting in the Imperial Hermitage (1817–1843).
Brullov (Bruleau) Alexander Pavlovich
1798, St Petersburg -1877, St PetersburgArchitect, draughtsman, watercolour artist, lithographer. Portraitist, genre painter, landscape artist. Studied at the Academy of Arts (1810-21). Sent abroad along with his brother Karl by the Artists Support Society. Lived and worked mostly in Italy, though also lived and worked in France and Germany (1821-30). Designed the restoration project for the Pompeii bath-houses (1826), engraved in Paris (1829). Made an academician for a series of projects and watercolour portraits (1831). Taught architecture at the Imperial Academy of Arts (1831-37), professor (1832), professor emeritus (1854). Member of the Milan Academy of Arts, corresponding member of the Paris Academy of Arts, full member of the London Royal Institute.
Гальберг Самуил Иванович
Геллмут
Иванов Петр С.
Паннемакер
Райт Томас
Chernetsov Grigory Grigoryevich
1802 Luh village of Kostroma - 1865 St. PetersburgOutstanding Russian artist, master of landscapes. Auditor at the Imperial Academy of Arts under Stepan Galaktionov (from 1821) and later in Maxim Vorobyov’s “views and landscapes class”, where Aivazovsky would later study.
Gagarin Grigory Grigorievich
1810 – 1893Chernetsov Nikanor Grigoryevich
1805 – 1879Landscapist, academician of the Academy of Arts, St Petersburg, brother of Grigory Chernetsov. Worked for Prince Mikhail Vorontsov, Governor General of Novorossiysk (1833 – 1836).
Venetsianov Alexei Gavrilovich
1780, Moscow - 1847, Poddubie (Tver Province)Founding father of Russian peasant genre painting. Painter, portraitist, etcher, lithographer. Son of a Moscow merchant, educated at private boarding school, worked as a draughtsman. Moved to St Petersburg (1802) and worked as a land surveyor for the crown properties and forestry departments. Studied painting independently, copied works in the Imperial Hermitage and drew pastel portraits. Academician (1811). Resigned from the civil service, moved to the country and painted genre scenes from life (early 1820s). Exhibited at the Imperial Academy of Arts and the Society for the Encouragement of Artists. Had many students, who formed the Venetsianov school in Russian art. Killed in a road accident at the Milyukov estate.
Эггинк Иван Егорович (Иоганн Леберехт)
Шевцов Иван Владимирович
Vitali Ivan Petrovich
1794, St.Petersburg – 1855, St.PetersburgSculptor. Studied at the Agostino Triscorni’s studio in St Petersburg (1816–1818), and simultaneously at the Imperial Academy of Arts as an occasional student. Worked in Moscow (1818–1841). Created decorative compositions for the Board of Guardianship’s building (1823–1825), statues and reliefs for the Triumphal Arch in Moscow erected to commemorate Russia’s victory over Napoleon (1829–1834, together with I. Timofeyev). Author of fountains on Theatre and Lubyanka Squares (1835). Moved from Moscow to St Petersburg (1841). Professor of the Imperial Academy of Arts (1842). Headed the sculptural workshop during the construction of St Isaac’s Cathedral (1841–1854). Produced a number of portraits and gravestones in Moscow and St Petersburg.
Теребенев Александр Иванович
Ческий Иван Васильевич
Brullov (Bruleau) Karl Pavlovich
1799, St Petersburg -1852, Manziana (near Rome)Painter, watercolourist, draughtsman, history painter, portraitist, genre painter, mural painter. Born into an artistic family. Studied under Anton Ivanov, Alexei Yegorov and Vasily Shebuyev at the Imperial Academy of Arts (1809-22), graduated with a first-class gold medal. Sent to Italy by the Society for the Encouragement of Arts (1822-35). Worked in Milan, Naples and Rome. Won fame in Europe as a portraitist and history painter for such works as The Last Day of Pompeii (1827-33, Russian Museum. St Petersburg)- Returned to Russia and lived in St Petersburg. Honorary freeman (1834), second-degree professor (1835) and first-degree professor (1846) of the Imperial Academy of Arts, where he taught history painting, enjoying the love and respect of his many students. Professor of the Accademia di Belle Arti in Florence. Contributed to exhibitions in Rome, Milan, Paris and St Petersburg. Went abroad on the advice of doctors (1849), settled in Italy (1850).
Каратыгин Петр Андреевич
Борисполец (Бориспольц) Платон Тимофеевич
Моллер Отто Фридрих Теодор, фон (Федор Антонович)
Бурдин Николай Алексеевич
Ivanov Anton (Ivanov-Goluboi)
1818–1863ZAKHAROV, Pyotr Zakharovich (Zakharov the Chechen)
1816, Dady-Yurt, Tersk Province — 1846, ?Painter, draughtsman, portraitist. Russian soldiers found a little Chechen boy in September 1819. Alexei Yermolov, Head Commander of Separate Caucasus Corp, sent the boy to his orderly Zakhar Nedonosov whose name later served as the last name of the boy, a future artist. Attended to the Imperial Academy of Arts (1830) as an external student, fellow of the Society for the Encouragement of Artists (from 1833). Minor silver medal (1835), non-class artist (1842), appointed to the Academy (1843), academician of portrait painting at the Imperial Academy of Arts for the portrait of General Alexei Yermolov (1843). Artist of the Department for Military Settlements, the Military Ministry (1840–1842).
Степанов Николай Александрович
Yanenko, Yakov
Reutern, Gerhardt von (Evgraf Romanovich)
1794, Gute Rosthof, Livonia Gubernia — 1865, Frankfurt-am-MainPainter, portraitist, genre artist, landscapist, author of history paintings. Studied at the St. Peter School in St. Petersburg. Joined a Hussar regiment (1811), fought in the war against Napoleon. Lost his right arm in the Battle of Leipzig (1813). Left the Russian Army to dedicate himself to painting (1819), worked with his left hand. Travelled across Italy and Germany, lived in Switzerland and studied in Düsseldorf. Nominated to the Imperial Academy of Arts (1835), later — academician. Painter to the Imperial family with the right to live abroad (1837). Settled in Frankfurt-am-Main (1844).
Yegorov Alexei Yegorovich
1776, ? — 1851, St PetersburgPainter, draughtsman, engraver, iconographer. Author of pictures on historical themes and portraits. At the age of five was found in the Kalmyk steppe by Cossacks, and put into the Moscow foster home. Studied at the Imperial Academy of Arts (1782–1797). Awarded the title of artist and an Academy bursary (1797), taught drawing (1798). Fellow of the Imperial Academy of Arts in Italy (1803–1807). Appointed to the Imperial Academy of Arts (1800), academician (1807). Taught at the Imperial Academy of Arts from 1798, junior professor (1807), professor (1812), professor emeritus (1832). Expelled from the Academy at the express wish of Tsar Nicholas I (1840). Married Vera Martos, daughter of sculptor Ivan Martos.
Каневский (Каниевский, Коневский) Ксаверий Ян Ксавериевич
Капков Яков Федорович
Unknown engraver
Borel Petr
Литографская мастерская А. Э. Мюнстера
Чукмасов Иван Иоакимович
Иордан Федор Иванович
Surikov Vasily Ivanovich
1848, Krasnoyarsk - 1916, MoscowStudied in Krasnoyarsk, at the School of Drawing, Society for the Encouragement of Artists (1869) and under Pavel Chistyakov at the Imperial Academy of Arts (1869-75). Member of the Society of Travelling Art Exhibitions (from 1881) and the Union of Russian Artists (from 1908). Full member of the Imperial Academy of Arts (1893), academician (1895). Visited Western Europe and Siberia. Lived in Moscow (from 1877).
Манизер Генрих Матвеевич
BOGATSKY Nikolai Timofeyevich
Artist of the second half of the XIX centuryPainter. He studied at the Imperial Academy of Arts (1860-1861, 1870-1872, he was an external student). Participant of exhibitions since 1862.
Vrubel Mikhail Alexandrovich
1856, Omsk - 1910, St PetersburgPainter, draughtsman, theatrical designer, applied artist, portraitist, writer of philosophical Symbolist compositions. Studied law at St Petersburg University (1874-79) and art under Pavel Chistyakov at the Imperial Academy of Arts (1880-84). Academician of painting (1905). Member of the Abramtsevo circle (from 1889). Contributed to exhibitions (from 1891). Contributed to the exhibitions of the Moscow Fellowship of Artists (1895, 1899, 1904), Exhibition of Russian and Finnish Artists (1898), World of Art (1900-03, 1906; member from 1900, 1911), 36 Artists (1901, 1902), Union of Russian Artists (1903-10; founding member), Exposition Universelle in Paris (1900; gold medal) and the International Exhibitions in Vienna (1901) and Venice (1907). Designed for Sawa Mamontov\'\'s Russian Private Opera (1890-1901).
Пожалостин Иван Петрович
Kondratenko Gavriil
Makovsky Konstantin Yegorovich
1839, Moscow — 1915, PetrogradPainter, draughtsman, watercolourist; portraitist, genre artist, author of painting on historical themes. Studied under Mikhail Scotti, Sergei Zaryanko at the Moscow School of Painting, Sculpture and Architecture (1851–1858), under Alexei Markov at the Imperial Academy of Arts(1858–1863). Minor gold medal (1862) for Agents of the False Dmitry Kill the Son of Boris Godunov. Contributed to exhibitions (from 1860). One of “the rebellious fourteen” (1863). Academician (1867), professor (1869). Member of the St Petersburg Artel of Artists (1863). Founding member of the Society of Travelling Art Exhibitions (1870) and the St Petersburg Society of Artists (1898).
Benois Alexander Nikolaevich
1870, St. Petersburg - 1960, Paris
Repin Ilya Efimovich
1844, Chuguyev (Kharkiv Province) - 1930, Kuokkala (Finland)Painter, draughtsman, watercolour painter, portraitist, history painter. Studied under local artists at the School of Military Topography in Chuguyev (1854-57), under Ivan Kramskoi at the School of Drawing, Society for the Encouragement of Artists (1863) and at the Imperial Academy of Arts (1864-71). Fellow of the Imperial Academy of Arts in Italy and France, lived mostly in Paris (1873-76). Academician (1876). Professor, full member of the Imperial Academy of Arts (1893). Member of the Society of Travelling Art Exhibitions (1878, exhibited from 1874). Headed a studio at the Higher School of Art, Imperial Academy of Arts (1894-1907) and taught at Princess Maria Tenisheva\'\'s school of art (1895-98). Lived in St Petersburg and Moscow, settled in Kuokkala (1900).
Aivazovsky (Haivazovsky) Ivan (Hovhannes) Konstantinovich
1817, Theodosia - 1900, ibidemTheodosia Painter, graphic artist. Studied at the Imperial Academy of Arts (1833-1838). Fellow of the Imperial Academy of Arts in the Crimea and Italy (1838-1844). Academician (1844), professor (1847), honorary member of the Imperial Academy of Arts (1887). Member of the Accademia di San Luca in Rome (1840) and the academies of Paris (1843), Amsterdam (1845), Florence (1875) and Stuttgart (1879). Contributed to around 120 exhibitions (from 1835). Contributed to the exhibitions of the Imperial Academy of Arts (1835-1900), Paris Salon (1843, 1879), Society of Exhibitions of Works of An (1876-1883), Moscow Society of Lovers of the Arts (1881), Pan-Russian Exhibitions in Moscow (1882) and Nizhny Novgorod (1896), International Exhibitions in Philadelphia (1876), Munich (1879) and Berlin (1886) and the World Exhibitions in Paris (1858, 1878), London (1863) and Chicago (1893). Awarded the Legion d\'honneur (1857). Lived and worked in Theodosia, where he founded the General Art Studios (1865) and the Theodosia Picture Gallery (1880).
Grilikhes Abram
Матэ Василий Васильевич
Unknown Artist
Островский Владислав
Скуднов Михаил Афанасьевич
Troubetzkoy Paolo (Pavel Petrovich)
1866, Intra, Italy — 1938, Villa Cabianca near Pallanza, ItalyПирогов Николай Васильевич
Korovin Konstantin Alexeyevich
1861, Moscow - 1939, ParisPainter, theatrical designer, teacher. Studied under Vasily Perov, Alexei Savrasov and Vasily Polenov at the Moscow School of Painting, Sculpture and Architecture (1875-1886) and at the Imperial Academy of Arts (1882). Academician of painting (1905). Member of the Abramtsevo Сircle (from 1885). Member of the World of Art (1900) and founding member of the Union of Russian Artists (1903). Contributed to exhibitions (from 1878). Contributed to the periodical exhibitions of the Moscow Society of Lovers of the Arts (1888-1897) and the exhibitions of the Society of Travelling Art Exhibitions (1889-1899), Moscow Fellowship of Artists (1894-1902), Exhibition of Russian and Finnish Artists (1898), World of Art (1899-1906, 1921, 1922), 36 Artists (1901, 1902), Union of Russian Artists (1903-1923), World Exhibitions in Chicago (1893) and Paris (1900, two gold medals) and the International Exhibitions in Munich (1898), Vienna (1902), Venice (1907) and Rome (1911). Designed for theatres in Moscow and St Petersburg (from 1885). Taught at the Moscow School of Painting, Sculpture and Architecture (1901-1918), State Free Art Studios (1918-1919) and the Stroganov School (1900s-1910s). Emigrated (1922).
Sherwood Leonid Vladimirovich
1871, Moscow — 1954, LeningradSmall-scale and monumental sculptor, teacher. Studied at the Moscow School of Painting, Sculpture and Architecture (1886–1892) and the Imperial Academy of Arts (1892–1898) in Petrograd. Contributed to exhibitions (from 1902). Founding member of the New Society of Artists (1904). Honoured Artist of the RSFSR (1946). Doctor of Art Studies (1942).
Bilibin Ivan Yakovlevich
1876, Tarkhovka, St Petersburg Province — 1942, LeningradGraphic artist, theatrical designer. Studied at the Faculty of Law, St Petersburg University (1896–1900), School of Drawing, Society for the Encouragement of Arts (1895–1898), Anton Ažbè’s school in Munich (1898), under Ilya Repin at the Princess Maria Tenisheva School (1898–1900) and at the Higher School of Art, Imperial Academy of Arts (1900–1904). Contributed to exhibitions (from 1900). Founding member of the World of Art (1900–1917). Drew for World of Art, Hell’s Post, Bugbear and Golden Fleece and magazines. Designed for theatres (from 1907). Illustrated and designed children’s books — traditional heroic poems, folk tales and the fairytales of Alexander Pushkin — for publishing houses in St Petersburg (1900s). Illustrated the fairytales of Alexander Pushkin for Goslitizdat (1930s). Created his own highly original style of book design, based on the motifs of Russian folk and medieval art.
Kustodiev Boris Mikhailovich
1818, Astrakhan - 1927, LeningradPainter. Studied under Vasily Savinsky and Ilya Repin at the Higher School of Art, Imperial Academy of Arts (1896-1903). Fellow of the Imperial Academy of Arts in France and Spain (1903-1904). Academician of painting (1909). Founding member of the New Society of Artists (1904) and member of the Union of Russian Artists (1907), World of Art (1910) and the Association of Artists of Revolutionary Russia (1923). Contributed to exhibitions (from 1900). Contributed to the periodical exhibitions of the Moscow Society of Lovers of the Arts (1900-1901), Spring Exhibitions of the Imperial Academy of Arts (1900-1903) and the exhibitions of the New Society of Artists (1904-1908), Union of Russian Artists (1907-1910), World of Art (1910-1924), Association of Artists of Revolutionary Russia (1923, 1925) and the International Exhibitions in Munich (1901, gold medal; 1909) and Malmo (1914, gold medal). Designed for theatres in Moscow and St Petersburg (from 1911).
Miasoedov Grigori
Dillon Maria
1858–1932Golovin Alexander Yakovlevich
1863, Moscow - 1930, Detskoe Selo (Leningrad Region)Theatrical designer, painter, graphic artist. Studied under Illarion Pryanishnikov and Vasily Polcnov at the Moscow School of Painting, Sculpture and Architecture (1881-89) and at the Academic de Filippo Colarossi (1889) and Academie Witti (1897) in Paris. Academician (1912). Member of the World of Art (1902) and the Union of Russian Artists (1903). Contributed to the exhibitions of the Society of Travelling Art Exhibitions (1893, 1895), Moscow Fellowship of Artists (1894, 1901-02), World of Art (1899-1903, 1906, 1911-12, 1924), Union of Russian Artists (1903-09, 1916), New Society of Artists (1907, 1908), Expositions Universelles in Paris (1900; gold and silver medals) and Brussels (1910), Esposizione Internazionale in Venice (1907) and Rome (1911) and the Exhibitions of Russian Art in Paris (1906) and Berlin (1906). Designed for the Bolshoi Theatre and Moscow Arts Theatre in Moscow, Mariinsky and Alexandrinsky Theatres in Si Petersburg and Sergei Diaghilev\'\'s Saisons Russes (1908,1910).
Sharleman (Bode-Sharleman) Iosif Adolfovich
1880, St. Petersburg - 1957, TbilisiБартрам Н. Д.
Богородское (Владимирская губерния/Московская область)
Павлинов Павел Яковлевич
Leningrad Porcelain Factory / State Porcelain Factory named after M.V. Lomonosov
Danko Natalia
Фаворский Владимир Андреевич
Шиллинговский Павел Александрович
Палех, Ивановская область
Буторин Дмитрий Николаевич
Алексеев Николай Васильевич
Баканов Иван Михайлович
Кругликова Елизавета Сергеевна
Кузнецов Василий Васильевич
Яцкевич А. А.
Мох М. Н.
Великанов Юрий (Георгий) Петрович
Савинский В. Е.
Балаев Федор Сергеевич
Кошонова А.
Кравченко Алексей Ильич
Соколов Михаил Ксенофонтович
Хижинский Леонид Семенович
Будогоский Эдуард Анатольевич
Шмаков Марк Александрович
Дыдыкин Аристарх Александрович
Ерошкин Николай Андреевич
Каплун Адриан Владимирович
Козлов Василий Васильевич
Лапшин Николай Федорович
Samokhvalov Alexander Nikolaevich
1894, Bezhetsk (Tver Province) - 1971, LeningradPainter, graphic artist, theatrical designer, applied artist, sculptor.
Studied architecture at the Higher School of Art, Imperial Academy of Arts (1914-18) and at the Free Art Studios/Higher Art and Tech¬nical Studios in Petrograd (1920-23). Contributed to exhibitions (from 1917).
Суворов А. А.
Фрих-Хар Исидор Григорьевич
Баженов Павел Дмитриевич
Grigoryev Anatoly Ivanovich
1903 — 1986Korolyov Boris Danilovich
1885, Moscow - 1963, Abramtsevo (Moscow Region)Sculptor. Studied at the private studios of Vasily Meshkov and Ilya Mashkov, M. Blok’s sculptural studio (1908 — 1910) and the Moscow School of Painting, Sculpture and Architecture (1910 — 1914). Much influenced by the works of Alexander Archipenko. Contributed to exhibitions (from 1919). Member and organizer of Zhivsculptarch (1919 — 1921). Member of the Institute of Artistic Culture in Moscow, Monolith, Society of Moscow Artists and the Society of Russian Sculptors. Taught at the Free Art Studios/Higher Art-Technical Studios in Moscow (1918 — 1925) and the Institute of Proletarian Fine Art in Leningrad (1929 — 30).
Lebedeva (Darmolatova), Sarah Dmitriyevna
1892, St Petersburg — 1967, MoscowSculptress, easel painter, portraitist. Studied at the School of Drawing, Society for the Encouragement of Arts (1906) and Mikhail Bernstein and Leonid Sherwood School of Painting, Drawing and Sculpture (1910-1914). Contributed to exhibitions (from 1918). Honoured Artist of the RSFSR (1943). Corresponding member of the Academy of Arts of the USSR (1958). Awarded silver medal at the International Exhibition in Paris (1937) and Brussels (1958).
Морозов Иван Гаврилович
Тульчинский Самуил Львович
Kotukhin Alexander Vasilievich
Klykov Nikolai
Мстера, Владимирская область
Ульянов Николай Павлович
Шадр Иван Дмитриевич
Блэк Александр Эдуардович
Вакуров Иван Петрович
Зубкова Тамара Ивановна
Козлов Александр Николаевич
Kupriyanov Mikhail Vasilyevich
1903, Tenneshi, Kazan Province — 1991, MoscowPainter, graphic artist, master of landscapes and genre scenes. Studied at the Tashkent Central Art Studios (1920–1921) and VKhUTEMAS / VKhUTEIN in Moscow, the faculty of graphic art (1921–1929). Contributed to exhibitions (from 1929).
Стулов Иван Константинович
Шишмарева Татьяна Владимировна
Антоновский Н. И.
Matveev Alexander Terent\'evich
1878 Saratov - 1960, MoscowSculptor; teacher. Studied at the Bogolyubov Drawing School in Saratov (1896–1899); Moscow School of Painting, Sculpture and Architecture (1899–1902, dropped out without graduating). To enchance his professional skills, travelled to France (1906–1907) and Italy (1913). Contributed to exhibitions (from 1903). Honoured Artist of the RSFSR (1931). Director of the the All-Russian Academy of Arts (1932–1934). Doctor of Art Studies.
Борунов Александр Васильевич
Габе М. Р.
Ermolayev Boris Nikolayevich
1903, St Petersburg — 1982, LeningradGraphic artist, illustrator of books and magazines, lithographer. Studied at the Art Restoration Studios / Leningrad College of Art and Industry (1921–1925). Contributed to exhibitions (from 1928). Member of the Union of Artists (1941). Contributed to newspapers Leninskiye Iskry, Bytovaya Gazeta, and magazines Krasnaya Panorama, Yuny Proletary, Rezets, illustrated children’s books (1927–1934). Worked at the lithographic shop of the Leningrad Union of Artists (from 1940).
Конашевич Владимир Михайлович
Корсиков А. Д.
Максимов Николай Иванович
Пронин Александр Александрович
Ярымбаш Пантелей Дмитриевич
Свешников Владислав Андреевич
Буторин Александр Николаевич
Шибаев Аркадий Васильевич
Козлов Юрий Протасьевич
Кравченко Ангелина Алексеевна
Шишкин Георгий (Егор) Михайлович
Anikushin Mikhail Konstantinovich
1917 – 1997Крандиевская Надежда Васильевна
Семенов Владимир Лаврентьевич
Большаков Валерий Васильевич
Виноградов Юрий Александрович
Рябов В. Е.
Куркин А. М.
Голиков Н. И.
Катунина Маргарита Александровна
Баринов Михаил Федорович
Козлов Александр Васильевич
Смирнова Раиса Алексеевна
Епифанов Геннадий Дмитриевич
Холуй, Ивановская область
Киселев Борис Иванович
Веселова Вера Дмитриевна
Demidova L. A.
Дымковская слобода (Вятка / Киров)
Астахова В. Н.
Комов Олег Константинович
Mylnikov Andrei Andreevich
1919, Pokrovsk — 2012, St PetersburgPainter, graphic artist, monumentalist. Studied architecture (1937–1940) and painting (1940–1946) at the Ilya Repin Institute of Painting, Sculpture and Architecture. Contributed to exhibitions (from 1946). Taught at the Ilya Repin Institute of Painting, Sculpture and Architecture (from 1947), headed the studio of monumental painting (from 1953). Professor (1957). Full member of the Academy of Arts of the USSR (1966). People’s Artist of the USSR (1976). Winner of the Stalin Prize for "On Peaceful Fields" (1951). Awarded a silver medal by the Ministry of Culture of the USSR for "Awakening" (1958).
UGAROV BORIS
1922 – 1991Безпалова-Михалева Тамара Николаевна
Бокарев Константин Сергеевич
Лазарев Левон Константинович
Moiseyenko Yevsei Yevseevich
1916, Uvarovichi (White Russia) - 1988, LeningradPainter, graphic artist, portraitist, landscapist, genre painter, history painter. Studied at the Mikhail Kalinin School of Art and Industry in Moscow (1931-35) and the Institute of Painting, Sculpture and Architecture (1936-41, 1945-47). Contributed to exhibitions (from 1947). Taught at the Institute of Painting, Sculpture and Architecture (1958-89). Professor (1963). People\'\'s Artist of the UNION OF SOVIET SOCIALIST REPUBLICS, full member of the Academy of Arts of the UNION OF SOVIET SOCIALIST REPUBLICS. Awarded the Lenin Prize (1974) and the State Prize of the UNION OF SOVIET SOCIALIST REPUBLICS (1983).
Пенкина Зоя Васильевна
Popkov Viktor Efimovich
1932, Mytischi — 1974, Moscow
Шмаринов Дементий Алексеевич
Кочупалов Алексей Дмитриевич
Соколова Татьяна Михайловна
Думанян Виктор Хачатурович
Шишаков Николай Иванович
Щадрин Александр Дмитриевич
Пашинин М. Г.
Федоскино (Данилково, Осташково), Московская губерния /область
Бокарев Валерий Константинович
Шилов Николай Леонидович
Маркевич Борис Анисимович
Павлов Юрий Михайлович
Елкин Виктор Александрович
Мякишев Александр Константинович
Новоселов Борис Кириллович
Алексеев Владимир Федорович
Зонина Е. Н.
Ан Олег Владимирович
Сальман Марк Григорьевич
Габриадзе Реваз (Резо) Леванович
Kholmogory
Любомудрова Нина Александровна
Пологова Аделаида Германовна
Эйдлин Леонид Юльевич
Мамонов Кирилл Серафимович
Портрет А. С. Пушкина
- 1822
- Paper, lithography.
- The State Russian Museum
- Гр.-7655
Портрет А. С. Пушкина в юности
- 1822
- Paper, .
- The State Russian Museum
- Гр.-21505
Портрет А. С. Пушкина
- 1827
- Paper, .
- The State Russian Museum
- Гр.-20754
А. С. Пушкин
- 1829–1830
- Paper, lithography.
- The State Russian Museum
- Гр.-36395
Титульный лист к альманаху «Новоселье»
- 1834
- Paper, etching, .
- The State Russian Museum
- Гр. 20755
А. С. Пушкин
- 1837
- . 46 х 16 х 15
- The State Russian Museum
- Ск-383
Портрет А. С. Пушкина
- 1837
- Bust., bronze. 52 х 37 х 22
- The State Russian Museum
- СК-2077
На 25-летие со дня смерти А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-1984
Alexander Pushkin at the Top of Ai-Petri at Sunrise
- 1899
- Canvas, oil. 135 х 250
- The State Russian Museum
- Ж-11746
В память 100-летия со дня рождения А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-2049
Жетон на 100-летие со дня рождения А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-2590
Жетон на 100-летие со дня рождения А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-4509
Жетон на 100-летие со дня рождения А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-2592
Портрет А. С. Пушкина
- 1899 (?)
- Paper, .
- The State Russian Museum
- Гр.-19461
Портрет А. С. Пушкина
- Bronze.
- The State Russian Museum
- Ск-1762
Портрет А. С. Пушкина
- 1899
- Paper, etching.
- The State Russian Museum
- Гр.-19460
Проект памятника А. С. Пушкину
- 1902
- . 72 х 76 х 63
- The State Russian Museum
- Ск-1060
Голова А. С. Пушкина
- 1906–1907
- Canvas mounted on cardboard, oil. 33 x 26
- The State Russian Museum
- Ж-2514
Alexander Pushkin at the Convocation at the Lyceum on 8 January 1815
- Original painting of the same name (1910–1911, Prague Castle, Czech Republic)
- 1910
- Canvas, oil. 43 x 60,7
- The State Russian Museum
- Ж-2776
Pushkin, Alexander Sergeyevich (1799–1837): Russian poet, prose writer, playwright.
Портрет А. С. Пушкина
- 1924
- Paper, .
- The State Russian Museum
- С.Гр.-9317
Портрет А. С. Пушкина
- 1920–1930s
- Paper, .
- The State Russian Museum
- РС-4568
Портрет А. С. Пушкина
- 1932
- Paper, .
- The State Russian Museum
- С.Гр.-760
Портрет А. С. Пушкина
- 1933
- Paper, .
- The State Russian Museum
- С.Гр.-765
Портрет А. С. Пушкина
- 1934
- Paper, .
- The State Russian Museum
- С.Гр.-805
Портрет А. С. Пушкина
- 1934
- Canvas, oil. 100 x 87,5
- The State Russian Museum
- Ж-4487
Портрет А. С. Пушкина
- 1935
- Paper, .
- The State Russian Museum
- С.Гр.-4581
Пушкин
- 1930s
- Paper, ink. 26,3 x 25,7
- The State Russian Museum
- РС-16043
А. С. Пушкин
- 1936
- Bronze. 45 x 25 x 22
- The State Russian Museum
- СО-22
Бюст А. С. Пушкина
- Bisque.
- The State Russian Museum
- СФ-415
Бюст А. С. Пушкина
- Bisque.
- The State Russian Museum
- СФ-276
Композиция «Пушкин на диване»
- Painting over glaze, , gilding.
- The State Russian Museum
- СФС-402
Портрет А. С. Пушкина
- 1936
- Paper, .
- The State Russian Museum
- С.Гр.-446
Фигура «Пушкин перед дуэлью»
- Bisque.
- The State Russian Museum
- СФ-280
Чернильный прибор с крышкой «А. С. Пушкин за работой»
- Porcelain.
- The State Russian Museum
- СФ-104 а,б
А. С. Пушкин
- 1937
- . 79 x 51 x 32
- The State Russian Museum
- СО-2008
А. С. Пушкин
- 1937
- .
- The State Russian Museum
- СО-277
А. С. Пушкин
- 1937
- Gypsum. 47,5 x 27,5 x 28,5
- The State Russian Museum
- СО-849
Медаль на 100-летие со дня смерти А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-3160
Проект памятника А. С. Пушкину
- 1937
- Bronze. 46,5 x 25 x 17
- The State Russian Museum
- СО-1557
А. С. Пушкин
- Bronze. 70 x 25 x 26
- The State Russian Museum
- СО-712
Портрет А. С. Пушкина
- 1940
- . 52 x 44 x 39
- The State Russian Museum
- СО-755
Пушкин в Тригорском
- 1940
- Paper, graphite pencil.
- The State Russian Museum
- РС-2861
А. С. Пушкин
- 1943
- Paper, ink, nib. 39,5 x 29
- The State Russian Museum
- РС-6497
А. С. Пушкин
- 1948
- Gypsum. 180 x 51 x 53
- The State Russian Museum
- СО-1303
Бюст А. С. Пушкина
- 1948
- .
- The State Russian Museum
- СТ-2054
Бюст А. С. Пушкина
- Porcelain.
- The State Russian Museum
- СФ-318
Композиция «Пушкин на прогулке»
- Porcelain.
- The State Russian Museum
- СФ-307
А. С. Пушкин
- 1937-1960
- Gypsum. 53 x 52 x 31
- The State Russian Museum
- СО-607
Фигура «Пушкин-лицеист»
- Porcelain.
- The State Russian Museum
- СФ-426
А. С. Пушкин
- 1948-1960
- Bronze.
- The State Russian Museum
- СО-1287
Портрет А. С. Пушкина
- 1955
- Paper, .
- The State Russian Museum
- С.Гр.-8508
Шкатулка «Сказка о мертвой царевне»
- 1955
- Papier-mâche, tempera, varnish, . 27 х 22 х 6
- The State Russian Museum
- ОНИ/Р-2071
А. С. Пушкин
- 1956
- Bronze. 91 x 60 x 26
- The State Russian Museum
- СО-709
А. С. Пушкин
- 1958
- Marble. 35 x 37 x 28
- The State Russian Museum
- СО-772
Барельеф «А. С. Пушкин»
- Bisque.
- The State Russian Museum
- СФ-989
Медаль в честь А. С. Пушкина с изображением «скамьи Онегина» в селе Тригорском
- .
- The State Russian Museum
- Мед.А-4366
Медаль в честь А. С. Пушкина с изображением липовой аллеи в селе Михайловском
- .
- The State Russian Museum
- Мед.А-4367
Медаль в честь А. С. Пушкина с изображением могилы поэта
- .
- The State Russian Museum
- Мед.А-4004
А. С. Пушкин
- 1970
- . 98 x 29 x 84
- The State Russian Museum
- СО-946
Пушкин
- 1970
- Hardboard, oil. 63 x 77,5
- The State Russian Museum
- ЖС-635
А. С. Пушкин
- 1973–1974
- Paper, charcoal pencil. 42,1 x 29,7
- The State Russian Museum
- РС-16424
А. С. Пушкин
- 1973
- .
- The State Russian Museum
- СО-1914
Осенние дожди
- 1973
- Canvas mounted on cardboard, oil. 50 x 70
- The State Russian Museum
- Ж-9429
Пушкин в Михайловском
- 1973
- Paper, graphite pencil. 21,1 x 30
- The State Russian Museum
- РС-12198
А. С. Пушкин
- 1974
- Paper, charcoal pencil. 42,1 x 29,8
- The State Russian Museum
- РС-16428
Набросок к картине «А. С. Пушкин и А. П. Керн»
- 1970s
- Paper, .
- The State Russian Museum
- РС-16423
Пушкин
- 1970s
- Bronze. 50 x 40 x 30
- The State Russian Museum
- СО-1506
Пушкин
- 1976
- Bronze. 35 x 10 x 11
- The State Russian Museum
- СО-1173
Вечер. Пушкин
- 1978
- Canvas, oil. 40 x 50,5
- The State Russian Museum
- Ж-10602
Молодой поэт
- 1979
- . 25,7 x 18
- The State Russian Museum
- РС-12203
Пушкин
- 1979
- Paper, сharcoal . 20,9 x 29,7
- The State Russian Museum
- РС-12211
Пушкин и дама
- 1979
- сharcoal , , pastel. 21,1 x 30,3
- The State Russian Museum
- РС-12208
Натюрморт. Маска Пушкина
- 1982
- Paper, watercolours. 49 x 59
- The State Russian Museum
- РС-14355
Прощание
- 1983
- Canvas, oil. 114 x 183
- The State Russian Museum
- ЖС-45
Памяти поэта
- 1984–1985
- Canvas, oil. 190 x 170
- The State Russian Museum
- ЖС-58
Пластина «Воспоминание о Петербурге»
- 1984
- Papier-mâche, tempera, gold, varnish, . 16,2 х 33,5 х 1,2
- The State Russian Museum
- ОНИ/Р-4579
Медаль в память 150-летия со дня смерти А. С. Пушкина
- .
- The State Russian Museum
- Мед.А-19309
Юбилей Пушкина в Тифлисе
- 1988
- Cardboard, tempera, silver paint. 41,5 x 60
- The State Russian Museum
- РС-22866
Пушкин в Испании
- 1989–1990
- Paper, ink. 36 x 48,1
- The State Russian Museum
- РС-16678
Пушкин в Испании
- 1989–1990
- Paper, ink. 24,4 x 37,1
- The State Russian Museum
- РС-16685
Пушкин в Испании
- 1989–1990
- Paper, ink. 36 x 48
- The State Russian Museum
- РС-16681
Пушкин в Испании
- 1989–1990
- Paper, ink. 36,1 x 47,9
- The State Russian Museum
- РС-16679
Из серии «Пушкин в Тифлисе»
- 1990–1991
- Ink. 21,1 x 30
- The State Russian Museum
- РС-22857
Из серии «Пушкин в Тифлисе»
- 1990–1991
- Paper, ink. 36,8 x 24,6
- The State Russian Museum
- РС-22859
Из серии «Пушкин в Тифлисе»
- 1990–1991
- Paper, ink. 36 x 48
- The State Russian Museum
- РС-22861
Из серии «Пушкин в Тифлисе»
- 1990–1991
- Paper, ink. 36 x 48
- The State Russian Museum
- РС-22862
Из серии «Пушкин на Кавказе»
- 1990–1991
- Watercolours, ink, . 21,1 x 30
- The State Russian Museum
- РС-22852
Из серии «Пушкин на Кавказе»
- 1990–1991
- Ink, watercolours, silver paint, white pigment. 30 x 21,1
- The State Russian Museum
- РС-22856
Из серии «Пушкин на Кавказе»
- 1990–1991
- Ink, watercolours, , . 30 x 21,1
- The State Russian Museum
- РС-22854
Из серии «Пушкин на Кавказе»
- 1990–1991
- Watercolours, ink, silver paint. 30 x 21,1
- The State Russian Museum
- РС-22849
Из серии «Пушкин на Кавказе»
- 1990–1991
- Ink, watercolours, white pigment, . 30 x 21,1
- The State Russian Museum
- РС-22850
Из серии «Пушкин на Кавказе»
- 1990–1991
- Ink, watercolours, silver paint. 30 x 21,1
- The State Russian Museum
- РС-22853
Из серии «Пушкин на Кавказе»
- 1990–1991
- Watercolours, ink, silver paint. 30 x 21,1
- The State Russian Museum
- РС-22851
Из серии «Пушкин на Кавказе»
- 1990–1991
- Ink, watercolours, silver paint. 21,1 x 30
- The State Russian Museum
- РС-22855
Из серии «Пушкин на Кавказе»
- 1990–1991
- Watercolours, ink, silver paint. 30 x 21,2
- The State Russian Museum
- РС-22848
А. С. Пушкин
- 1990s
- Paper, wood. 120 x 55 x 40
- The State Russian Museum
- СО-3002
Встреча
- 1996
- Bronze. 40 x 27,5 x 22
- The State Russian Museum
- СО-2679
Из серии «Анекдоты из жизни Пушкина». Лист 3
- 1999
- Paper, .
- The State Russian Museum
- С.Гр.-19394
Из серии «Анекдоты из жизни Пушкина». Лист 5
- 1999
- Paper, .
- The State Russian Museum
- С.Гр.-19396
Портрет Н. И. Тургенева
- Paper, lithography.
- The State Russian Museum
- Гр.-20850
Николай Михайлович Карамзин
- 1818–1819
- Paper, .
- The State Russian Museum
- Гр-28284
Портрет В. А. Жуковского
- 1818
- Paper, .
- The State Russian Museum
- Гр.-25276
Портрет В. А. Жуковского
- gouache. 9,1 x 8,1
- The State Russian Museum
- Ж-288
Портрет В. А. Жуковского
- 1820
- Paper, lithography.
- The State Russian Museum
- Гр.-32864
Портрет В. Л. Пушкина
- Paper, lithography.
- The State Russian Museum
- Гр.-32964
Н. И. Греч
- 1824
- Paper, lithography.
- The State Russian Museum
- Гр.-28672
Портрет баснописца И. А. Крылова
- 1824
- Paper, pastel. 70 х 53,5
- The State Russian Museum
- Ж-3694
Портрет Дениса Давыдова
- 1820s
- Paper, .
- The State Russian Museum
- Гр.-20953
Портрет П. А.Вяземского
- 1820s
- Paper, lithography.
- The State Russian Museum
- Гр.-24695
Граф М. Ю. Виельгоргский
- Paper, .
- The State Russian Museum
- Гр.-27493
Наталья Николаевна Гончарова, невеста А. С. Пушкина
- Paper, .
- The State Russian Museum
- Гр.-22729
Портрет П. А. Вяземского
- Lithography.
- The State Russian Museum
- Гр.-28642
Портрет писателя И. А. Крылова (1768/69–1844)
- 1830
- Bust., bronze. 59 х 37 х 29
- The State Russian Museum
- СК-365
Портрет А. И. Тургенева
- 1833
- Paper, lithography.
- The State Russian Museum
- Гр.-25357
Титульный лист к альманаху «Новоселье» (Ч.1. СПб, 1833) с виньеткой «Обед у книгоиздателя А. Ф. Смирдина»
- 1833
- .
- The State Russian Museum
- Гр.-21414
Портрет Ивана Андреевича Крылова (1768—1844)
- Canvas, paper.
- The State Russian Museum
- Ж-5250
Портрет Николая Васильевича Гоголя
- 1834
- Lithography.
- The State Russian Museum
- Гр.-25288
Петр Александрович Плетнев ректор Санкт-Петербургского императорского Университета
- 1840s (?)
- Paper, lithography.
- The State Russian Museum
- Гр.-29034
Портрет Н. В. Гоголя
- Canvas, oil.
- The State Russian Museum
- Ж-3476
Портрет В. И. Даля
- Paper, etching.
- The State Russian Museum
- Гр.-43778
Портрет М.И. Глинки
- Paper, lithography.
- The State Russian Museum
- Гр.-5598
Портрет князя В. Ф. Одоевского
- 1860s
- Paper, lithography.
- The State Russian Museum
- Гр.-24934
Портрет Д. А. Веневитинова
- Paper, lithography.
- The State Russian Museum
- Гр.-5257
Портрет Н. И. Гнедича
- Paper, lithography.
- The State Russian Museum
- Гр.-5262
Портрет писателя А. Дельвига
- Paper, lithography.
- The State Russian Museum
- Гр.-5270
Портрет Петра Александровича Плетнева
- 1870
- Paper, .
- The State Russian Museum
- Гр.-29659
Портрет К. Н. Батюшкова
- 1883
- Paper, .
- The State Russian Museum
- Гр.-27614
Портрет Н. В. Гоголя
- 1933
- Paper, .
- The State Russian Museum
- С.Гр.-766
Портрет Адама Мицкевича
- .
- The State Russian Museum
- С.Гр.-7693
"Alexander Pushkin at Nikolai Gogol’s place". A Casket
- Fedoskino, The Moscow Region
- Papier-mâche, , oil, varnish, painting. 8 х 11 х 3
- The State Russian Museum
- ОНИ/Р-5165
In 1910, after the closure of the Lukutin factory, the craftsmen formed the Fedoskino Labour Artel, on the basis of which local art revived in the subsequent time. The contemporary artists of Fedoskino are creating new original compositions, developing the traditional trends that emerged in the Fedoskino miniature of the 19th century. The characteristic laconic structure of the composition, the expressiveness of movement, the simplicity of the drawing, the luminosity of Russian lacquers were absorbed from the age-old folk paintings and the experience of easel works.
Портрет Д. В. Кочубея мальчиком
- Watercolours.
- The State Russian Museum
- Ж-838
Портрет императора Александра I (1777–1825)
- 1801–1804
- Bust., bronze. 35 х 12,5 х 11
- The State Russian Museum
- СК-219
Портрет императрицы Елизаветы Алексеевны (1779–1826), жены Александра I
- 1801–1804
- Bust., bronze. 36 х 13 х 9,5
- The State Russian Museum
- СК-223
Portrait of Alexander Stroganov
- Canvas, oil.
- The State Russian Museum
- Ж-4594
Count Alexander Stroganov (1794-1814) was the only son of Sofia and Pavel Stroganovs. He went to the army in the field with his father during the Patriotic War of 1812. He was tragically killed during the Battle of Craonne in France (A shot from a cannon decapitated him).
Portrait of Count Pavel Stroganov
- 1808
- Canvas, oil. 69 х 56,5
- The State Russian Museum
- Ж-4596
Pavel Stroganov (1772–1817) was count and son of Alexander Stroganov and Yekaterina Petrovna (née Trubetskaya). He traveled a great deal around Russia. He went to Switzerland in order to complete his education and went to Paris in 1789. He took part in events of the French Revolution. He was called back to Russia in 1790. He became a gentleman in waiting in 1798. He was a member of the Private Committee at the beginning of the reign of Alexander I. He was also the assistant of the Minister of the Internal Affairs. He became a senator in 1806. He fought in the Finnish War (1808-1809), the Russo-Turkish War (1806-1812) and the Patriotic War of 1812.
Portrait of Count Yevgraf Komarovsky
- Canvas, oil.
- The State Russian Museum
- Ж-4588
Yevgraf Fedotovich Komarovsky (1769–1843) was a Count, adjutant general, and a general of the Infantry. He was the son of a small court official. He was an ensign in the Izmailovsky Life Guards Regiment (1792). He was adjutant to the Grand Duke Konstantin Pavlovich, with whom he participated in the Italian and Swiss campaigns led by Alexander Suvorov. He was major general (1799), adjutant general (1801), Count of the Holy Roman Empire (1803). He acted as assistant to the St Petersburg military governor (1802), inspector of the Internal Guard (1811), temporary military governor of St Petersburg (1824). In 1828 he was made general of the Infantry and named senator. He left “Notes” (St Petersburg 1914). He appears here in standard general’s uniform, with the monogram of Emperor Alexander I on the epaulettes. Orders: St Vladimir of the 2nd class (5 October 1813, cross on the neck and star; the emblems of the order were approved later), St Anne of the 1st class (16 March 1806, ribbon), Commander’s cross of the Order of St John of Jerusalem (Maltese cross, 29 October 1799), Sardinian cross of St Lazarus and Mauritius of the 3rd class (received before 1802).
Portrait of Countess Sofia Stroganova
- 1808
- Canvas, oil. 69 х 56
- The State Russian Museum
- Ж-4595
Jean-Laurent Mosnier was a court painter of Louis XVI. He worked in Russia from the middle of 1790s until 1808, where he painted portraits of people of the nobility. As he was an Academician of Painting, he headed the studio of portrait painting from 1806.
Sofia Stroganova (1775–1845) was countess, wife of Pavel Stroganov. She distinguished herself by her beauty, her gentle heart and by her intellectual and wide education. After the death of her husband, as she had management qualities, she administered estates in the Novgorod and Perm provinces. She tried to improve the situation of the serfs by founding several schools, introducing the “Right to Retire” and established a period of time, after which the serfs received their freedom without paying a redemption fee.
Портрет Ф. П. Толстого (Автопортрет?)
- Canvas, oil.
- The State Russian Museum
- Ж-3379
Портрет Г. Р. Державина
- Canvas, oil. 67 х 56
- The State Russian Museum
- Ж-6331
Портрет А. О. Орловского
- 1815
- Canvas, oil. 70 x 56
- The State Russian Museum
- Ж-4604
Портрет Н. И. Тургенева
- Paper, lithography.
- The State Russian Museum
- Гр.-20850
Екатерина Семенова. Трагическая актриса / Портрет Е. С. Семеновой
- lathe.
- The State Russian Museum
- Гр.-24250
Николай Михайлович Карамзин
- 1818–1819
- Paper, .
- The State Russian Museum
- Гр-28284
Портрет Александра Николаевича Муравьева
- Canvas, oil. 69 x 59
- The State Russian Museum
- Ж-12088
Портрет В. А. Жуковского
- 1818
- Paper, .
- The State Russian Museum
- Гр.-25276
Портрет В. А. Жуковского
- 1820
- Paper, lithography.
- The State Russian Museum
- Гр.-32864
Портрет М. И. Голенищева-Кутузова
- 1810–1820s
- Paper, oil. 22,5 x 19
- The State Russian Museum
- Ж-192
Портрет императора Александра I (1777–1825)
- Bust., marble. 61 х 36 х 25
- The State Russian Museum
- СК-650
Н. С. Семенова
- 1821
- Paper, .
- The State Russian Museum
- Гр.-24253
Portrait of Dmitry Kuruta
- Canvas, oil.
- The State Russian Museum
- Ж-4602
Dmitry Dmitrievich Kuruta (1770–1833), a migrant from Greece, served Russia from 1787. He took part in the campaigns of 1805 and 1806–1807. In 1812 he was made senior Quartermaster of the College of Guards. In 1816 he became lieutenant general, Chief of Staff of the Polish forces, Marshall at the Court of the Grand Duke Konstantin Pavlovich in Warsaw and in 1828 an Infantry general. In 1826 he was elevated to the level of Count. He is depicted here in his quartermaster’s uniform with the Orders of St Alexander Nevsky (star), of St Vladimir of the 2nd class (star and cross on the neck), of St Anne of the 1st class (cross with diamonds), of the White Eagle (star), of Leopold of the 2nd class (Austria, cross), of Maximilian Josef (Bavaria, cross) and the Kulm Cross (Prussia). On the mounting are the Order of St George of the 4th class, the medal “In Memory of the Patriotic War of 1812” (silver, on St Andrew’s ribbon) and the Order of St John of Jerusalem (the Maltese Cross). An identical (unsigned) copy which was completed “before 1825” can be found in the Military Gallery of the Winter Palace.
Портрет барона В. Г. Строганова
- Paper, watercolours.
- The State Russian Museum
- Р-22747
Н. И. Греч
- 1824
- Paper, lithography.
- The State Russian Museum
- Гр.-28672
Портрет А. Х. Востокова
- 1824
- Paper, lithography.
- The State Russian Museum
- Гр.-24697
Портрет баснописца И. А. Крылова
- 1824
- Paper, pastel. 70 х 53,5
- The State Russian Museum
- Ж-3694
Portrait of Count Pavel Shuvalov
- Canvas, oil.
- The State Russian Museum
- Ж-6229
Pavel Andreyevich Shuvalov (1774, 1776 or 1777–1823) was a Count, the son of Count Andrei Shuvalov and Countess Yekaterina Saltykova. In 1786–1796 he served in the Life Guards Horse Regiment, as a gentleman of the Bedchamber (1796), colonel (1798); Adjutant General of Emperor Alexander I (from 1807), Commander of the Fourth Infantry Corps (1811). He participated in the storming of Prague (1794), the Italian campaign led by Alexander Suvorov, the Russo-Swiss war (1808–1809), the Patriotic War of 1812. He accompanied Napoleon from Fontainebleau to exile on the island of Elba. He was married to the Princess Varvara Shakhovskaya (1796–1871). He appears here in the uniform of a general of the Imperial Suite with the following orders: St Alexander Nevsky (star); St Vladimir of the 2nd class (star and cross on the neck); St Anna of the 1st class (star); St George of the 4th class (cross); the Sign of the Order of St John (Maltese cross); Military Merit (Württemberg); St Louis (France); Maximilian Joseph (Bavaria) and the Commander’s Cross of the Order of Leopold (Austria).
This is a copy of the signed portrait, which is located in the military gallery of the Winter Palace (State Hermitage). It is possible that it was completed in Dawe’s studio.
Портрет И. А. Крылова
- 1820s
- Paper, lithography.
- The State Russian Museum
- Гр.-28678
Портрет Н. А. Дуровой
- Wood, oil. 22,5 x 18
- The State Russian Museum
- Ж-186
Портрет П. А.Вяземского
- 1820s
- Paper, lithography.
- The State Russian Museum
- Гр.-24695
Ф. В. Булгарин
- 1825
- Paper, lithography.
- The State Russian Museum
- Гр.-28670
Портрет графини Н. П. Голицыной
- Canvas, oil. 80 x 65
- The State Russian Museum
- Ж-4615
Портрет княгини Н. И. Голицыной
- Watercolours.
- The State Russian Museum
- Р-22757
Model of Statue of Prince Mikhail Kutuzov
- Bronze.
- The State Russian Museum
- Ск-1950
Mikhail Golenishchev-Kutuzov (1745–1813) took part in the Russo-Turkish wars during the reign of Catherine the Great, and during these he was critically injured twice and lost an eye. In August 1912, he became the commander of Russian forces in the fight against Napoleon’s army. After the Battle of Borodino, he left Moscow. After subsequently driving the enemy out of Russia, Kutuzov was granted the rank of Field Marshal, the title of Prince of Smolensk, and the Order of St George, First Class, becoming its first full cavalier. In 1813, he led the unified Russo-Prussian forces. After Kutuzov’s death, the commander of the unified army was Michael Andreas Barclay de Tolly, who for his heroism in battles at Kulm and Leipzig received the Order of St George, First Class and the title of count, the rank of General Field Marshal in 1814, and a princely title in 1815.
The idea of building monuments originated in 1818, when the corresponding decree was signed by Alexander I. After his victory in the design competition (1829), Boris Orlovsky, who had returned from Italy, where he worked in Bertel Thorvaldsen’s studio, received the order to create statues of the military leaders. Following the new tastes in Western sculpture, the two field marshals were depicted in modern military uniforms, rather than imaginary garments. The realistic portrayals of people in monuments and their historical accuracy marked an important stage in the development of Russian monumental art. The ceremonial unveiling took place on 25 December 1837.
Statue for the Project for the Monument in St Petersburg Honouring Prince Michael Andreas Barclay de Tolly, a Russian Field Marshal
- 1829 ‒ 1830
- Bronze. 48,5 х 24 х 15
- The State Russian Museum
- Ск-1951
Michael Barclay de Tolly (1761–1818) was a remarkable Russian commander. He became Commander-in-Chief of the army after Kutusov’s death. He received the Order of St. George of the First Class and the title of Count for his heroism during the battles of Kulm and Leipzig, as well as the rank of General Field Marshal in 1814, and a princely title in 1815.
The idea of building monuments originated in 1818, when the corresponding decree was signed by Alexander I. After his victory in the design competition (1829), Boris Orlovsky, who had returned from Italy, where he worked in Bertel Thorvaldsen’s studio, received the order to create statues of the military leaders. Following the new tastes in Western sculpture, the two field marshals were depicted in modern military uniforms, rather than imaginary garments. The realistic portrayals of people in monuments and their historical accuracy marked an important stage in the development of Russian monumental art. The ceremonial unveiling took place on 25 December 1837.
Портрет А. С. Грибоедова
- 1829
- .
- The State Russian Museum
- Гр.-20733
Портрет Николая I
- .
- The State Russian Museum
- Ск-1307
Портрет императрицы Александры Федоровны
- Bronze, copper, .
- The State Russian Museum
- Ск-1305
Vincenzo Brioschi. Portrait of the St Petersburg Postal Director Konstantin Bulgakov
- 1830
- Canvas, oil. 85 х 72
- The State Russian Museum
- Ж-3473
Konstantin Yakovlevich Bulgakov (1782–1835) was the younger son of the diplomat Yakov Bulgakov, and in 1797 he was appointed to the College of Foreign Affairs. Under Alexander I he was attached as a supernumerary to the mission to Vienna, and was then put at the disposal of the Commander-in-Chief of the Transdanubian Army, Nikolai Kamensky. He became an actual state councillor in 1814, postal director for Moscow in 1816, and was transferred to the same position in St Petersburg in 1819.
Under his direction communications by stage-coach were set up, as well as a permanent urban postal system in St Petersburg. In 1822 he concluded a postal convention with Prussia and Austria that speeded up the delivery of letters from abroad. He was appointed privy councillor in 1826 and director of the Department of Posts in 1831. He was well known for his generous philanthropic work, his love of literature and art and for organising numerous charitable evenings; he was friends with many figures in the arts and with contemporaries who were collectors (in particular Alexei Tomilov). He was the author of a correspondence that has become a chronicle of Russian life at the start of the 19th century.
Граф М. Ю. Виельгоргский
- Paper, .
- The State Russian Museum
- Гр.-27493
Портрет А. Н. Хитрово
- Paper, watercolours.
- The State Russian Museum
- Р-22731
Портрет Е. А. Архаровой
- Canvas, oil. 40 x 32,3
- The State Russian Museum
- Ж-4849
Портрет М. Т. Пашковой с дочерью
- Paper, watercolours, graphite pencil, varnish.
- The State Russian Museum
- Р-22725
Портрет О.-Ю. И. Сенковского
- Paper, watercolours.
- The State Russian Museum
- Р-22698
Портрет П. А. Вяземского
- Lithography.
- The State Russian Museum
- Гр.-28642
Портрет графа П. И. Кутайсова
- Watercolours, varnish.
- The State Russian Museum
- Р-205
Портрет графини С. И. Лаваль
- Paper pasted on paper, watercolours, varnish.
- The State Russian Museum
- Р-206
Портрет писателя И. А. Крылова (1768/69–1844)
- 1830
- Bust., bronze. 59 х 37 х 29
- The State Russian Museum
- СК-365
А. С. Пушкин в кругу знакомых
- Paper, graphite pencil.
- The State Russian Museum
- Р-51621
Портрет А. И. Тургенева
- 1833
- Paper, lithography.
- The State Russian Museum
- Гр.-25357
Титульный лист к альманаху «Новоселье» (Ч.1. СПб, 1833) с виньеткой «Обед у книгоиздателя А. Ф. Смирдина»
- 1833
- .
- The State Russian Museum
- Гр.-21414
Портрет А. А. Полторацкого
- Watercolours, graphite pencil, varnish.
- The State Russian Museum
- Р-201
Портрет Е. П. Бакуниной
- Watercolours, graphite pencil.
- The State Russian Museum
- Р-13095
Портрет Ивана Андреевича Крылова (1768—1844)
- Canvas, paper.
- The State Russian Museum
- Ж-5250
Портрет Николая Васильевича Гоголя
- 1834
- Lithography.
- The State Russian Museum
- Гр.-25288
Портрет графини Н. В. Строгановой
- Watercolours, varnish.
- The State Russian Museum
- Р-210
Портрет А. А. Андро де Ланжерон
- 1835
- Wood, oil. 16 х 12,3
- The State Russian Museum
- Ж-3814
Портрет Е. И. Лужиной
- Watercolours, varnish.
- The State Russian Museum
- Р-22723
Портрет С. П. Апраксиной
- Watercolours, varnish.
- The State Russian Museum
- Р-22733
Портрет президента Императорской Академии художеств, директора Императорской публичной библиотеки А. Н. Оленина
- 1830s
- Bust., marble. 51 х 27 х 23
- The State Russian Museum
- СК-361
Бал у княгини М. Ф. Барятинской
- Paper, watercolours. 16 х 18,4
- The State Russian Museum
- Р-633
Parade Celebrating the End of Millitary Action in the Kingdom of Poland on Tsaritsa Meadow in St Petersburg on 6 October 1831
- 1837
- Canvas, oil. 212 х 345
- The State Russian Museum
- Ж-6350
The parade took place one month after the capture of Warsaw. The painting depicts the panorama of Tsaritsa Meadow (today the Fields of Mars): the Summer Garden, the Engineers Castle, the Mikhailovsky Garden and the Rossi Pavilion, the Michailovsky Palace and the Barracks of the Pavlovsky Regiment. Alongside the barracks, two regiments are formed: a regiment of cavalry along the Palace and a regiment of artillery along the Summer Garden. Nikolai I, followed by his suite, rides to the Empress carriage from the place of moleben. Among the crowd of spectators, one can find Alexander Pushkin, Vasily Zhukovsky, Ivan Krylov, Karl Brullov and Alexei Olenin alongside with other musicians, diplomats, scientists and merchants. The artist supplemented the painting by an outline drawing of 223 figures and the list of depicted characters.
Екатерина Семенова в роли Клитемнестры в трагедии Ифигения в Авлиде («Дерзни исторгнуть дочь из матерных объятий»)
- 1837
- Paper, .
- The State Russian Museum
- Гр.-23835
Портрет А. Н. Оленина
- 1838
- Paper, .
- The State Russian Museum
- Гр.-28293
Групповой портрет: К. П. Брюллов, Я. Ф. Яненко, М. И. Глинка, Н. В. Кукольник и И. П. (?) Поливанов
- Paper, watercolours.
- The State Russian Museum
- Р-2903
Парад на Дворцовой площади
- Canvas, oil.
- The State Russian Museum
- Ж-6344
Александр I в Александро-Невской Лавре
- Canvas, oil. 52 х 39,5
- The State Russian Museum
- Ж-10509
Портрет молодого человека
- 1841
- Canvas, oil. 71,5 х 58
- The State Russian Museum
- Ж-3710
Portrait of Alexei Yermolov
- 1843
- Canvas, oil.
- The State Russian Museum
- Ж-3762
Alexei Petrovich Yermolov (1777–1861) was the son of state councillor Pyotr Yermolov and Maria Denisovna, née Davydova. He was enrolled in the Preobrazhensky Life Guards Regiment as a child. He was educated at home.
Under the reign of Paul I he lived in exile. He took part in the military campaign of 1805-1807. In 1806 he was made a colonel, in 1808 — major general, in 1810 — Commander of an Artillery Guards Brigade, then — Commander of the Infantry Guards Division of the Lithuanian Regiment. In 1812–1814, during the Patriotic War, he was head of the staff of the 1st Army. He excelled at the Battle of Borodino. In 1816 he was named Commander-in-Chief in Georgia where military action was then taking place. Lines of fortification were built from Grozny to Yekaterinodar (now Krasnodar). Yermolov did a great deal for the Caucasus, promoting the development of trade, industry and education. Relying on military and administrative methods, he appeased many Caucasian tribes and annexed Abkhazia and the Khanates of Shirvan and Karabakh. In 1818 he was made general of Infantry. In 1827 he retired. Member of the State Council. In March 1839 “he went on holiday for medical treatment”. Living in Moscow, he was made head of the Moscow militia in 1855. He appears here in general’s uniform of the Horse Artillery Army with Orders of St Andrew the First-Called (star), St George of the 2nd class (cross on the neck and star), St Vladimir of the 1st class (star), the Kulm Cross (Prussia), Military Order of Maria Theresa (Austria). In his buttonhole are the medals “In memory of the Patriotic War of 1812” (silver, on the ribbon of St Andrew) and “For the taking of Paris”.
St Isaac’s Cathedral and the Bronze Horseman
- 1844
- Canvas, oil. 102 х 131
- The State Russian Museum
- Ж-3593
Auguste Montferrand’s St Isaac’s Cathedral (1818–1858) took several decades to build and was the most important event in the life of St Petersburg. The painting is dated 1844, when construction of St Isaac’s Cathedral was well under way. Like other artists, however, Vorobyov painted the monument while it was being built as if it were complete. St Isaac’s Cathedral was consecrated in the presence of Tsar Alexander II on 30 May 1858 and became the cathedral church of the Russian capital. The ensemble of Senatskaya Square, which has survived to the present day, took shape in the 1840s, when the Admiralty Canal was interred in pipe and filled with water.
Портрет композитора М. И. Глинки (1804–1857)
- 1844
- Bust., . 51 х 32 х 23
- The State Russian Museum
- СК-1829
Портрет М. П. Ланского
- Canvas, oil. 92,5 х 67
- The State Russian Museum
- Ж-3328
Alexei Illarionovich Filosofov (1799–1874). He got education in the Page Corps. In 1818 he was an ensign in the 1st Life Guards Artillery Brigade. He took part in the Russo-Persian War of 1826–1828 and the Russo-Turkish War of 1828–1829. In August 1828 during the taking of Akhaltsikhe he was awarded a gold sword with the inscription “for courage” along with the rank of colonel and the Imperial Order of the Lion and the Sun, and named adjutant to the Field Marshal General Grand Duke Michael Pavlovich. In 1830 he took part in the French expedition against the Algerian Uprising, and in 1831 in the suppression of the rebellion in Poland. In 1836 he was made major general. From 1838 he was tutor to their Imperial Highnesses Nicholas Nikolayevich and Michael Nikolayevich; from December he was the retinue of His Imperial Majesty Nicholas I. In July 1842 he became adjutant general, and in March 1847— lieutenant general. From 1854 he superintended the Kronstadt Artillery and in 1859 became general of Artillery.
He died in Paris. He appears here in the uniform of major general with the Orders of St Anne of the 1st class, St Vladimir of the 3rd class (cross on the neck), Sword (Sweden), Order of Military Merit Virtuti Militari; on the block: Order of St George of the 4th class, medal “For the Russo-Turkish War of 1828–1829” and “For the taking of Warsaw in 1831”.
Portrait of Ivan Paskevich
- Canvas, oil.
- The State Russian Museum
- Ж-3432
Ivan Fyodorovich Paskevich (1782–1856) was a Russian military official. He participated in military action against the Turkish army (1806–1811), the Patriotic War of 1812 (Smolensk, Borodino, Vyazma), the Battle of Nations near Leipzig and others. By order of Nicholas I, he took part in the Decembrist trial. He began serving in the Caucasus under the command of Yermolov in 1826, and in 1827 he succeeded him as Commander of the Caucasian Corps and the Commander-in-Chief in Georgia. His successful actions against the Persians resulted in the capture of Erivan and the Treaty of Turkmenchay, which recognised Russia’s suzerainty over the Erivan and Nakhichevan khanates, and he was created Count Erivan. His skilful leadership against the Turks in Asia Minor (1828–1829) yielded him the title of Field Marshal, and his suppression of the Polish Uprising (1831) created him Prince of Warsaw and was made governor of the Kingdom of Poland. He led the suppression of the Hungarian Revolution (1848–1849), participated in the Crimean War (1853–1856) and was commander-in-chief of troops on the western borders and on the Danube. He is depicted in the uniform of the Hussar Regiment of Alexandria, of which he became the colonel-in-chief on 1 September 1845, with the Orders of St Andrew the Apostle (ribbon and star; 1828); St George of the 1st class (cross on the neck and star; 1829); Turkish Order of the Moon (?) and medal brooch, as well as an award medallion with a portrait of Nicholas I.
Портрет графа А. Ф. Орлова
- Canvas, oil. 75,5 x 62
- The State Russian Museum
- Ж-6218
Портрет В. И. Даля
- Paper, etching.
- The State Russian Museum
- Гр.-43778
Portrait of Mikhail Pogodin
- 1860
- Paper, lithography.
- The State Russian Museum
- Гр.-5595
Портрет М.И. Глинки
- Paper, lithography.
- The State Russian Museum
- Гр.-5598
Портрет князя В. Ф. Одоевского
- 1860s
- Paper, lithography.
- The State Russian Museum
- Гр.-24934
Портрет Д. А. Веневитинова
- Paper, lithography.
- The State Russian Museum
- Гр.-5257
Портрет Н. И. Гнедича
- Paper, lithography.
- The State Russian Museum
- Гр.-5262
Портрет писателя А. Дельвига
- Paper, lithography.
- The State Russian Museum
- Гр.-5270
Портрет писателя князя П. П. Вяземского
- 1873
- Canvas, oil. 72 х 63
- The State Russian Museum
- ЖБ-567
Портрет А. М. Горчакова
- 1880
- Canvas, oil. 71 x 62 (овал)
- The State Russian Museum
- Ж-9788
Портрет К. Н. Батюшкова
- 1883
- Paper, .
- The State Russian Museum
- Гр.-27614
Портрет князя П. П. Вяземского
- 1888
- Canvas, oil. 90 х 64
- The State Russian Museum
- Ж-2552
Александр I
- 1906
- Canvas, oil. 340 х 172
- The State Russian Museum
- ЖБ-964
Портрет А. С. Грибоедова
- 1933
- Paper, .
- The State Russian Museum
- С.Гр.-787
Портрет Адама Мицкевича
- .
- The State Russian Museum
- С.Гр.-7693
"Alexander Pushkin at Nikolai Gogol’s place". A Casket
- Fedoskino, The Moscow Region
- Papier-mâche, , oil, varnish, painting. 8 х 11 х 3
- The State Russian Museum
- ОНИ/Р-5165
In 1910, after the closure of the Lukutin factory, the craftsmen formed the Fedoskino Labour Artel, on the basis of which local art revived in the subsequent time. The contemporary artists of Fedoskino are creating new original compositions, developing the traditional trends that emerged in the Fedoskino miniature of the 19th century. The characteristic laconic structure of the composition, the expressiveness of movement, the simplicity of the drawing, the luminosity of Russian lacquers were absorbed from the age-old folk paintings and the experience of easel works.
Кубок «Подвиг любви»
- 1990–1991
- .
- The State Russian Museum
- Рк-473
View of Palace Embankment from the Peter and Paul Fortress
- 1790s
- Canvas, oil. 72 x 107
- The State Russian Museum
- Ж-3292
This is a repeat version of a painting for which Fyodor Alexeyev was elected to the Imperial Academy of Arts – View of Palace Embankment from the Peter and Paul Fortress (1794, Tret. Gal.). On the left is the Peter and Paul Fortress with the Naryshkin Bastion. The Naryshkin Bastion was renamed the Catherine Bastion after the wife of Peter the Great (1725). The Summer Garden can be seen on the opposite bank of the River Neva. Palace Embankment begins on the right with the Marble Palace and the Betskoi and Saltykov houses.
View of the Peter and Paul Fortress and Palace Embankment
- 1799
- Canvas, oil. 71,5 x 109
- The State Russian Museum
- Ж-5048
This is a repeat version of View of the Peter and Paul Fortress and Palace Embankment (1793, Archangelskoe Mus.). Nikolai Lvov’s Neva Gates and the Commander’s Landing Wharf are depicted in the foreground.
On the opposite bank of the River Neva are part of the Old Admiralty, Winter Palace, Old Hermitage and the Hermitage Theatre (from right to left). The bridge across the Winter Canal can be seen between the Old Hermitage and the theatre. Russian Museum: From Icons to the Modern Times. Palace Editions, St Petersburg, 2015. P. 111.
Вид на Академию художеств и Кадетский корпус
- Canvas, oil.
- The State Russian Museum
- Ж-3155
Портрет императора Александра I (1777–1825)
- 1801–1804
- Bust., bronze. 35 х 12,5 х 11
- The State Russian Museum
- СК-219
Портрет императрицы Елизаветы Алексеевны (1779–1826), жены Александра I
- 1801–1804
- Bust., bronze. 36 х 13 х 9,5
- The State Russian Museum
- СК-223
Михайловский замок в Санкт-Петербурге
- 1800s
- Paper, .
- The State Russian Museum
- Гр.-34771
Большой императорский театр в Петербурге
- Paper, etching with hand colouring.
- The State Russian Museum
- Гр.-30338
Portrait of Count Pavel Stroganov
- 1808
- Canvas, oil. 69 х 56,5
- The State Russian Museum
- Ж-4596
Pavel Stroganov (1772–1817) was count and son of Alexander Stroganov and Yekaterina Petrovna (née Trubetskaya). He traveled a great deal around Russia. He went to Switzerland in order to complete his education and went to Paris in 1789. He took part in events of the French Revolution. He was called back to Russia in 1790. He became a gentleman in waiting in 1798. He was a member of the Private Committee at the beginning of the reign of Alexander I. He was also the assistant of the Minister of the Internal Affairs. He became a senator in 1806. He fought in the Finnish War (1808-1809), the Russo-Turkish War (1806-1812) and the Patriotic War of 1812.
Portrait of Countess Sofia Stroganova
- 1808
- Canvas, oil. 69 х 56
- The State Russian Museum
- Ж-4595
Jean-Laurent Mosnier was a court painter of Louis XVI. He worked in Russia from the middle of 1790s until 1808, where he painted portraits of people of the nobility. As he was an Academician of Painting, he headed the studio of portrait painting from 1806.
Sofia Stroganova (1775–1845) was countess, wife of Pavel Stroganov. She distinguished herself by her beauty, her gentle heart and by her intellectual and wide education. After the death of her husband, as she had management qualities, she administered estates in the Novgorod and Perm provinces. She tried to improve the situation of the serfs by founding several schools, introducing the “Right to Retire” and established a period of time, after which the serfs received their freedom without paying a redemption fee.
Новый железный мост, входящий в перспективу Невского проспекта в Санкт-Петербурге
- etching, , .
- The State Russian Museum
- Гр.-30335
View of the English Embankment from Vasilyevsky Island
- 1810s
- Canvas, oil. 53 х 72,5
- The State Russian Museum
- Ж-5050
Fyodor Alexeyev depicts the corner house on the embankment of Vasilyevsky Island and the English Embankment on the other side of the River Neva. This was possibly the view from the artist’s studio at the Imperial Academy of Arts. Painted at the pinnacle of Alexeyev’s professional career, this small canvas conveys the very atmosphere of the town and port of St Petersburg. Russian Museum: From Icons to the Modern Times. Palace Editions, St Petersburg, 2015. P. 110.
View of the Kazan Cathedral in St Petersburg
- After 1810
- Canvas, oil. 71 х 112,5
- The State Russian Museum
- Ж-5049
The Kazan Cathedral in St Petersburg is one of the most important churches in the Orthodox world. It houses one of the two most venerated duplications of the Our Lady of Kazan icon, the patroness of the imperial house and the protector of the Russian land. The cathedral, built from 1801–1811 from a design by Andrei Voronikhin, was intended to emphasise the political aspirations of the Russian Empire. The majestic colonnade of the cathedral, spreading out toward Nevsky Prospect, is reminiscent of St Peter’s Basilica in Rome. This is the influence of both the romantic interest in Catholicism and the mission of Russia in the greater Christian world. In the solemn rhythm of the forms of the orders of Classical architecture, undoubtedly, there is a kind of heroic sensibility. And it is no wonder that after Napoleon’s expulsion from Russia, Kazan Cathedral became a war memorial, where in 1813 the ashes of Field Marshal Mikhail Kutuzov were laid to rest, and trophies of the Patriotic War of 1812 were housed: flags, banners, and keys to forts and cities.
Fyodor Alexeyev depicts Andrei Voronikhin’s Kazan Cathedral and the original layout of the adjoining square. The wooden obelisk crowned with a cross stood in the centre of the square until 1826. Ivan Martos’s plaster figures of St Gabriel the Archangel and St Michael the Archangel stand at the ends of the colonnade. Pendant statues of Field Marshal Mikhail Kutuzov and Field Marshal Michael Barclay de Tolly were opened outside the Kazan Cathedral in 1837.
The landscapes of Fyodor Alexeyev are created with accurate views of the city, which capture its emotional picturesqueness. In front of the Cathedral of Our Lady Kazan there is an obelisk erected in honour of the sanctification of the building. The painter drew not only the capital’s greatness, but he also depicted its everyday life. The simple street life surrounds the edifice: kiosks and stalls, laundresses washing the clothes in the canal, boats going under the bridge, on which bystanders walk. The figures of people are clustered in an intricate genre.
Вид на Адмиралтейство и Дворцовую набережную от Первого Кадетского корпуса
- Canvas, oil.
- The State Russian Museum
- Ж-3290
Портрет Ф. П. Толстого (Автопортрет?)
- Canvas, oil.
- The State Russian Museum
- Ж-3379
Вид Аничковского дворца с принадлежащим к нему строением
- 1814
- Paper, etching with hand colouring.
- The State Russian Museum
- Гр.-29632
Портрет Г. Р. Державина
- Canvas, oil. 67 х 56
- The State Russian Museum
- Ж-6331
Вид Михайловского замка в Петербурге
- 1815
- Canvas, oil. 66 x 81,5
- The State Russian Museum
- Ж-6352
Портрет А. О. Орловского
- 1815
- Canvas, oil. 70 x 56
- The State Russian Museum
- Ж-4604
Портрет Н. И. Тургенева
- Paper, lithography.
- The State Russian Museum
- Гр.-20850
Екатерина Семенова. Трагическая актриса / Портрет Е. С. Семеновой
- lathe.
- The State Russian Museum
- Гр.-24250
Парад на Дворцовой площади в Петербурге
- 1817
- Canvas, oil. 47,5 x 64,5
- The State Russian Museum
- Ж-6315
Николай Михайлович Карамзин
- 1818–1819
- Paper, .
- The State Russian Museum
- Гр-28284
Портрет Александра Николаевича Муравьева
- Canvas, oil. 69 x 59
- The State Russian Museum
- Ж-12088
Портрет В. А. Жуковского
- 1818
- Paper, .
- The State Russian Museum
- Гр.-25276
Публичная библиотека
- 1818
- Paper, .
- The State Russian Museum
- Гр.-21307
Портрет В. А. Жуковского
- 1820
- Paper, lithography.
- The State Russian Museum
- Гр.-32864
Н. С. Семенова
- 1821
- Paper, .
- The State Russian Museum
- Гр.-24253
Невский проспект от Аничковского моста в сторону Адмиралтейства
- 1822
- Paper, .
- The State Russian Museum
- Гр.-30808
Вид Гостиного двора
- 1823
- Paper, .
- The State Russian Museum
- Гр.-28839
Полицейский мост
- 1823
- Paper, .
- The State Russian Museum
- Гр.- 28838
Фонтанка
- 1820s
- Paper, .
- The State Russian Museum
- Гр.-28857
Н. И. Греч
- 1824
- Paper, lithography.
- The State Russian Museum
- Гр.-28672
Портрет баснописца И. А. Крылова
- 1824
- Paper, pastel. 70 х 53,5
- The State Russian Museum
- Ж-3694
Дворец великого князя Николая
- Paper, .
- The State Russian Museum
- Гр.-35593
Портрет И. А. Крылова
- 1820s
- Paper, lithography.
- The State Russian Museum
- Гр.-28678
Портрет П. А.Вяземского
- 1820s
- Paper, lithography.
- The State Russian Museum
- Гр.-24695
Ф. В. Булгарин
- 1825
- Paper, lithography.
- The State Russian Museum
- Гр.-28670
Михайловский замок
- 1826
- Paper, .
- The State Russian Museum
- Гр.-29412
Портрет графини Н. П. Голицыной
- Canvas, oil. 80 x 65
- The State Russian Museum
- Ж-4615
Зал Большого каменного театра (Каменный театр)
- Paper, .
- The State Russian Museum
- Гр.-21324
Портрет балерины Е. А. Телешевой в роли Зелии из балета «Приключение на охоте»
- 1828
- Paper, lithography.
- The State Russian Museum
- Гр.-30556
Портрет княгини Н. И. Голицыной
- Watercolours.
- The State Russian Museum
- Р-22757
Петропавловская крепость
- Canvas, oil.
- The State Russian Museum
- Ж-6351
Портрет Николая I
- .
- The State Russian Museum
- Ск-1307
Портрет императрицы Александры Федоровны
- Bronze, copper, .
- The State Russian Museum
- Ск-1305
Vincenzo Brioschi. Portrait of the St Petersburg Postal Director Konstantin Bulgakov
- 1830
- Canvas, oil. 85 х 72
- The State Russian Museum
- Ж-3473
Konstantin Yakovlevich Bulgakov (1782–1835) was the younger son of the diplomat Yakov Bulgakov, and in 1797 he was appointed to the College of Foreign Affairs. Under Alexander I he was attached as a supernumerary to the mission to Vienna, and was then put at the disposal of the Commander-in-Chief of the Transdanubian Army, Nikolai Kamensky. He became an actual state councillor in 1814, postal director for Moscow in 1816, and was transferred to the same position in St Petersburg in 1819.
Under his direction communications by stage-coach were set up, as well as a permanent urban postal system in St Petersburg. In 1822 he concluded a postal convention with Prussia and Austria that speeded up the delivery of letters from abroad. He was appointed privy councillor in 1826 and director of the Department of Posts in 1831. He was well known for his generous philanthropic work, his love of literature and art and for organising numerous charitable evenings; he was friends with many figures in the arts and with contemporaries who were collectors (in particular Alexei Tomilov). He was the author of a correspondence that has become a chronicle of Russian life at the start of the 19th century.
Граф М. Ю. Виельгоргский
- Paper, .
- The State Russian Museum
- Гр.-27493
Наталья Николаевна Гончарова, невеста А. С. Пушкина
- Paper, .
- The State Russian Museum
- Гр.-22729
Панорама Невского проспекта. Правая, теневая сторона Невского проспекта
- 1830
- .
- The State Russian Museum
- Гр.-1930
Портрет Е. А. Архаровой
- Canvas, oil. 40 x 32,3
- The State Russian Museum
- Ж-4849
Портрет М. Т. Пашковой с дочерью
- Paper, watercolours, graphite pencil, varnish.
- The State Russian Museum
- Р-22725
Портрет О.-Ю. И. Сенковского
- Paper, watercolours.
- The State Russian Museum
- Р-22698
Портрет графа П. И. Кутайсова
- Watercolours, varnish.
- The State Russian Museum
- Р-205
Портрет графини С. И. Лаваль
- Paper pasted on paper, watercolours, varnish.
- The State Russian Museum
- Р-206
Молебствие и парад по случаю окончания военных действий в Царстве Польском 6 октября 1831 года на Царицыном лугу в Санкт-Петербурге
- 1831
- Canvas, oil. 48 х 71
- The State Russian Museum
- Ж-3604
А. С. Пушкин в кругу знакомых
- Paper, graphite pencil.
- The State Russian Museum
- Р-51621
Портрет А. И. Тургенева
- 1833
- Paper, lithography.
- The State Russian Museum
- Гр.-25357
Титульный лист к альманаху «Новоселье» (Ч.1. СПб, 1833) с виньеткой «Обед у книгоиздателя А. Ф. Смирдина»
- 1833
- .
- The State Russian Museum
- Гр.-21414
Портрет Е. П. Бакуниной
- Watercolours, graphite pencil.
- The State Russian Museum
- Р-13095
Портрет Ивана Андреевича Крылова (1768—1844)
- Canvas, paper.
- The State Russian Museum
- Ж-5250
Портрет графини Н. В. Строгановой
- Watercolours, varnish.
- The State Russian Museum
- Р-210
Neva Embankment at the Imperial Academy of Arts View of the Landing Wharf with Egyptian Sphinxes by Day
- 1835
- Canvas, oil. 75 x 111
- The State Russian Museum
- Ж-5122
Much of Maxim Vorobyov’s oeuvre addresses the solemnity and majesty of St Petersburg. This particular work depicts the descent to the River Neva next to the Imperial Academy of Arts — Konstantin Ton’s New Academy Landing Wharf (1832–34). The mooring point is adorned with two sculptures of Egyptian sphinxes allegedly portraying the head of Pharaoh Amenhotep III (13th century BC). Russian Museum: From Icons to the Modern Times. Palace Editions, St Petersburg, 2015. P. 116.
Панорама Невского проспекта. Левая, солнечная сторона Невского проспекта
- 1835
- .
- The State Russian Museum
- Гр.-1929
Портрет А. А. Андро де Ланжерон
- 1835
- Wood, oil. 16 х 12,3
- The State Russian Museum
- Ж-3814
Портрет Е. И. Лужиной
- Watercolours, varnish.
- The State Russian Museum
- Р-22723
Бал у княгини М. Ф. Барятинской
- Paper, watercolours. 16 х 18,4
- The State Russian Museum
- Р-633
Parade Celebrating the End of Millitary Action in the Kingdom of Poland on Tsaritsa Meadow in St Petersburg on 6 October 1831
- 1837
- Canvas, oil. 212 х 345
- The State Russian Museum
- Ж-6350
The parade took place one month after the capture of Warsaw. The painting depicts the panorama of Tsaritsa Meadow (today the Fields of Mars): the Summer Garden, the Engineers Castle, the Mikhailovsky Garden and the Rossi Pavilion, the Michailovsky Palace and the Barracks of the Pavlovsky Regiment. Alongside the barracks, two regiments are formed: a regiment of cavalry along the Palace and a regiment of artillery along the Summer Garden. Nikolai I, followed by his suite, rides to the Empress carriage from the place of moleben. Among the crowd of spectators, one can find Alexander Pushkin, Vasily Zhukovsky, Ivan Krylov, Karl Brullov and Alexei Olenin alongside with other musicians, diplomats, scientists and merchants. The artist supplemented the painting by an outline drawing of 223 figures and the list of depicted characters.
Портрет А. Н. Оленина
- 1838
- Paper, .
- The State Russian Museum
- Гр.-28293
Групповой портрет: К. П. Брюллов, Я. Ф. Яненко, М. И. Глинка, Н. В. Кукольник и И. П. (?) Поливанов
- Paper, watercolours.
- The State Russian Museum
- Р-2903
Парад на Дворцовой площади
- Canvas, oil.
- The State Russian Museum
- Ж-6344
Александр I в Александро-Невской Лавре
- Canvas, oil. 52 х 39,5
- The State Russian Museum
- Ж-10509
Дом Голландской церкви на Невском проспекте
- Paper, lithography.
- The State Russian Museum
- Гр.-34761
Портрет Н. В. Гоголя
- Canvas, oil.
- The State Russian Museum
- Ж-3476
Вид на Инженерный замок
- Canvas, oil.
- The State Russian Museum
- Ж-3628
St Isaac’s Cathedral and the Bronze Horseman
- 1844
- Canvas, oil. 102 х 131
- The State Russian Museum
- Ж-3593
Auguste Montferrand’s St Isaac’s Cathedral (1818–1858) took several decades to build and was the most important event in the life of St Petersburg. The painting is dated 1844, when construction of St Isaac’s Cathedral was well under way. Like other artists, however, Vorobyov painted the monument while it was being built as if it were complete. St Isaac’s Cathedral was consecrated in the presence of Tsar Alexander II on 30 May 1858 and became the cathedral church of the Russian capital. The ensemble of Senatskaya Square, which has survived to the present day, took shape in the 1840s, when the Admiralty Canal was interred in pipe and filled with water.
Портрет композитора М. И. Глинки (1804–1857)
- 1844
- Bust., . 51 х 32 х 23
- The State Russian Museum
- СК-1829
Портрет М.И. Глинки
- Paper, lithography.
- The State Russian Museum
- Гр.-5598
Портрет князя В. Ф. Одоевского
- 1860s
- Paper, lithography.
- The State Russian Museum
- Гр.-24934
Портрет Н. И. Гнедича
- Paper, lithography.
- The State Russian Museum
- Гр.-5262
View of the Bronze Horseman on Senate Square in St Petersburg
- 1870
- Canvas, oil. 52 x 71
- The State Russian Museum
- Ж-4241
Портрет А. М. Горчакова
- 1880
- Canvas, oil. 71 x 62 (овал)
- The State Russian Museum
- Ж-9788
Портрет К. Н. Батюшкова
- 1883
- Paper, .
- The State Russian Museum
- Гр.-27614
Александр I
- 1906
- Canvas, oil. 340 х 172
- The State Russian Museum
- ЖБ-964
Пластина «Воспоминание о Петербурге»
- 1984
- Papier-mâche, tempera, gold, varnish, . 16,2 х 33,5 х 1,2
- The State Russian Museum
- ОНИ/Р-4579
Медаль в память 150-летия со дня смерти А. С. Пушкина
- .
- The State Russian Museum
- Мед.А-19309
Портрет Н. И. Тургенева
- Paper, lithography.
- The State Russian Museum
- Гр.-20850
Николай Михайлович Карамзин
- 1818–1819
- Paper, .
- The State Russian Museum
- Гр-28284
Портрет В. А. Жуковского
- 1818
- Paper, .
- The State Russian Museum
- Гр.-25276
Портрет В. А. Жуковского
- 1820
- Paper, lithography.
- The State Russian Museum
- Гр.-32864
Портрет А. С. Пушкина в юности
- 1822
- Paper, .
- The State Russian Museum
- Гр.-21505
Портрет В. Л. Пушкина
- Paper, lithography.
- The State Russian Museum
- Гр.-32964
Портрет П. А.Вяземского
- 1820s
- Paper, lithography.
- The State Russian Museum
- Гр.-24695
Портрет А. И. Тургенева
- 1833
- Paper, lithography.
- The State Russian Museum
- Гр.-25357
Титульный лист к альманаху «Новоселье» (Ч.1. СПб, 1833) с виньеткой «Обед у книгоиздателя А. Ф. Смирдина»
- 1833
- .
- The State Russian Museum
- Гр.-21414
Портрет К. Н. Батюшкова
- 1883
- Paper, .
- The State Russian Museum
- Гр.-27614
View onto the Moskvoretsk Bridge and the Kremlin
- Canvas, oil.
- The State Russian Museum
- Ж-4679
View onto Moscow from the Balcony of the Kremlin Palace in the Direction of the Moskvoretsky Bridge
- Canvas, oil.
- The State Russian Museum
- Ж-4681
This work depicts the view onto Moscow from the highest point of the Kremlin Hill. The white wall and towers of the ancient citadel are depicted in close-up. The Kremlin cathedrals can be seen on the left. Although the architectural ensemble of the Kremlin was already in place by the 1330s, it was rebuilt on a number of occasions, following fires and wars. The blocks of white stone at the wall on the right show that reconstruction of the Kremlin Hill continued even in the late eighteenth century. The building in the background is the Foundling Hospital, opened by Catherine the Great under the influence of the humanitarian ideas of the Enlightenment.
Moscow. View of the Resurrection Gate. (View of the Resurrection Gate of Kitay-Gorod)
- Paper, watercolours.
- The State Russian Museum
- Р-1462
Москва. Вид от Троицких ворот на Кутафью башню и дом Пашкова
- Paper, gouache. 44 x 60,9
- The State Russian Museum
- Р-1459
Площадь в Московском Кремле
- Canvas, oil.
- The State Russian Museum
- Ж-6289
View of Ice Slopes in Moscow during ShroveWeek
- After the original by De la Barthe Gerard Ice Slopes in Moscow on Neglinnaya Street during ShroveWeek
- early 1800s
- Paper, etching, aquatint with hand colouring.
- The State Russian Museum
- Гр-31615
View of Mokhovaya Street and the Pashkov House in Moscow
- After the original by De la Barthe Gerard View of Mokhovaya Street and the Pashkov House in Moscow
- early 1800s
- Paper, etching, aquatint with hand colouring.
- The State Russian Museum
- Гр-31605
View of the Moscow Kremlin from the Stone Bridge
- 1800-1810
- Canvas, oil. 63 х 103
- The State Russian Museum
- Ж-3291
In 1800, with funds from the Imperial Cabinet, the artist Fyodor Alexeyev began work on a series of views of Moscow. This painting shows us one of the most entrancing panoramas that travellers would see when visiting the city. The majestic Kremlin, the massive stone bridge and the many old palaces and chambers squeezing in along the embankment were all a reminder of the time of the Kingdom of Muscovy. During Napoleon’s invasion of Russia in 1812 Moscow, which was occupied by the French, suffered an immense fire that caused irreparable damage to the city’s appearance. The picture is thus a historical document that allows us to get a visual impression of the ancient capital of Russia.
Вид Тифлиса
- Canvas, oil.
- The State Russian Museum
- Ж-5499
A View at the Foot of the Ayu-Dug
- 1836
- Canvas, oil. 87 х 127
- The State Russian Museum
- Ж-5500
Провеивание зерна на Северном Кавказе (Дагестан?)
- 1840s
- Canvas, oil. 54,5 х 64,5
- The State Russian Museum
- Ж-3531
Царское Село. Екатерининский дворец и лицей
- .
- The State Russian Museum
- Гр.-10715
Крым. Бахчисарай. Лунная ночь
- 1880s
- Canvas, oil. 27 х 37
- The State Russian Museum
- Ж-10714
Статуя «Девушка, разбившая кувшин» в Царскосельском парке
- Paper, pastel. 35,3 х 48,5
- The State Russian Museum
- ЖБ-273
Alexander Pushkin at the Top of Ai-Petri at Sunrise
- 1899
- Canvas, oil. 135 х 250
- The State Russian Museum
- Ж-11746
Чесменская колонна в Царском Селе
- 1914
- Paper, pastel. 41,5 х 23
- The State Russian Museum
- ЖБ-195
Городище. Вал времен Иоанна Грозного. Тригорское. Пушкинский заповедник
- 1924
- Paper, graphite pencil.
- The State Russian Museum
- РС-2074
Село Михайловское, река Сороть и озеро Kучане с площадки дома Пушкина
- 1924
- Paper, graphite pencil.
- The State Russian Museum
- РС-2047
Село Михайловское. Въездная аллея в усадьбу
- 1924
- Paper, graphite pencil.
- The State Russian Museum
- РС-2049
Село Михайловское. Руины дома Пушкина и дома няни со стороны спуска
- 1924
- Paper, graphite pencil.
- The State Russian Museum
- РС-2050
Село Михайловское. Сени домика няни
- 1924
- Paper, graphite pencil.
- The State Russian Museum
- РС-2057
Тригорское. Усадьба Вульфа. Пушкинский заповедник
- 1924
- Paper, graphite pencil.
- The State Russian Museum
- РС-2072
У стен Святогорского монастыря и дорога в село Михайловское
- 1924
- Paper, graphite pencil.
- The State Russian Museum
- РС-2063
Городище и Тригорский парк. Тригорское - Пушкинский заповедник
- 1929
- Paper, graphite pencil.
- The State Russian Museum
- РС-2071
Дорога из Петровского в село Михайловское
- 1929
- Paper, graphite pencil.
- The State Russian Museum
- РС-2048
Тригорское. «Диван Онегина». Пушкинский заповедник
- 1929
- Paper, graphite pencil.
- The State Russian Museum
- РС-2070
Лицей
- 1933
- Paper, .
- The State Russian Museum
- С.Гр.-801
Пушкинский заповедник. Аллея в Михайловском
- 1934
- Paper, , .
- The State Russian Museum
- С.Гр.-2571
Пушкинские места. Пруд в Тригорском
- 1935
- Paper, tempera. 30,5 x 42
- The State Russian Museum
- РС-12975
Вид на Тригорское
- 1936
- Paper, .
- The State Russian Museum
- С.Гр.-4706
С. Михайловское. Аллея Керн
- 1936
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4838
С. Михайловское. Домик няни
- 1936
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4833
С. Михайловское. Р. Сороть
- 1936
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4846
С. Михайловское. Р. Сороть и лесистый холм
- 1936
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4830
С. Михайловское. Руины дома Пушкина и домик няни
- 1936-1937
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4828
Село Михайловское. Озеро Малец - Усадьба поэта
- 1936
- Paper, .
- The State Russian Museum
- С.Гр.-1631
Тригорское. «Диван Онегина»
- 1936-1937
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4852
Тригорское. Вид с «Городища» на усадьбу Вульфа
- 1936-1937
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4849
Тригорское. Вид с «Городища» на усадьбу Вульфа
- 1936-1937
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4848
Тригорское. Дуб современный Пушкину
- 1936
- Paper, .
- The State Russian Museum
- С.Гр.-4707
С. Михайловское. Аллея в усадьбу
- 1937
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4834
Памятник А. С. Пушкину
- 1945
- Cardboard, oil. 32,9 x 23,8
- The State Russian Museum
- Ж-1762
Царскосельский лицей
- 1948
- Paper, .
- The State Russian Museum
- С.Гр.-6445
Пушкинский заповедник. Михайловское. Савкина гора
- 1949
- Paper, .
- The State Russian Museum
- С.Гр.-6375
Пушкинский заповедник. Тригорское. Воронич
- 1949-1950
- Paper, lithography.
- The State Russian Museum
- С.Гр.-17896
Пушкинский заповедник. Тригорское. Воронич
- 1949
- Paper, .
- The State Russian Museum
- С.Гр.-17893
Пушкинский заповедник. Михайловское
- 1950
- Paper, .
- The State Russian Museum
- С.Гр.-17904
Медаль в честь А. С. Пушкина с изображением могилы поэта
- .
- The State Russian Museum
- Мед.А-4004
Встреча в Петровском
- 1970
- Canvas, oil. 100 x 100
- The State Russian Museum
- Ж-10764
Осенние дожди
- 1973
- Canvas mounted on cardboard, oil. 50 x 70
- The State Russian Museum
- Ж-9429
Тригорское. Скамья Онегина
- 1973
- Canvas mounted on cardboard, oil. 47,5 x 70
- The State Russian Museum
- Ж-9424
Пушкин. Лицей
- 1985
- Paper, , watercolours.
- The State Russian Museum
- С.Гр.-18676
Михайловское. Остров Уединения
- 1987
- Paper, , etching.
- The State Russian Museum
- С.Гр.-17279
Portrait of Alexander Stroganov
- Canvas, oil.
- The State Russian Museum
- Ж-4594
Count Alexander Stroganov (1794-1814) was the only son of Sofia and Pavel Stroganovs. He went to the army in the field with his father during the Patriotic War of 1812. He was tragically killed during the Battle of Craonne in France (A shot from a cannon decapitated him).
Portrait of Count Pavel Stroganov
- 1808
- Canvas, oil. 69 х 56,5
- The State Russian Museum
- Ж-4596
Pavel Stroganov (1772–1817) was count and son of Alexander Stroganov and Yekaterina Petrovna (née Trubetskaya). He traveled a great deal around Russia. He went to Switzerland in order to complete his education and went to Paris in 1789. He took part in events of the French Revolution. He was called back to Russia in 1790. He became a gentleman in waiting in 1798. He was a member of the Private Committee at the beginning of the reign of Alexander I. He was also the assistant of the Minister of the Internal Affairs. He became a senator in 1806. He fought in the Finnish War (1808-1809), the Russo-Turkish War (1806-1812) and the Patriotic War of 1812.
Портрет В. Л. Кочубея
- Canvas, oil. 90,5 x 72
- The State Russian Museum
- ЖБ-533
Портрет Г. Р. Державина
- Canvas, oil. 67 х 56
- The State Russian Museum
- Ж-6331
Портрет А. О. Орловского
- 1815
- Canvas, oil. 70 x 56
- The State Russian Museum
- Ж-4604
Портрет графини Н. В. Строгановой
- Watercolours, varnish.
- The State Russian Museum
- Р-210
A View at the Foot of the Ayu-Dug
- 1836
- Canvas, oil. 87 х 127
- The State Russian Museum
- Ж-5500
Бахчисарайский фонтан
- 1838 (?)
- Paper, nib, graphite pencil. 13,5 x 10,2
- The State Russian Museum
- Р-2242
Александр I в Александро-Невской Лавре
- Canvas, oil. 52 х 39,5
- The State Russian Museum
- Ж-10509
Портрет молодого человека
- 1841
- Canvas, oil. 71,5 х 58
- The State Russian Museum
- Ж-3710
Вид на Инженерный замок
- Canvas, oil.
- The State Russian Museum
- Ж-3628
Татьяна
- 1840s
- Canvas, oil. 113 х 85,5
- The State Russian Museum
- Ж-3495
Зарема
- 1850
- Canvas, oil. 86 x 71
- The State Russian Museum
- Ж-6291
Крым. Бахчисарай. Лунная ночь
- 1880s
- Canvas, oil. 27 х 37
- The State Russian Museum
- Ж-10714
Руслан и Голова
- oilcloth, oil, bronze paint. 19 x 34,5
- The State Russian Museum
- ЖБ-102
The Bronze Horseman
- 1912
- Canvas, oil. 425 х 286
- The State Russian Museum
- Ж-5802
Chernomore’s Garden
- 1913
- Paper, watercolours, gouache, graphite pencil.
- The State Russian Museum
- Р-53022
Mikhail Glinka’s opera Ruslan and Lyudmila was staged at the Mariinsky and Bolshoi Theatres with sets by Konstantin Korovin and Alexander Golovin. On the wide new stage of the People’s House (now the Music Hall, St Petersburg), however, the opera was successfully staged with sets and costumes by Ivan Bilibin. The inevitable comparison of Bilibin’s interpretation of Chernomore’s Garden with that of Alexander Golovin (or an even earlier one by Sergei Malyutin) reveals just how strongly Bilibin’s experience as a book illustrator was reflected in his theatrical designs. This can be seen in the graphic nature of this watercolour painting and the conscientious following of the text of Pushkin’s poem.
«В опасный путь средь бурных вод его пустились генералы...»
- 1916
- Paper, ink, white pigment, graphite pencil. 28,7 x 38,2
- The State Russian Museum
- Р-2574
«Евгений стремглав, не помня ничего... бежит»
- 1916
- Paper, ink, brush, white pigment, graphite pencil. 22,7 x 33,8
- The State Russian Museum
- Р-2578
«И наконец, остервенясь, на город кинулась...»
- 1916
- Paper, ink, brush, graphite pencil. 32,1 x 48,5
- The State Russian Museum
- Р-5102
«И озарен луною бледной, простерши руку в вышине, за ним несется Всадник Медный на звонко-скачущем коне»
- 1916
- Paper, ink, brush, white pigment, , graphite pencil. 27,1 x 50,1
- The State Russian Museum
- Р-5106
«Люблю воинственную живость...»
- 1916
- Paper, ink, white pigment, graphite pencil. 23,8 x 39,2
- The State Russian Museum
- Р-2572
«На балкон, печален, смутен, вышел он»
- 1916
- Paper, ink, brush, white pigment, graphite pencil. 23,5 x 36,3
- The State Russian Museum
- Р-2575
«Над омраченным Петроградом дышал ноябрь осенним хладом»
- 1916–1918
- Paper, ink, brush, white pigment, graphite pencil. 25,3 x 32,6
- The State Russian Museum
- Р-2573
“On the Shore of Empty Waves…”
- 1916
- Paper, ink, brush, italian pencil. 32,4 x 60,4
- The State Russian Museum
- Р-5100
«Он очутился под столбами большого дома»
- 1918
- Paper, ink, graphite pencil. 24,5 x 34,4
- The State Russian Museum
- Р-5104
Иллюстрация к поэме А. С. Пушкина «Русалка»
- 1922
- Paper, .
- The State Russian Museum
- С.Гр.-9337
Иллюстрация к поэме А. С. Пушкина «Русалка»
- 1922
- Paper, .
- The State Russian Museum
- С.Гр.-9336
Иллюстрация к поэме А. С. Пушкина «Домик в Коломне»
- 1922–1925
- Paper, .
- The State Russian Museum
- С.Гр.-4485
Иллюстрация к поэме А. С. Пушкина «Домик в Коломне»
- 1922–1925
- Paper, .
- The State Russian Museum
- С.Гр.-4483
Серия фигур-иллюстраций к поэме А. С. Пушкина «Бахчисарайский фонтан»
- Porcelain, painting over glaze, gilding.
- The State Russian Museum
- СФ-107, СФ-108, СФ-109
Фигура «Гирей»
- Porcelain, painting over glaze, gilding.
- The State Russian Museum
- СФ-107
Фигура «Зарема»
- Porcelain, painting over glaze, gilding.
- The State Russian Museum
- СФ-108
Фигура «Мария»
- Porcelain, painting over glaze, gilding.
- The State Russian Museum
- СФ-109
Портрет В. Л. Кочубея
- Bone, watercolours, gouache.
- The State Russian Museum
- Ж-834
Онегин и Татьяна в саду
- 1929
- Paper, ink.
- The State Russian Museum
- РС-89
Чашка с блюдцем «Зарема»
- Porcelain, painting over glaze, gilding, , .
- The State Russian Museum
- СФ-1195 а,б
Шкатулка «Бахчисарайский фонтан»
- 1930
- Papier-mâche, tempera, varnish, .
- The State Russian Museum
- ОНИ/Р-1770
Декоративная тарелка «Зарема»
- Porcelain, painting over glaze, gilding, .
- The State Russian Museum
- СФ-1197
Онегин и Ленский
- 1930s
- Wood, carving. 22 х 18,7 х 13
- The State Russian Museum
- ОНИ/Д-3385
«И проклиная свой ночлег и своенравную красотку…»
- 1936
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4021
«Старый муж, грозный муж…»
- 1936
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4030
«Живая голова»
- 1939
- Paper, tempera, ink. 38,4 х 22,4
- The State Russian Museum
- ОНИ/Р-1842
Онегин дома
- 1939
- Watercolours, , white pigment.
- The State Russian Museum
- РС-23643
Татьяна
- 1939
- Watercolours, white pigment. 20,1 x 22,2
- The State Russian Museum
- РС-23642
Татьяна у окна
- 1939
- Watercolours, white pigment. 20,8 x 23,7
- The State Russian Museum
- РС-23641
Иллюстрации к поэме А. С. Пушкина «Медный всадник»
- 1942
- Paper, ink. 22,8 x 19,8
- The State Russian Museum
- РС-13473
Иллюстрации к поэме А. С. Пушкина «Медный всадник»
- 1942
- Paper, ink. 23 x 19,8
- The State Russian Museum
- РС-13472
Ширма «Руслан и Людмила»
- 1960
- . 142 х 220 х 4
- The State Russian Museum
- ОНИ/Р-2308
Портсигар «Бахчисарайский фонтан»
- 1962
- Papier-mâche, tempera, varnish, . 12 х 10 х 26
- The State Russian Museum
- ОНИ/Р-2361
Пласт «У лукоморья дуб зеленый»
- Porcelain, painting over glaze, gilding, .
- The State Russian Museum
- СФ-2559
Пласт «Руслан и Людмила. У Лукоморья дуб зеленый»
- Porcelain, , painting over glaze, gilding.
- The State Russian Museum
- СФ-2793
Тригорское. Скамья Онегина
- 1973
- Canvas mounted on cardboard, oil. 47,5 x 70
- The State Russian Museum
- Ж-9424
Портрет графини Н. П. Голицыной
- Canvas, oil. 80 x 65
- The State Russian Museum
- Ж-4615
Portrait of Alexei Yermolov
- 1843
- Canvas, oil.
- The State Russian Museum
- Ж-3762
Alexei Petrovich Yermolov (1777–1861) was the son of state councillor Pyotr Yermolov and Maria Denisovna, née Davydova. He was enrolled in the Preobrazhensky Life Guards Regiment as a child. He was educated at home.
Under the reign of Paul I he lived in exile. He took part in the military campaign of 1805-1807. In 1806 he was made a colonel, in 1808 — major general, in 1810 — Commander of an Artillery Guards Brigade, then — Commander of the Infantry Guards Division of the Lithuanian Regiment. In 1812–1814, during the Patriotic War, he was head of the staff of the 1st Army. He excelled at the Battle of Borodino. In 1816 he was named Commander-in-Chief in Georgia where military action was then taking place. Lines of fortification were built from Grozny to Yekaterinodar (now Krasnodar). Yermolov did a great deal for the Caucasus, promoting the development of trade, industry and education. Relying on military and administrative methods, he appeased many Caucasian tribes and annexed Abkhazia and the Khanates of Shirvan and Karabakh. In 1818 he was made general of Infantry. In 1827 he retired. Member of the State Council. In March 1839 “he went on holiday for medical treatment”. Living in Moscow, he was made head of the Moscow militia in 1855. He appears here in general’s uniform of the Horse Artillery Army with Orders of St Andrew the First-Called (star), St George of the 2nd class (cross on the neck and star), St Vladimir of the 1st class (star), the Kulm Cross (Prussia), Military Order of Maria Theresa (Austria). In his buttonhole are the medals “In memory of the Patriotic War of 1812” (silver, on the ribbon of St Andrew) and “For the taking of Paris”.
Штурм Пугачевым Казани
- 1847
- Canvas, oil. 58,3 х 71,4
- The State Russian Museum
- Ж-12130
Барин-англоман
- Paper, watercolours, gouache, ink, graphite pencil.
- The State Russian Museum
- Р-38355
Герман
- Paper, watercolours, ink, nib, white pigment, graphite pencil.
- The State Russian Museum
- Р-38357
Дети
- Paper, watercolours, ink, nib, white pigment, .
- The State Russian Museum
- Р-38340
Дети
- Paper, watercolours, ink, nib, graphite pencil, fabric.
- The State Russian Museum
- Р-38346
Елецкий
- Paper, ink, nib, watercolours, graphite pencil.
- The State Russian Museum
- Р-38343
Кавалергард
- Paper, watercolours, ink, nib, silver paint, white pigment, graphite pencil.
- The State Russian Museum
- Р-38347
Летний сад
- Paper, gouache, graphite pencil.
- The State Russian Museum
- Р-60248
Няньки
- Paper, watercolours, ink, nib, graphite pencil.
- The State Russian Museum
- Р-38336
Подруга Лизы
- Paper, watercolours, white pigment, ink, graphite pencil.
- The State Russian Museum
- Р-38334
Акулина и Алексей в лесу.
- 1929
- Paper, ink.
- The State Russian Museum
- РС-92
После венчания
- 1929
- Paper, ink.
- The State Russian Museum
- РС-96
"Dubrovsky. A casket
- Mstera, Vladimir region
- Papier-mâche, tempera, varnish, painting. 6,5 x 19,5 x 12,5
- The State Russian Museum
- ОНИ/Р-1669
Since the 14th century the Epiphany Sloboda of Mstera, Vyaznikovsky district in the Vladimir region had been ne of many Russian centres of icon painting. Mstera icon painters, who knew many old styles of icon painting were famous throughout the country. They followed the masters of the Stroganov school of icon painting which characterised by the miniature scenes and many details. At the beginning of the 20th century icon paining faced a crisis because of the invention of chromolithography. The icon painters couldn’t meet the competition with the mechanised production of printed icons. Mstera icon painters were eager to find a new path in art after 1917. They tried themselves in the wall rugs’ oil painting on the canvas, wooden objects. In 1931 the masters turned to the lacquer miniature on papier-mache. The founders of a new art in the Mstera were hereditary icon painters A. Bryagin, A. Kotyagin, N. Klykov and I. Morozov.
One of the Klykov’s works is the casket "Dubrovsky". The subject of the painting is based on the story of the great Russian writer Alexander Pushkin. In contrast to the images of Palekh artists, the characters of Klykov are real people acting in a specific situation. But there is a degree of conventionality and generalisation that is essential in the lacquered miniature. There is a great role of coloring, built on the combinations of plane and pure colors, with the help of which Klykov "models" the characters’ figures, emphasizing their volume with glare and not with a chiaroscuro.
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1940
- Paper, .
- The State Russian Museum
- С.Гр.-8042
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1940
- Paper, .
- The State Russian Museum
- С.Гр.-8039
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1940
- Paper, .
- The State Russian Museum
- С.Гр.-8041
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1940
- Paper, .
- The State Russian Museum
- С.Гр.-8040
Герман и Лиза
- 1946
- Paper, . 29,6 x 22
- The State Russian Museum
- РС-1888
Герман у графини
- 1946
- Paper, . 28 x 22
- The State Russian Museum
- РС-1887
Герман у дома графини
- 1951– 1952
- Paper, watercolours, white pigment.
- The State Russian Museum
- РС-4123
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1966
- Paper, .
- The State Russian Museum
- С.Гр.-10980
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1966
- Paper, .
- The State Russian Museum
- С.Гр.-10974
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1966
- Paper, .
- The State Russian Museum
- С.Гр.-10978
Застолье после взятия крепости
- 1974
- Paper, сharcoal , .
- The State Russian Museum
- РС-25017
Пугачев и его войско
- 1974
- Paper, .
- The State Russian Museum
- РС-25018
Черкес
- 1807
- Paper, pastel. 52 x 38,5
- The State Russian Museum
- Ж-3398
Портрет В. А. Жуковского
- gouache. 9,1 x 8,1
- The State Russian Museum
- Ж-288
Портрет М. И. Голенищева-Кутузова
- 1810–1820s
- Paper, oil. 22,5 x 19
- The State Russian Museum
- Ж-192
Н. С. Семенова
- 1821
- Paper, .
- The State Russian Museum
- Гр.-24253
Петропавловская крепость
- Canvas, oil.
- The State Russian Museum
- Ж-6351
Портрет Е. П. Бакуниной
- Watercolours, graphite pencil.
- The State Russian Museum
- Р-13095
Портрет графини Н. В. Строгановой
- Watercolours, varnish.
- The State Russian Museum
- Р-210
Neva Embankment at the Imperial Academy of Arts View of the Landing Wharf with Egyptian Sphinxes by Day
- 1835
- Canvas, oil. 75 x 111
- The State Russian Museum
- Ж-5122
Much of Maxim Vorobyov’s oeuvre addresses the solemnity and majesty of St Petersburg. This particular work depicts the descent to the River Neva next to the Imperial Academy of Arts — Konstantin Ton’s New Academy Landing Wharf (1832–34). The mooring point is adorned with two sculptures of Egyptian sphinxes allegedly portraying the head of Pharaoh Amenhotep III (13th century BC). Russian Museum: From Icons to the Modern Times. Palace Editions, St Petersburg, 2015. P. 116.
Портрет А. А. Андро де Ланжерон
- 1835
- Wood, oil. 16 х 12,3
- The State Russian Museum
- Ж-3814
Портрет молодой грузинки
- 1830s
- Canvas, oil. 81 х 67,5
- The State Russian Museum
- Ж-3526
Портрет графа А. Ф. Орлова
- Canvas, oil. 75,5 x 62
- The State Russian Museum
- Ж-6218
Портрет писателя князя П. П. Вяземского
- 1873
- Canvas, oil. 72 х 63
- The State Russian Museum
- ЖБ-567
Портрет А. М. Горчакова
- 1880
- Canvas, oil. 71 x 62 (овал)
- The State Russian Museum
- Ж-9788
Статуя «Девушка, разбившая кувшин» в Царскосельском парке
- Paper, pastel. 35,3 х 48,5
- The State Russian Museum
- ЖБ-273
Six-Winged Seraph
- 1904
- Canvas, oil. 131 x 155
- The State Russian Museum
- Ж-1838
Six-Winged Seraph is linked to the theme of the prophetic mission of the artist, one that greatly occupied Symbolists of various lands and times. From the 1890s onwards, inspired by Alexander Pushkin’s poem The Prophet, Mikhail Vrubel dedicated a series of compositions in painting and graphic art to this theme. The artist seems to paint an inner vision of a «fire-like» messenger of God, an angel with a fiery gaze, the patron and merciless judge of the artist-prophet, reminding artists of their sublime mission and calling them «to burn people’s hearts with a word» and awaken their souls «from the trifles of everyday life with majestic images.» Vrubel’s inner experiences of the time when he was working on Fallen Demon are reflected in the painting’s sublime construction and its assiduity of feeling. The startling tones conjure up associations with the Byzantine mosaics in Venice and Ravenna seen by the artist in his youth. Russian Museum: From Icons to the Modern Times. Palace Editions, St Petersburg, 2015. P. 239.
Чесменская колонна в Царском Селе
- 1914
- Paper, pastel. 41,5 х 23
- The State Russian Museum
- ЖБ-195
Косынка «Евгений Онегин»
- 1930s
- . 157 х 95
- The State Russian Museum
- ТК-1610
Пластина «У лукоморья»
- 1939
- Tempera, gold, varnish, . 7,5 х 10 х 0,1
- The State Russian Museum
- ОНИ/Р-3920
Шкатулка «Тройка»
- 1943
- Papier-mâche, tempera, gold, varnish, . 10 х 17 х 4,5
- The State Russian Museum
- ОНИ/Р-4635
Бисерница «Тройка»
- 1954
- Papier-mâche, tempera, gold, varnish, . 4,3 х 6 х 3,5
- The State Russian Museum
- ОНИ/Р-2037
Скребницей чистил он коня
- 1959
- . 17,7 х 19 х 11,5
- The State Russian Museum
- ОНИ/Д-2988
The Swan Princess
- 1900
- Wood, oil. 23 x 18,9
- The State Russian Museum
- Ж-1836
The Swan Princess
- 1900
- Wood, oil. 23 x 19,5
- The State Russian Museum
- Ж-1828
Thirty-Three Bogatyrs
- Unfinished
- 1901
- Canvas, oil. 180,5 x 230
- The State Russian Museum
- Ж-1832
У царских врат
- 1901
- Cardboard, tempera. 37,5 х 28
- The State Russian Museum
- Ж-2025
«Во все время разговора он стоял позадь забора…»
- 1905
- Paper, watercolours, ink.
- The State Russian Museum
- Р-57753
Пир у князя Гвидона
- 1905
- Paper, watercolours, ink, nib. 36,2 x 41,5
- The State Russian Museum
- Р-48964
Титульный лист
- 1905
- Paper, watercolours, bronze, ink. 28,4 х 34,6
- The State Russian Museum
- Р-53026
Тридцать три богатыря
- 1905
- Paper, watercolours.
- The State Russian Museum
- Р-2127
Царевна Лебедь. Концовка
- 1905
- Paper, watercolours, ink, gold. 16,5 х 23,2
- The State Russian Museum
- Р-8643
„И, дивясь, перед собой видит город он большой…“
- 1905
- Paper, watercolours, ink.
- The State Russian Museum
- Р-2132
Иллюстрация к сказке А. С. Пушкина "Сказка о рыбаке и рыбке"
- 1908
- Cardboard, watercolours, ink. 30 x 37,8
- The State Russian Museum
- Р-2134
Палата царского дворца в Тмутаракани
- 1912
- Cardboard, tempera, oil, gouache, bronze. 47,6 х 78
- The State Russian Museum
- Ж-2028
Игрушка елочная «Рыбка»
- 1910s
- Wood, carving, painting. 5,3 х 10,2 х 4,2
- The State Russian Museum
- ОНИ/Д-443
Игрушка-укладка «Боярыня»
- 1910s
- Wood, , painting, carving.
- The State Russian Museum
- ОНИ/Д-456
Кегля «Витязь»
- 1910s
- Wood, , , painting. 25 х 8 х 8
- The State Russian Museum
- ОНИ/Д-447
Спичечница «Баба»
- 1910s
- Wood, , painting, carving.
- The State Russian Museum
- ОНИ/Д-455
Руслан и голова. Иллюстрация к сказке А. С. Пушкина "Руслан и Людмила"
- 1917
- paper mounted on cardboard, ink, nib.
- The State Russian Museum
- РС-4022
Шкатулка «У Лукоморья»
- 1927
- Papier-mâche, tempera, gold, varnish, . 9,5 х 28 х 7,5
- The State Russian Museum
- ОНИ/Р-1772
Группа «Кумушки». Персонажи сказки А. С. Пушкина «Сказка о царе Салтане»: Ткачиха, Повариха и сватья баба Бабариха
- Porcelain, painting over glaze.
- The State Russian Museum
- СФ-843
Рыбак с неводом
- 1936
- Wood, carving. 15,5 х 6 х 3,5
- The State Russian Museum
- ОНИ/Д-3411
Эскиз росписи «У Лукоморья»
- 1936
- Paper, watercolours. 46 х 77,5
- The State Russian Museum
- ОНИ/Р-1820
Эскиз заглавного листа для мультфильма «Сказка о рыбаке и рыбке»
- 1937
- Paper, tempera, ink. 27 х 28
- The State Russian Museum
- ОНИ/Р-1843
Золотая рыбка
- 1938
- Paper, watercolours. 46 х 76,5
- The State Russian Museum
- ОНИ/Р-1822
Пластина «Ратмир в волшебном замке»
- 1938
- Porcelain, tempera, gold, . 21 х 14,6 х 0,5
- The State Russian Museum
- ОНИ/Р-3815
Пластина «У лукоморья»
- 1939
- Tempera, gold, varnish, . 7,5 х 10 х 0,1
- The State Russian Museum
- ОНИ/Р-3920
Черт
- 1940
- Paper, , tempera. 21,8 х 11
- The State Russian Museum
- ОНИ/Р-1847
Черт полосатый
- 1940
- Paper, , tempera. 21,8 х 11,5
- The State Russian Museum
- ОНИ/Р-1846
У разбитого корыта
- Wood, carving.
- The State Russian Museum
- ОНИ/Д-360
Шкатулка «Бесы»
- 1943
- Papier-mâche, tempera, gold, varnish, . 9,7 х 12,5 х 2
- The State Russian Museum
- ОНИ/Р-3922
Царь Дадон и звездочет
- Wood, carving.
- The State Russian Museum
- ОНИ/Д-361
Руслан и Голова
- 1945
- Wood, carving.
- The State Russian Museum
- ОНИ/Д-345/а, б
Шкатулка «Сказка о царе Салтане»
- 1948
- Papier-mâche, tempera, varnish, . 8 х 10,8 х 3
- The State Russian Museum
- ОНИ/Р-5432
Иллюстрация к «Сказке о Золотом петушке» А. С. Пушкина
- 1949
- Paper, watercolours.
- The State Russian Museum
- РС-7367
Иллюстрация к «Сказке о Золотом петушке» А. С. Пушкина
- 1949
- Paper, watercolours.
- The State Russian Museum
- РС-7364
Ларец „Сказки Пушкина“
- Papier-mâche, tempera, gold, varnish, painting.
- The State Russian Museum
- ОНИ/Р-1808
Встреча с кудесником
- 1950
- Wood, carving. 33,3 х 37,5 х 17,5
- The State Russian Museum
- ОНИ/Д-1327
Смерть Олега
- 1950
- Wood, carving. 23,5 х 21 х 12,5
- The State Russian Museum
- ОНИ/Д-1329
Царь Дадон и Звездочет
- 1950
- Wood, carving. 33,5 х 37 х 14,5
- The State Russian Museum
- ОНИ/Д-1328
Шкатулка «Сказка о рыбаке и рыбке»
- 1953
- Papier-mâche, tempera, gold, varnish, . 10,6 х 16 х 4,7
- The State Russian Museum
- ОНИ/Р-3915
Вешалка «Белка»
- 1950s
- Wood, carving, . 19,5 х 4,8 х 2
- The State Russian Museum
- ОНИ/Д-3440
Золотой петушок
- 1950s
- Wood, carving. 18,3 х 4,4 х 10,8
- The State Russian Museum
- ОНИ/Д-365
Шкатулка «Сказка о царе Салтане»
- 1960
- Papier-mâche, tempera, varnish, , . 3,5 х 10,8 х 7,0
- The State Russian Museum
- ОНИ/Р-5392
Пластина «Царь Салтан в гостях у князя Гвидона»
- 1961
- Papier-mâche, tempera, varnish, . 28 х 22,2
- The State Russian Museum
- ОНИ/Р-2879
Коробка «Сказка о мертвой царевне и семи богатырях»
- 1962
- Papier-mâche, tempera, varnish, . 5,5 х 5,5 х 6
- The State Russian Museum
- ОНИ/Р-2364
Ларец «Сказка о золотом петушке»
- 1962
- Papier-mâche, varnish, tempera, painting. 12 х 16,8 х 9,7; 11,3 х 16,4
- The State Russian Museum
- ОНИ/Р-2522
Ларчик «Золотой петушок»
- 1962
- Papier-mâche, varnish, tempera, . 6 х 6 х 4
- The State Russian Museum
- ОНИ/Р-2866/аб
Балда с балалайкой и сидящий бес
- 1964
- Wood, carving. 24 х 8,5 х 22,4
- The State Russian Museum
- ОНИ/Д-3625
Бисерница «У Лукоморья»
- 1964
- Papier-mâche, tempera, gold, varnish, . 2,5 х 3 х 2,8
- The State Russian Museum
- ОНИ/Р-3359
Поп и Балда
- 1964
- Wood, carving. 19,5 х 21,4 х 8,8
- The State Russian Museum
- ОНИ/Д-2229
Бисерница «Руслан и Черномор»
- 1966
- Papier-mâche, tempera, gold, varnish, . 4 х 3,3 х 2
- The State Russian Museum
- ОНИ/Р-3050
Ларчик «Сказки А. С. Пушкина»
- 1966
- Papier-mâche, tempera, gold, varnish, . 6 х 5 х 4,1
- The State Russian Museum
- ОНИ/Р-3047
Панно «Сказка о царе Салтане»
- 1967
- Linen, . 251 х 255
- The State Russian Museum
- К-3586
Старик и золотая рыбка
- 1967
- Clay, , painting. 10,5 х 19,5 х 9,5
- The State Russian Museum
- Г-2477
Старик поймал золотую рыбку
- 1967
- Clay, , painting.
- The State Russian Museum
- Г-2476
Шкатулка «Сказка о мертвой царевне»
- 1967
- Papier-mâche, tempera, varnish, . 3,5 х 15,8 х 8,5
- The State Russian Museum
- ОНИ/Р-3372
Коробочка «Сказка о мертвой царевне»
- 1970
- Papier-mâche, tempera, varnish, . 3,4 х 3,8 х 2,9
- The State Russian Museum
- ОНИ/Р-3643
Блюдо «Сказка о царе Салтане»
- 1972
- Porcelain, casting, .
- The State Russian Museum
- ОНИ/Р-4793
«А ткачиха с поварихой, с сватьей бабой Бабарихой...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3095; Г-3096; Г-3097
«Град на острове стоит..»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3124; Г-3126
«Едет флот царя Салтана..»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3121; Г-3122; Г-3123
«И привез гонец хмельной...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3100; Г-3101
«К морю сам идет Гвидон; там царя встречает он...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3163; Г-3164; Г-3165
«Князь для белочки потом выстроил хрустальный дом..»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3125; Г-3127; Г-3128
«Три девицы под окном пряли поздно вечерком...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3092; Г-3093; Г-3094
«Царь Салтан, с женой простяся...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3098; Г-3099
«Чем вы, гости, торг ведете...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3107; Г-3108; Г-3109; Г-3110; Г-3111; Г-3112
Баба Бабариха
- 1973
- Clay, , painting, dutch metal. 12,5 х 6 х 6,5
- The State Russian Museum
- Г-3120
Князь Гвидон убивает коршуна
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3105; Г-3106
Рассказчик
- 1973
- Clay, , painting, dutch metal. 12 х 4 х 5,5
- The State Russian Museum
- Г-3166
Царица и князь Гвидон на острове
- 1973
- Clay, , painting, dutch metal. 11 х 5 х 5
- The State Russian Museum
- Г-3102
Черномор. 33 богатыря
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3129; Г-3130-3162
Шкатулка «Сказка о мертвой царевне и о семи богатырях»
- 1975
- Papier-mâche, tempera, gold, varnish, . 17,5 х 24 х 5,5
- The State Russian Museum
- ОНИ/Р-4056
Шкатулка «Барышня-крестьянка»
- 1976
- Papier-mâche, tempera, gold, varnish, . 14,5 х 14,5 х 4
- The State Russian Museum
- ОНИ/Р-3873
Шкатулка «Сказка о царе Салтане»
- 1976
- Papier-mâche, tempera, varnish, . 11 х 19,5 х 4,3
- The State Russian Museum
- ОНИ/Р-3884
Шкатулка «Сказка о царе Салтане»
- 1977
- Papier-mâche, tempera, gold, varnish, . 15 х 24,5 х 4,5
- The State Russian Museum
- ОНИ/Р-4109
Шкатулка „Сказка о мертвой царевне“
- Papier-mâche, tempera, gold, varnish, .
- The State Russian Museum
- ОНИ/Р-4110
Баул «Сказка о золотом петушке»
- 1981
- Papier-mâche, tempera, gold, varnish, , copper, , . 6 х 3,3 х 4,5
- The State Russian Museum
- ОНИ/Р-4954
Ларчик «Сказка о рыбаке и рыбке»
- 1984
- Papier-mâche, tempera, gold, varnish, . 4 х 5 х 2,5
- The State Russian Museum
- ОНИ/Р-4607
Шкатулка «Гости Гвидона»
- 1984
- Papier-mâche, tempera, gold, varnish, . 15 х 21 х 4,8
- The State Russian Museum
- ОНИ/Р-4602
Шкатулка „Сказка о рыбаке и рыбке“
- 1980s
- Papier-mâche, tempera, gold, varnish, . 12,5 х 17,5 х 4
- The State Russian Museum
- ОНИ/Р-4949
Ларчик «Сказки Пушкина»
- 1987
- Papier-mâche, tempera, gold, varnish, . 8 х 8 х 5,5
- The State Russian Museum
- ОНИ/Р-4951
Ларчик «Сказки Пушкина»
- 1994
- Papier-mâche, tempera, gold, varnish, . 10 х 7,2 х 9
- The State Russian Museum
- ОНИ/Р-5212
Шкатулка «Сказка о рыбаке и рыбке»
- 1994
- Papier-mâche, tempera, gold, varnish, . 10 х 17,3 х 4
- The State Russian Museum
- ОНИ/Р-5022
Моцарт и Сальери слушают игру слепого скрипача (Сцена I)
- Paper, charcoal pencil.
- The State Russian Museum
- Р-55056
Сальери (Сцена I)
- Paper, charcoal pencil.
- The State Russian Museum
- Р-55054
Сальери всыпает яд в бокал Моцарта (Сцена II)
- Paper, charcoal pencil.
- The State Russian Museum
- Р-55055
Эскиз декорации к «Пиру во время чумы»
- 1914
- Paper, pastel. 43 х 69
- The State Russian Museum
- Ж-2103
Иллюстрация к драме А.С. Пушкина «Египетские ночи»
- 1935
- Paper, .
- The State Russian Museum
- С.Гр.-14929
Иллюстрация к драме А. С. Пушкина «Моцарт и Сальери»
- 1936
- Paper, .
- The State Russian Museum
- С.Гр.-2484
Иллюстрация к пьесам в стихах А. С. Пушкина «Маленькие трагедии»
- 1936–1937
- Paper, , . 18,5 x 11,2
- The State Russian Museum
- РС-23919
Иллюстрация к пьесам в стихах А. С. Пушкина «Маленькие трагедии»
- 1936–1937
- Paper, ink, , , white pigment. 18,3 x 11,2
- The State Russian Museum
- РС-23917
Иллюстрация к пьесам в стихах А. С. Пушкина «Маленькие трагедии»
- 1936–1937
- Paper, ink, , , white pigment. 18,2 x 11,2
- The State Russian Museum
- РС-23915
Иллюстрация к трагедии А. С. Пушкина «Борис Годунов»
- 1955
- Paper, .
- The State Russian Museum
- С.Гр.-8519
Иллюстрация к трагедии А. С. Пушкина «Борис Годунов»
- 1955
- Paper, .
- The State Russian Museum
- С.Гр.-8523
Иллюстрация к драме А. С. Пушкина «Каменный гость»
- 1960
- Paper, .
- The State Russian Museum
- С.Гр.-9081
Иллюстрация к драме А. С. Пушкина «Скупой рыцарь»
- 1960
- Paper, .
- The State Russian Museum
- С.Гр.-9076
Большой императорский театр в Петербурге
- Paper, etching with hand colouring.
- The State Russian Museum
- Гр.-30338
Екатерина Семенова. Трагическая актриса / Портрет Е. С. Семеновой
- lathe.
- The State Russian Museum
- Гр.-24250
Н. С. Семенова
- 1821
- Paper, .
- The State Russian Museum
- Гр.-24253
Зал Большого каменного театра (Каменный театр)
- Paper, .
- The State Russian Museum
- Гр.-21324
Портрет балерины Е. А. Телешевой в роли Зелии из балета «Приключение на охоте»
- 1828
- Paper, lithography.
- The State Russian Museum
- Гр.-30556
Екатерина Семенова в роли Клитемнестры в трагедии Ифигения в Авлиде («Дерзни исторгнуть дочь из матерных объятий»)
- 1837
- Paper, .
- The State Russian Museum
- Гр.-23835
Портрет композитора М. И. Глинки (1804–1857)
- 1844
- Bust., . 51 х 32 х 23
- The State Russian Museum
- СК-1829
Portrait of Nikolai Rimsky-Korsakov
- 1893
- Canvas, oil. 125 x 89,5
- The State Russian Museum
- Ж-4013
Rimsky-Korsakov, Nikolai Andreyevich (1844–1908): Composer
Thirty-Three Bogatyrs
- Unfinished
- 1901
- Canvas, oil. 180,5 x 230
- The State Russian Museum
- Ж-1832
У царских врат
- 1901
- Cardboard, tempera. 37,5 х 28
- The State Russian Museum
- Ж-2025
Portrait of Fyodor Chaliapin in the Role of Boris Godunov
- 1912
- Canvas, , colour-wash, gouache, pastel, silver foil. 211,5 x 39,5
- The State Russian Museum
- Ж-4345
Alexander Golovin created a series of portraits of Fyodor Chaliapin, conveying both the famous opera singer’s outer appearance and his stage images. Golovin’s theatrical portraits brightly express the theatrical action, conjuring up the musical phrase sounding on stage at that particular moment in time. Portrait of Fyodor Chaliapin in the Role of Boris Godunov is majestic and monumental; a pageant unfolding against a theatrical curtain. The subject’s sumptuous robe, embroidered with precious stones and golden threads, occupies a large part of the painting without distracting attention from the singer’s expressive face, which rounds off the composition. This tense image of Boris Godunov is psychologically rich and full of drama. Russian Museum: From Icons to the Modern Times. Palace Editions, St Petersburg, 2015. P. 251.
Палата царского дворца в Тмутаракани
- 1912
- Cardboard, tempera, oil, gouache, bronze. 47,6 х 78
- The State Russian Museum
- Ж-2028
Chernomore’s Garden
- 1913
- Paper, watercolours, gouache, graphite pencil.
- The State Russian Museum
- Р-53022
Mikhail Glinka’s opera Ruslan and Lyudmila was staged at the Mariinsky and Bolshoi Theatres with sets by Konstantin Korovin and Alexander Golovin. On the wide new stage of the People’s House (now the Music Hall, St Petersburg), however, the opera was successfully staged with sets and costumes by Ivan Bilibin. The inevitable comparison of Bilibin’s interpretation of Chernomore’s Garden with that of Alexander Golovin (or an even earlier one by Sergei Malyutin) reveals just how strongly Bilibin’s experience as a book illustrator was reflected in his theatrical designs. This can be seen in the graphic nature of this watercolour painting and the conscientious following of the text of Pushkin’s poem.
Эскиз декорации к «Пиру во время чумы»
- 1914
- Paper, pastel. 43 х 69
- The State Russian Museum
- Ж-2103
Барин-англоман
- Paper, watercolours, gouache, ink, graphite pencil.
- The State Russian Museum
- Р-38355
Герман
- Paper, watercolours, ink, nib, white pigment, graphite pencil.
- The State Russian Museum
- Р-38357
Дети
- Paper, watercolours, ink, nib, white pigment, .
- The State Russian Museum
- Р-38340
Дети
- Paper, watercolours, ink, nib, graphite pencil, fabric.
- The State Russian Museum
- Р-38346
Елецкий
- Paper, ink, nib, watercolours, graphite pencil.
- The State Russian Museum
- Р-38343
Кавалергард
- Paper, watercolours, ink, nib, silver paint, white pigment, graphite pencil.
- The State Russian Museum
- Р-38347
Летний сад
- Paper, gouache, graphite pencil.
- The State Russian Museum
- Р-60248
Няньки
- Paper, watercolours, ink, nib, graphite pencil.
- The State Russian Museum
- Р-38336
Подруга Лизы
- Paper, watercolours, white pigment, ink, graphite pencil.
- The State Russian Museum
- Р-38334
«Живая голова»
- 1939
- Paper, tempera, ink. 38,4 х 22,4
- The State Russian Museum
- ОНИ/Р-1842
Черт
- 1940
- Paper, , tempera. 21,8 х 11
- The State Russian Museum
- ОНИ/Р-1847
Черт полосатый
- 1940
- Paper, , tempera. 21,8 х 11,5
- The State Russian Museum
- ОНИ/Р-1846
А. С. Пушкин
- 1837
- . 46 х 16 х 15
- The State Russian Museum
- Ск-383
Портрет А. С. Пушкина
- 1837
- Bust., bronze. 52 х 37 х 22
- The State Russian Museum
- СК-2077
Портрет А. С. Пушкина
- Bronze.
- The State Russian Museum
- Ск-1762
Проект памятника А. С. Пушкину
- 1902
- . 72 х 76 х 63
- The State Russian Museum
- Ск-1060
А. С. Пушкин
- 1936
- Bronze. 45 x 25 x 22
- The State Russian Museum
- СО-22
А. С. Пушкин
- 1937
- . 79 x 51 x 32
- The State Russian Museum
- СО-2008
А. С. Пушкин
- 1937
- .
- The State Russian Museum
- СО-277
А. С. Пушкин
- 1937
- Gypsum. 47,5 x 27,5 x 28,5
- The State Russian Museum
- СО-849
Проект памятника А. С. Пушкину
- 1937
- Bronze. 46,5 x 25 x 17
- The State Russian Museum
- СО-1557
А. С. Пушкин
- Bronze. 70 x 25 x 26
- The State Russian Museum
- СО-712
Портрет А. С. Пушкина
- 1940
- . 52 x 44 x 39
- The State Russian Museum
- СО-755
А. С. Пушкин
- 1948
- Gypsum. 180 x 51 x 53
- The State Russian Museum
- СО-1303
А. С. Пушкин
- 1937-1960
- Gypsum. 53 x 52 x 31
- The State Russian Museum
- СО-607
А. С. Пушкин
- 1948-1960
- Bronze.
- The State Russian Museum
- СО-1287
А. С. Пушкин
- 1956
- Bronze. 91 x 60 x 26
- The State Russian Museum
- СО-709
А. С. Пушкин
- 1958
- Marble. 35 x 37 x 28
- The State Russian Museum
- СО-772
А. С. Пушкин
- 1970
- . 98 x 29 x 84
- The State Russian Museum
- СО-946
А. С. Пушкин
- 1973
- .
- The State Russian Museum
- СО-1914
Пушкин
- 1970s
- Bronze. 50 x 40 x 30
- The State Russian Museum
- СО-1506
Пушкин
- 1976
- Bronze. 35 x 10 x 11
- The State Russian Museum
- СО-1173
А. С. Пушкин
- 1990s
- Paper, wood. 120 x 55 x 40
- The State Russian Museum
- СО-3002
Встреча
- 1996
- Bronze. 40 x 27,5 x 22
- The State Russian Museum
- СО-2679
Иллюстрация к поэме А. С. Пушкина «Русалка»
- 1922
- Paper, .
- The State Russian Museum
- С.Гр.-9337
Иллюстрация к поэме А. С. Пушкина «Русалка»
- 1922
- Paper, .
- The State Russian Museum
- С.Гр.-9336
Иллюстрация к поэме А. С. Пушкина «Домик в Коломне»
- 1922–1925
- Paper, .
- The State Russian Museum
- С.Гр.-4485
Иллюстрация к поэме А. С. Пушкина «Домик в Коломне»
- 1922–1925
- Paper, .
- The State Russian Museum
- С.Гр.-4483
Акулина и Алексей в лесу.
- 1929
- Paper, ink.
- The State Russian Museum
- РС-92
Онегин и Татьяна в саду
- 1929
- Paper, ink.
- The State Russian Museum
- РС-89
После венчания
- 1929
- Paper, ink.
- The State Russian Museum
- РС-96
Иллюстрация к драме А.С. Пушкина «Египетские ночи»
- 1935
- Paper, .
- The State Russian Museum
- С.Гр.-14929
«И проклиная свой ночлег и своенравную красотку…»
- 1936
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4021
«Старый муж, грозный муж…»
- 1936
- Paper, lithography.
- The State Russian Museum
- С.Гр.-4030
Иллюстрация к драме А. С. Пушкина «Моцарт и Сальери»
- 1936
- Paper, .
- The State Russian Museum
- С.Гр.-2484
Иллюстрация к пьесам в стихах А. С. Пушкина «Маленькие трагедии»
- 1936–1937
- Paper, ink, , , white pigment. 18,3 x 11,2
- The State Russian Museum
- РС-23917
Иллюстрация к пьесам в стихах А. С. Пушкина «Маленькие трагедии»
- 1936–1937
- Paper, , . 18,5 x 11,2
- The State Russian Museum
- РС-23919
Иллюстрация к пьесам в стихах А. С. Пушкина «Маленькие трагедии»
- 1936–1937
- Paper, ink, , , white pigment. 18,2 x 11,2
- The State Russian Museum
- РС-23915
Онегин дома
- 1939
- Watercolours, , white pigment.
- The State Russian Museum
- РС-23643
Татьяна
- 1939
- Watercolours, white pigment. 20,1 x 22,2
- The State Russian Museum
- РС-23642
Татьяна у окна
- 1939
- Watercolours, white pigment. 20,8 x 23,7
- The State Russian Museum
- РС-23641
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1940
- Paper, .
- The State Russian Museum
- С.Гр.-8042
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1940
- Paper, .
- The State Russian Museum
- С.Гр.-8039
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1940
- Paper, .
- The State Russian Museum
- С.Гр.-8041
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1940
- Paper, .
- The State Russian Museum
- С.Гр.-8040
Иллюстрации к поэме А. С. Пушкина «Медный всадник»
- 1942
- Paper, ink. 23 x 19,8
- The State Russian Museum
- РС-13472
Иллюстрации к поэме А. С. Пушкина «Медный всадник»
- 1942
- Paper, ink. 22,8 x 19,8
- The State Russian Museum
- РС-13473
Герман и Лиза
- 1946
- Paper, . 29,6 x 22
- The State Russian Museum
- РС-1888
Герман у графини
- 1946
- Paper, . 28 x 22
- The State Russian Museum
- РС-1887
Иллюстрация к «Сказке о Золотом петушке» А. С. Пушкина
- 1949
- Paper, watercolours.
- The State Russian Museum
- РС-7364
Иллюстрация к «Сказке о Золотом петушке» А. С. Пушкина
- 1949
- Paper, watercolours.
- The State Russian Museum
- РС-7367
Герман у дома графини
- 1951– 1952
- Paper, watercolours, white pigment.
- The State Russian Museum
- РС-4123
Иллюстрация к трагедии А. С. Пушкина «Борис Годунов»
- 1955
- Paper, .
- The State Russian Museum
- С.Гр.-8523
Иллюстрация к трагедии А. С. Пушкина «Борис Годунов»
- 1955
- Paper, .
- The State Russian Museum
- С.Гр.-8519
Иллюстрация к драме А. С. Пушкина «Каменный гость»
- 1960
- Paper, .
- The State Russian Museum
- С.Гр.-9081
Иллюстрация к драме А. С. Пушкина «Скупой рыцарь»
- 1960
- Paper, .
- The State Russian Museum
- С.Гр.-9076
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1966
- Paper, .
- The State Russian Museum
- С.Гр.-10974
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1966
- Paper, .
- The State Russian Museum
- С.Гр.-10980
Иллюстрация к повести А. С. Пушкина «Пиковая дама»
- 1966
- Paper, .
- The State Russian Museum
- С.Гр.-10978
Застолье после взятия крепости
- 1974
- Paper, сharcoal , .
- The State Russian Museum
- РС-25017
Пугачев и его войско
- 1974
- Paper, .
- The State Russian Museum
- РС-25018
Юбилей Пушкина в Тифлисе
- 1988
- Cardboard, tempera, silver paint. 41,5 x 60
- The State Russian Museum
- РС-22866
Пушкин в Испании
- 1989–1990
- Paper, ink. 24,4 x 37,1
- The State Russian Museum
- РС-16685
Пушкин в Испании
- 1989–1990
- Paper, ink. 36,1 x 47,9
- The State Russian Museum
- РС-16679
Пушкин в Испании
- 1989–1990
- Paper, ink. 36 x 48,1
- The State Russian Museum
- РС-16678
Пушкин в Испании
- 1989–1990
- Paper, ink. 36 x 48
- The State Russian Museum
- РС-16681
Из серии «Пушкин в Тифлисе»
- 1990–1991
- Ink. 21,1 x 30
- The State Russian Museum
- РС-22857
Из серии «Пушкин в Тифлисе»
- 1990–1991
- Paper, ink. 36,8 x 24,6
- The State Russian Museum
- РС-22859
Из серии «Пушкин в Тифлисе»
- 1990–1991
- Paper, ink. 36 x 48
- The State Russian Museum
- РС-22861
Из серии «Пушкин в Тифлисе»
- 1990–1991
- Paper, ink. 36 x 48
- The State Russian Museum
- РС-22862
Из серии «Пушкин на Кавказе»
- 1990–1991
- Ink, watercolours, silver paint. 21,1 x 30
- The State Russian Museum
- РС-22855
Из серии «Пушкин на Кавказе»
- 1990–1991
- Watercolours, ink, silver paint. 30 x 21,1
- The State Russian Museum
- РС-22849
Из серии «Пушкин на Кавказе»
- 1990–1991
- Ink, watercolours, silver paint. 30 x 21,1
- The State Russian Museum
- РС-22853
Из серии «Пушкин на Кавказе»
- 1990–1991
- Ink, watercolours, white pigment, . 30 x 21,1
- The State Russian Museum
- РС-22850
Из серии «Пушкин на Кавказе»
- 1990–1991
- Watercolours, ink, silver paint. 30 x 21,2
- The State Russian Museum
- РС-22848
Из серии «Пушкин на Кавказе»
- 1990–1991
- Watercolours, ink, silver paint. 30 x 21,1
- The State Russian Museum
- РС-22851
Из серии «Пушкин на Кавказе»
- 1990–1991
- Ink, watercolours, , . 30 x 21,1
- The State Russian Museum
- РС-22854
Из серии «Пушкин на Кавказе»
- 1990–1991
- Watercolours, ink, . 21,1 x 30
- The State Russian Museum
- РС-22852
Из серии «Пушкин на Кавказе»
- 1990–1991
- Ink, watercolours, silver paint, white pigment. 30 x 21,1
- The State Russian Museum
- РС-22856
На 25-летие со дня смерти А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-1984
В память 100-летия со дня рождения А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-2049
Жетон на 100-летие со дня рождения А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-4509
Жетон на 100-летие со дня рождения А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-2590
Жетон на 100-летие со дня рождения А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-2592
В память 110-летия Царскосельского лицея
- 1911
- .
- The State Russian Museum
- Мед.А-2181
Медаль на 100-летие со дня смерти А. С. Пушкина
- Bronze.
- The State Russian Museum
- Мед.А-3160
Медаль в честь А. С. Пушкина с изображением «скамьи Онегина» в селе Тригорском
- .
- The State Russian Museum
- Мед.А-4366
Медаль в честь А. С. Пушкина с изображением липовой аллеи в селе Михайловском
- .
- The State Russian Museum
- Мед.А-4367
Медаль в честь А. С. Пушкина с изображением могилы поэта
- .
- The State Russian Museum
- Мед.А-4004
Медаль в память 150-летия со дня смерти А. С. Пушкина
- .
- The State Russian Museum
- Мед.А-19309
Серия фигур-иллюстраций к поэме А. С. Пушкина «Бахчисарайский фонтан»
- Porcelain, painting over glaze, gilding.
- The State Russian Museum
- СФ-107, СФ-108, СФ-109
Фигура «Гирей»
- Porcelain, painting over glaze, gilding.
- The State Russian Museum
- СФ-107
Фигура «Зарема»
- Porcelain, painting over glaze, gilding.
- The State Russian Museum
- СФ-108
Фигура «Мария»
- Porcelain, painting over glaze, gilding.
- The State Russian Museum
- СФ-109
Группа «Кумушки». Персонажи сказки А. С. Пушкина «Сказка о царе Салтане»: Ткачиха, Повариха и сватья баба Бабариха
- Porcelain, painting over glaze.
- The State Russian Museum
- СФ-843
Чашка с блюдцем «Зарема»
- Porcelain, painting over glaze, gilding, , .
- The State Russian Museum
- СФ-1195 а,б
Декоративная тарелка «Зарема»
- Porcelain, painting over glaze, gilding, .
- The State Russian Museum
- СФ-1197
Бюст А. С. Пушкина
- Bisque.
- The State Russian Museum
- СФ-276
Бюст А. С. Пушкина
- Bisque.
- The State Russian Museum
- СФ-415
Композиция «Пушкин на диване»
- Painting over glaze, , gilding.
- The State Russian Museum
- СФС-402
Фигура «Пушкин перед дуэлью»
- Bisque.
- The State Russian Museum
- СФ-280
Чернильный прибор с крышкой «А. С. Пушкин за работой»
- Porcelain.
- The State Russian Museum
- СФ-104 а,б
Бюст А. С. Пушкина
- Porcelain.
- The State Russian Museum
- СФ-318
Композиция «Пушкин на прогулке»
- Porcelain.
- The State Russian Museum
- СФ-307
Фигура «Пушкин-лицеист»
- Porcelain.
- The State Russian Museum
- СФ-426
Барельеф «А. С. Пушкин»
- Bisque.
- The State Russian Museum
- СФ-989
Пласт «У лукоморья дуб зеленый»
- Porcelain, painting over glaze, gilding, .
- The State Russian Museum
- СФ-2559
Пласт «Руслан и Людмила. У Лукоморья дуб зеленый»
- Porcelain, , painting over glaze, gilding.
- The State Russian Museum
- СФ-2793
Игрушка елочная «Рыбка»
- 1910s
- Wood, carving, painting. 5,3 х 10,2 х 4,2
- The State Russian Museum
- ОНИ/Д-443
Игрушка-укладка «Боярыня»
- 1910s
- Wood, , painting, carving.
- The State Russian Museum
- ОНИ/Д-456
Кегля «Витязь»
- 1910s
- Wood, , , painting. 25 х 8 х 8
- The State Russian Museum
- ОНИ/Д-447
Спичечница «Баба»
- 1910s
- Wood, , painting, carving.
- The State Russian Museum
- ОНИ/Д-455
Шкатулка «У Лукоморья»
- 1927
- Papier-mâche, tempera, gold, varnish, . 9,5 х 28 х 7,5
- The State Russian Museum
- ОНИ/Р-1772
Шкатулка «Бахчисарайский фонтан»
- 1930
- Papier-mâche, tempera, varnish, .
- The State Russian Museum
- ОНИ/Р-1770
Бес
- 1930s
- Wood, carving. 17 х 9 х 11
- The State Russian Museum
- ОНИ/Д-3412
Онегин и Ленский
- 1930s
- Wood, carving. 22 х 18,7 х 13
- The State Russian Museum
- ОНИ/Д-3385
Офицер в санях
- 1930s
- Wood, carving. 16 х 30,5 х 5,4
- The State Russian Museum
- ОНИ/Д-3384
Рыбак с неводом
- 1936
- Wood, carving. 15,5 х 6 х 3,5
- The State Russian Museum
- ОНИ/Д-3411
Эскиз росписи «У Лукоморья»
- 1936
- Paper, watercolours. 46 х 77,5
- The State Russian Museum
- ОНИ/Р-1820
Дубровский
- 1937 (?)
- Wood, carving. 16,2 х 27,5 х 12
- The State Russian Museum
- ОНИ/Д-3383
Эскиз заглавного листа для мультфильма «Сказка о рыбаке и рыбке»
- 1937
- Paper, tempera, ink. 27 х 28
- The State Russian Museum
- ОНИ/Р-1843
Золотая рыбка
- 1938
- Paper, watercolours. 46 х 76,5
- The State Russian Museum
- ОНИ/Р-1822
«Живая голова»
- 1939
- Paper, tempera, ink. 38,4 х 22,4
- The State Russian Museum
- ОНИ/Р-1842
"Dubrovsky. A casket
- Mstera, Vladimir region
- Papier-mâche, tempera, varnish, painting. 6,5 x 19,5 x 12,5
- The State Russian Museum
- ОНИ/Р-1669
Since the 14th century the Epiphany Sloboda of Mstera, Vyaznikovsky district in the Vladimir region had been ne of many Russian centres of icon painting. Mstera icon painters, who knew many old styles of icon painting were famous throughout the country. They followed the masters of the Stroganov school of icon painting which characterised by the miniature scenes and many details. At the beginning of the 20th century icon paining faced a crisis because of the invention of chromolithography. The icon painters couldn’t meet the competition with the mechanised production of printed icons. Mstera icon painters were eager to find a new path in art after 1917. They tried themselves in the wall rugs’ oil painting on the canvas, wooden objects. In 1931 the masters turned to the lacquer miniature on papier-mache. The founders of a new art in the Mstera were hereditary icon painters A. Bryagin, A. Kotyagin, N. Klykov and I. Morozov.
One of the Klykov’s works is the casket "Dubrovsky". The subject of the painting is based on the story of the great Russian writer Alexander Pushkin. In contrast to the images of Palekh artists, the characters of Klykov are real people acting in a specific situation. But there is a degree of conventionality and generalisation that is essential in the lacquered miniature. There is a great role of coloring, built on the combinations of plane and pure colors, with the help of which Klykov "models" the characters’ figures, emphasizing their volume with glare and not with a chiaroscuro.
Черт
- 1940
- Paper, , tempera. 21,8 х 11
- The State Russian Museum
- ОНИ/Р-1847
Черт полосатый
- 1940
- Paper, , tempera. 21,8 х 11,5
- The State Russian Museum
- ОНИ/Р-1846
У разбитого корыта
- Wood, carving.
- The State Russian Museum
- ОНИ/Д-360
Шкатулка «Бесы»
- 1943
- Papier-mâche, tempera, gold, varnish, . 9,7 х 12,5 х 2
- The State Russian Museum
- ОНИ/Р-3922
Шкатулка «Тройка»
- 1943
- Papier-mâche, tempera, gold, varnish, . 10 х 17 х 4,5
- The State Russian Museum
- ОНИ/Р-4635
Царь Дадон и звездочет
- Wood, carving.
- The State Russian Museum
- ОНИ/Д-361
Руслан и Голова
- 1945
- Wood, carving.
- The State Russian Museum
- ОНИ/Д-345/а, б
Шкатулка «Сказка о царе Салтане»
- 1948
- Papier-mâche, tempera, varnish, . 8 х 10,8 х 3
- The State Russian Museum
- ОНИ/Р-5432
Встреча с кудесником
- 1950
- Wood, carving. 33,3 х 37,5 х 17,5
- The State Russian Museum
- ОНИ/Д-1327
Смерть Олега
- 1950
- Wood, carving. 23,5 х 21 х 12,5
- The State Russian Museum
- ОНИ/Д-1329
Царь Дадон и Звездочет
- 1950
- Wood, carving. 33,5 х 37 х 14,5
- The State Russian Museum
- ОНИ/Д-1328
Шкатулка «Сказка о рыбаке и рыбке»
- 1953
- Papier-mâche, tempera, gold, varnish, . 10,6 х 16 х 4,7
- The State Russian Museum
- ОНИ/Р-3915
Бисерница «Тройка»
- 1954
- Papier-mâche, tempera, gold, varnish, . 4,3 х 6 х 3,5
- The State Russian Museum
- ОНИ/Р-2037
Вешалка «Белка»
- 1950s
- Wood, carving, . 19,5 х 4,8 х 2
- The State Russian Museum
- ОНИ/Д-3440
Золотой петушок
- 1950s
- Wood, carving. 18,3 х 4,4 х 10,8
- The State Russian Museum
- ОНИ/Д-365
Шкатулка «Сказка о мертвой царевне»
- 1955
- Papier-mâche, tempera, varnish, . 27 х 22 х 6
- The State Russian Museum
- ОНИ/Р-2071
Скребницей чистил он коня
- 1959
- . 17,7 х 19 х 11,5
- The State Russian Museum
- ОНИ/Д-2988
Ширма «Руслан и Людмила»
- 1960
- . 142 х 220 х 4
- The State Russian Museum
- ОНИ/Р-2308
Шкатулка «Сказка о царе Салтане»
- 1960
- Papier-mâche, tempera, varnish, , . 3,5 х 10,8 х 7,0
- The State Russian Museum
- ОНИ/Р-5392
Пластина «Царь Салтан в гостях у князя Гвидона»
- 1961
- Papier-mâche, tempera, varnish, . 28 х 22,2
- The State Russian Museum
- ОНИ/Р-2879
Коробка «Сказка о мертвой царевне и семи богатырях»
- 1962
- Papier-mâche, tempera, varnish, . 5,5 х 5,5 х 6
- The State Russian Museum
- ОНИ/Р-2364
Ларец «Сказка о золотом петушке»
- 1962
- Papier-mâche, varnish, tempera, painting. 12 х 16,8 х 9,7; 11,3 х 16,4
- The State Russian Museum
- ОНИ/Р-2522
Ларчик «Золотой петушок»
- 1962
- Papier-mâche, varnish, tempera, . 6 х 6 х 4
- The State Russian Museum
- ОНИ/Р-2866/аб
Портсигар «Бахчисарайский фонтан»
- 1962
- Papier-mâche, tempera, varnish, . 12 х 10 х 26
- The State Russian Museum
- ОНИ/Р-2361
Балда с балалайкой и сидящий бес
- 1964
- Wood, carving. 24 х 8,5 х 22,4
- The State Russian Museum
- ОНИ/Д-3625
Бисерница «У Лукоморья»
- 1964
- Papier-mâche, tempera, gold, varnish, . 2,5 х 3 х 2,8
- The State Russian Museum
- ОНИ/Р-3359
Поп и Балда
- 1964
- Wood, carving. 19,5 х 21,4 х 8,8
- The State Russian Museum
- ОНИ/Д-2229
Бисерница «Руслан и Черномор»
- 1966
- Papier-mâche, tempera, gold, varnish, . 4 х 3,3 х 2
- The State Russian Museum
- ОНИ/Р-3050
Ларчик «Сказки А. С. Пушкина»
- 1966
- Papier-mâche, tempera, gold, varnish, . 6 х 5 х 4,1
- The State Russian Museum
- ОНИ/Р-3047
Панно «Сказка о царе Салтане»
- 1967
- Linen, . 251 х 255
- The State Russian Museum
- К-3586
Старик и золотая рыбка
- 1967
- Clay, , painting. 10,5 х 19,5 х 9,5
- The State Russian Museum
- Г-2477
Старик поймал золотую рыбку
- 1967
- Clay, , painting.
- The State Russian Museum
- Г-2476
Шкатулка «Сказка о мертвой царевне»
- 1967
- Papier-mâche, tempera, varnish, . 3,5 х 15,8 х 8,5
- The State Russian Museum
- ОНИ/Р-3372
Коробочка «Сказка о мертвой царевне»
- 1970
- Papier-mâche, tempera, varnish, . 3,4 х 3,8 х 2,9
- The State Russian Museum
- ОНИ/Р-3643
Блюдо «Сказка о царе Салтане»
- 1972
- Porcelain, casting, .
- The State Russian Museum
- ОНИ/Р-4793
«А ткачиха с поварихой, с сватьей бабой Бабарихой...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3095; Г-3096; Г-3097
«Град на острове стоит..»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3124; Г-3126
«Едет флот царя Салтана..»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3121; Г-3122; Г-3123
«И привез гонец хмельной...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3100; Г-3101
«К морю сам идет Гвидон; там царя встречает он...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3163; Г-3164; Г-3165
«Князь для белочки потом выстроил хрустальный дом..»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3125; Г-3127; Г-3128
«Три девицы под окном пряли поздно вечерком...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3092; Г-3093; Г-3094
«Царь Салтан, с женой простяся...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3098; Г-3099
«Чем вы, гости, торг ведете...»
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3107; Г-3108; Г-3109; Г-3110; Г-3111; Г-3112
Баба Бабариха
- 1973
- Clay, , painting, dutch metal. 12,5 х 6 х 6,5
- The State Russian Museum
- Г-3120
Князь Гвидон убивает коршуна
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3105; Г-3106
Рассказчик
- 1973
- Clay, , painting, dutch metal. 12 х 4 х 5,5
- The State Russian Museum
- Г-3166
Царица и князь Гвидон на острове
- 1973
- Clay, , painting, dutch metal. 11 х 5 х 5
- The State Russian Museum
- Г-3102
Черномор. 33 богатыря
- 1973
- Clay, , painting, dutch metal.
- The State Russian Museum
- Г-3129; Г-3130-3162
Шкатулка «Сказка о мертвой царевне и о семи богатырях»
- 1975
- Papier-mâche, tempera, gold, varnish, . 17,5 х 24 х 5,5
- The State Russian Museum
- ОНИ/Р-4056
Шкатулка «Барышня-крестьянка»
- 1976
- Papier-mâche, tempera, gold, varnish, . 14,5 х 14,5 х 4
- The State Russian Museum
- ОНИ/Р-3873
Шкатулка «Сказка о царе Салтане»
- 1976
- Papier-mâche, tempera, varnish, . 11 х 19,5 х 4,3
- The State Russian Museum
- ОНИ/Р-3884
Шкатулка «Сказка о царе Салтане»
- 1977
- Papier-mâche, tempera, gold, varnish, . 15 х 24,5 х 4,5
- The State Russian Museum
- ОНИ/Р-4109
Шкатулка „Сказка о мертвой царевне“
- Papier-mâche, tempera, gold, varnish, .
- The State Russian Museum
- ОНИ/Р-4110
"Alexander Pushkin at Nikolai Gogol’s place". A Casket
- Fedoskino, The Moscow Region
- Papier-mâche, , oil, varnish, painting. 8 х 11 х 3
- The State Russian Museum
- ОНИ/Р-5165
In 1910, after the closure of the Lukutin factory, the craftsmen formed the Fedoskino Labour Artel, on the basis of which local art revived in the subsequent time. The contemporary artists of Fedoskino are creating new original compositions, developing the traditional trends that emerged in the Fedoskino miniature of the 19th century. The characteristic laconic structure of the composition, the expressiveness of movement, the simplicity of the drawing, the luminosity of Russian lacquers were absorbed from the age-old folk paintings and the experience of easel works.
Баул «Сказка о золотом петушке»
- 1981
- Papier-mâche, tempera, gold, varnish, , copper, , . 6 х 3,3 х 4,5
- The State Russian Museum
- ОНИ/Р-4954
Ларчик «Сказка о рыбаке и рыбке»
- 1984
- Papier-mâche, tempera, gold, varnish, . 4 х 5 х 2,5
- The State Russian Museum
- ОНИ/Р-4607
Шкатулка «Гости Гвидона»
- 1984
- Papier-mâche, tempera, gold, varnish, . 15 х 21 х 4,8
- The State Russian Museum
- ОНИ/Р-4602
Шкатулка „Сказка о рыбаке и рыбке“
- 1980s
- Papier-mâche, tempera, gold, varnish, . 12,5 х 17,5 х 4
- The State Russian Museum
- ОНИ/Р-4949
Ларчик «Сказки Пушкина»
- 1987
- Papier-mâche, tempera, gold, varnish, . 8 х 8 х 5,5
- The State Russian Museum
- ОНИ/Р-4951
Ларчик «Сказки Пушкина»
- 1994
- Papier-mâche, tempera, gold, varnish, . 10 х 7,2 х 9
- The State Russian Museum
- ОНИ/Р-5212
Шкатулка «Сказка о рыбаке и рыбке»
- 1994
- Papier-mâche, tempera, gold, varnish, . 10 х 17,3 х 4
- The State Russian Museum
- ОНИ/Р-5022