Портрет генерал-майора В.А.Дегтярева, конструктора стрелкового оружия

• Canvas, oil
• Владимиро-Суздальский историко-архитектурный и художественный музей-заповедник

Uritsky Square

• 1941-1942
• Canvas, oil
• 60 x 77
• The State Russian Museum

The importance of the panorama of the Siege of Leningrad painted by Yaroslav Nikolayev during the Second World War cannot be overestimated. This painting is an important artistic document. Depicting the sufferings and indomitable will of the people of Leningrad, the artist incarnated the city’s outer appearance with a special poignancy. Nikolayev discerned beauty in human faces, acts of heroism and cityscapes. Uritsky Square was the official name of Palace Square in Leningrad from 1918 to 1944.

Адьютант Круглов и командир звена

• Paper,
• Музей изобразительных искусств Кузбасса (Кемерово)

Балтиец

• Gypsum
• The State Russian Museum

Балтийцы

• The State Russian Museum

Баррикада. Ленинград

• Cardboard, watercolours, gouache
• The State Russian Museum

Будь героем!

• The State Russian Museum

В ЛХУ зимой

• 1941
• Paper, graphite pencil
• 29,6 x 21
• The State Russian Museum

В госпитале

• Нижнетагильский музей изобразительных искусств

В детской больнице

• 1941
• Paper, graphite pencil,
• 18,2 x 18
• The State Russian Museum

В очаге поражения

• Paper,
• The State Russian Museum

В саду трудящихся

• Paper, gouache
• Калужский музей изобразительных искусств

Воздушная тревога

• Paper, gouache
• Чувашский государственный художественный музей (Чебоксары)

Война!

• Paper,
• Нижнетагильский музей изобразительных искусств

Грузовики

• Paper, watercolours,
• Музей изобразительных искусств Республики Карелия (Петрозаводск)

Дорога под семью мостами

• Paper, ink, graphite pencil
• The State Russian Museum

За Чкаловым. Разъезд

• Paper, watercolours
• Оренбургский областной музей изобразительный искусств

За водой

• Bronze
• The State Russian Museum

Защитим город Ленина

• The State Russian Museum

Здесь был наш дом

• Нижнетагильский музей изобразительных искусств

Painter, graphic artist, teacher. Studied at the Stroganov School of Art and Industry (1901–1907) and the Moscow School of Painting, Sculpture and Architecture (1907–1911); studied lithography. Contributed to exhibitions (from 1906). Member of the Union of Artists (1932), chairman of the Moscow Union of Artists (1938–1941). Taught at the State Free Art Studios / VKhUTEMAS / VKhUTEIN in Moscow (1920–1929); Moscow Textile Institute (1930–1931); Moscow Printing Institute (1930–1936); Moscow Institute of Fine Arts / Vasily Surikov Institute of Art (1946–1948, director). Professor (1940). Full member of the USSR Academy of Arts (from 1947). People’s Artist of the USSR (1958). Winner of the Lenin Prize (1966 posthumous).

Group of artists, consisting of Porfiry Krylov, Mikhail Kupriyanov, and Nikolai Sokolov. Worked together (from 1925) as painters and illustrators, creating political posters and caricatures. Drew under the joint signature Kukryniksy (KUpriyanov, KRYlov, NIK. Sokolov) (from 1929). Winners of the Stalin Prize (1942, 1947, 1949, 1950, 1951), Lenin Prize (1965), State Prize of the USSR (1975), State Prize of the RSFSR (1982), Ilya Repin State Prize of the RSFSR (1982). Silver medal from the USSR Ministry of Culture (1958), gold medal at the World Exhibition in Brussels (1958), gold medal from the USSR Academy of Arts (1974).

Uritsky Square

• 1941-1942
• Canvas, oil
• 60 x 77
• The State Russian Museum

The importance of the panorama of the Siege of Leningrad painted by Yaroslav Nikolayev during the Second World War cannot be overestimated. This painting is an important artistic document. Depicting the sufferings and indomitable will of the people of Leningrad, the artist incarnated the city’s outer appearance with a special poignancy. Nikolayev discerned beauty in human faces, acts of heroism and cityscapes. Uritsky Square was the official name of Palace Square in Leningrad from 1918 to 1944.

Балтийцы

• The State Russian Museum

Баррикада. Ленинград

• Cardboard, watercolours, gouache
• The State Russian Museum

В ЛХУ зимой

• 1941
• Paper, graphite pencil
• 29,6 x 21
• The State Russian Museum

В детской больнице

• 1941
• Paper, graphite pencil,
• 18,2 x 18
• The State Russian Museum

В очаге поражения

• Paper,
• The State Russian Museum

В саду трудящихся

• Paper, gouache
• Калужский музей изобразительных искусств

Грузовики

• Paper, watercolours,
• Музей изобразительных искусств Республики Карелия (Петрозаводск)

Дорога под семью мостами

• Paper, ink, graphite pencil
• The State Russian Museum

За водой

• Bronze
• The State Russian Museum

Защитим город Ленина

• The State Russian Museum

Зима

• Paper, , watercolours
• Ярославский художественный музей

Ленинград летом 1941 года

• gouache
• The State Russian Museum

Ленинград. Утро

• Paper, watercolours
• The State Russian Museum

На кухне

• 1941
• Paper, ,
• 20,2 x 28,5
• The State Russian Museum

На окраине города

• Paper, watercolours,
• Музей изобразительных искусств Республики Карелия (Петрозаводск)

На подступах к Ленинграду

• Paper, watercolours, ink
• Омский областной музей изобразительных искусств имени М. А. Врубеля

Налет с осветительными ракетами

• Paper, gouache
• Калужский музей изобразительных искусств

Наше дело правое - Победа будет за нами

• The State Russian Museum

Тревога

• The State Russian Museum

Painter. Studied at Kazimir Zelenevsky’s studio in Tomsk (1917); Tomsk University, law department (1917–1918); Irkutsk University, history and philosophy department (1919–1920); State Free Art Studios in Irkutsk (1925–1928). Contributed to exhibitions (from 1927). Member of the Leningrad Union of Artists (1932), chairman of its board (1948–1951). Lived in Leningrad during the Siege; created a number of paintings dedicated to the heroic defence of the city (1941–1945). Honoured Artist of the RSFSR (1956), People’s Artist of the RSFSR (1975).

Painter, graphic artist, monumentalist, book artist, sculptor, painter of portraits, genre scenes and watercolours, illustrated children’s books and journals, designed posters. Studied at the Baron Stieglitz Central School of Technical Drawing (1915–1917) in Petrograd / Leningrad; Petrograd State Free Art Studios / VKhUTEMAS / VKhUTEIN (1922–1925); Academy of Arts, graphic department (1926). Contributed to exhibitions (from 1921). Worked for the Okna ROSTA political poster studio (1921) and various publishing houses (1923–1925); produced monumental interior paintings for public buildings in Leningrad (1920s — 1930s). Taught. Professor (1949). Author of the book About My Work (1968–1969). Member of the arts council at the “Children’s Literature” and “Artist” publishing houses. Honoured Artist of the RSFSR (1945), People’s Artist of the RSFSR (1963), People’s Artist of the USSR (1971), corresponding (1958) and full (1964) member of the USSR Academy of Arts. Winner of the Stalin Prize (1946) and State Prize (1973). Awarded a major gold medal at the International Exhibition in Paris (1937) for the Children of the Soviet Land panel made for the Soviet pavilion.

Painter, graphic artist, book and poster designer. Studied at the VKhUTEIN / Institute of Proletarian Fine Art / Ilya Repin Institute of Painting, Sculpture and Architecture (1927–1933) in Leningrad. Member of the Union of Artists (1932). Taught at the Ilya Repin Institute of Painting, Sculpture and Architecture (1933–1942). Designed posters for the Fighting Pencil group of artists (1941–1942). People’s Artist of the RSFSR (1956), People’s Artist of the USSR (1958). Corresponding member and academic secretary (1947), full member (1954), Vice President (from 1958), President (1962–1968) of the USSR Academy of Arts, corresponding member of the East German Academy of Arts (1963). Member of the Awarding Committee for the Lenin and State prizes (from 1960). Winner of the Stalin Prize (1948,1951). Awarded medals “For the Defence of Leningrad”, “For Valiant Labour in the Great Patriotic War 1941–1945”, “For the Victory Over Germany in the Great Patriotic War 1941–1945” (1944–1945), Order of Lenin (1957), gold medal from the USSR Ministry of Culture (1958), silver medal at the World Exhibition in Brussels (1958), Order of the Red Banner of Labour.

Зенитчики

• Paper, watercolours
• ГМО «Художественная культура Русского Севера» (Архангельск)

На фронт. Зима 1941

• Canvas, oil
• Курганский художественный музей им. Г. А. Травникова

Сибиряки приехали

• Paper,
• Калужский музей изобразительных искусств

И.В. Сталин на оборонительных рубежах под Москвой

• Canvas, oil
• Ярославский художественный музей

Москва в 1942 году

• Canvas, oil
• Омский областной музей изобразительных искусств имени М. А. Врубеля

Москва героическая

• Canvas, oil
• The State Russian Museum

Москва зимой 1941–1942 гг.

• Canvas, oil
• Омский областной музей изобразительных искусств имени М. А. Врубеля

На защиту Москвы

• Canvas, oil
• Астраханская государственная картинная галерея им. П. М. Догадина

Панфиловцы

• Paper, сharcoal
• Курганский художественный музей им. Г. А. Травникова

Патриотическое молебствие 22 июня 1942 года в Москве

• Canvas, oil
• Ярославский художественный музей

Салют

• Paper, linocut
• Таганрогский художественный музей

Летнее утро в военной Москве (огороды)

• Canvas, oil
• Чувашский государственный художественный музей (Чебоксары)

Москва

• Canvas, oil
• Севастопольский художественный музей имени М.П. Крошицкого

Ночной дозор

• Paper, linocut
• Чувашский государственный художественный музей (Чебоксары)

Портрет маршала К.К. Рокоссовского

• Canvas, oil
• Курганский художественный музей им. Г. А. Травникова

Салют в Москве

• Paper, watercolours, gouache, whiting, ink
• The State Russian Museum

Москва салютует

• Paper, watercolours, gouache, ink
• The State Russian Museum

Участник битвы за Москву Г.И.Хетогуров

• Paper,
• Таганрогский художественный музей

Панфиловцы

• Canvas, oil
• Национальный музей им. А.В.Анохина, Горно-Алтайск

Портрет сибирского богатыря Нестора Козина

• Canvas, oil
• Государственный художественный музей Алтайского края (Барнаул)

Painter, graphic artist, monumentalist, theatrical and cinema artist; painted revolutionary historical, battle and genre paintings, portraits, landscapes and still lifes. Studied at Ilya Mashko’s art studio in Moscow (1914–1918); State Free Art Studios / VKhUTEMAS (1920–1922). Contributed to exhibitions (from 1921). Taught at the Moscow Institute of Decorative and Applied Arts (1948–1951); Moscow Teaching Institute (1952–1953); Vasily Surikov State Institute of Art in Moscow (1953–1962). Professor (1949). Part of the team of artists that created the Storming of Perekop panorama and diorama series (1935–1938). Headed the group of artists that created The First Cavalry at the Rear of Wrangel’s Army diorama (1936–1937). Head of the Okna TASS political poster studio (1941–1946). Headed the team that recreated The Siege of Seva stopol (1854–1855) panorama by Franz Roubaud (1946–1949). Honoured Artist of the RSFSR (1944), People’s Artist of the RSFSR (1959), full member of the USSR Academy of Arts (1949). Winner of the Stalin Prize (1942, 1949).

Painter, graphic artist, painting restorer, art and literature expert. Studied at the Moscow University department of mathematics (1911–1916), Vasily Meshkov’s studio in Moscow (1913–1914) and the Moscow School of Painting, Sculpture and Architecture (1914–1917). Worked as a restorer in the Central Restoration Studios (1924–1927); head of the restoration department at the State Museum of Fine Arts in Moscow (1927–1932), chief artist at the All-Union Agricultural Exhibition (1938–1939, 1949–1950), designer of the Soviet pavilion for the International Agricultural Exhibition in Prague (1948). Winner of the Stalin Prize (1943, 1948). People’s Artist of the USSR (1944). Full member of the USSR Academy of Arts (1947). Doctor of Art Studies (1951).

Painter, draughtsman, theatrical designer, monu¬mental and decorative artist. Studied under Vla ¬dimir Favorsky, Vadim Faliev and Sergei Malyutin at the Higher Art and Technical Studios in Moscow (1920–1925). Contributed to exhibitions (from 1924). Contributed to the Society of Easel Artists (1925–1931, founding member), Izobrigade (1931). Taught at the Institute for Raising Artists Qualifi¬cations (1936–1937) and the All-Union State Insti ¬tute of Cinematography (1945–1972). Professor (1947).People sArtistoftheUSSR(1954).Fullmem¬ber of the Academy of Arts of the USSR (1967).

Вид на горящий город. Сталинград, август 1942 год

• Cardboard, oil
• Ilya Mashkov Museum of Fine Arts, Volgograd

Из серии «Сталинград»

• Paper, graphite pencil
• Сочинский художественный музей

Из серии «Сталинград»

• Paper, graphite pencil
• Сочинский художественный музей

На восстановлении Сталинграда

• Canvas, oil
• Ilya Mashkov Museum of Fine Arts, Volgograd

Окраина Сталинграда. Сталинград

• Paper, , ink
• Ilya Mashkov Museum of Fine Arts, Volgograd

Руины города-героя Сталинграда

• Cardboard, canvas, tempera
• Магнитогорская картинная галерея

Сталинград

• Canvas, oil
• The State Russian Museum

Сталинград. Восстановление. 1943 год

• Canvas, oil
• Ilya Mashkov Museum of Fine Arts, Volgograd

Сталинград. Место, где был пленён фельдмаршал Паулюс

• Paper, oil
• Ilya Mashkov Museum of Fine Arts, Volgograd

Сталинградский фронт. Донской фронт. Минёр

• Cardboard, oil
• Ilya Mashkov Museum of Fine Arts, Volgograd

Фонтан у вокзала. Сталинград

• Paper, , ink
• Ilya Mashkov Museum of Fine Arts, Volgograd

Переправа через Волгу у Сталинграда

• Canvas, oil
• Астраханская государственная картинная галерея им. П. М. Догадина

Портрет маршала К.К. Рокоссовского

• Canvas, oil
• Курганский художественный музей им. Г. А. Травникова

Русский солдат. Портрет Героя Советского Союза Г.Ф.Пантелеева

• Cardboard, oil
• Орловский музей изобразительных искусств

Сталинградцы

• Canvas, oil
• The State Russian Museum

Сталинградец

• Canvas, oil
• Воронежский областной художественный музей им. И.Н.Крамского

Иллюстрация к произведению В.П.Некрасова «В окопах Сталинграда»

• Paper,
• Воронежский областной художественный музей им. И.Н.Крамского

Иллюстрация к произведению В.П.Некрасова «В окопах Сталинграда»

• Paper,
• Воронежский областной художественный музей им. И.Н.Крамского

Сталинград. Соединение фронтов в районе Калача

• Canvas, oil
• Красноярский художественный музей имени В. И. Сурикова

Весна в Сталинграде 1943 года

• Canvas, oil
• Ilya Mashkov Museum of Fine Arts, Volgograd

Painter, graphic artist, teacher. Studied at the painting studio at the Samara University (1917–1921); State Free Art Studios in Samara (from 1919); under M. Stepanov at the Samara University (1917–1921); Dmitry Kardovsky’s Studio on Tverskaya (1921–1926), took lessons from Abram Arkhipov (1922). Contributed to exhibitions (from 1927). Member of the Union of Artists (1932). Taught at various art schools (1948–1957, 1959–1978). Contributed to the Storming of Perekop panorama (1935–1938). Full member of the USSR Academy of Arts (1947). Professor (1948). People’s Artist of the USSR (1965). Winner of the Stalin Prize (1941, 1946, 1948, 1950, 1952). Silver medal from the Ministry of Culture of the USSR (1958). Bronze medal at the World Exhibition in Brussels (1958).

Painter, graphic artist, theatrical designer, applied artist, sculptor.

Studied architecture at the Higher School of Art, Imperial Academy of Arts (1914-18) and at the Free Art Studios/Higher Art and Tech¬nical Studios in Petrograd (1920-23). Contributed to exhibitions (from 1917). 

Painter, graphic artist; theatrical designer. Studied at the Faculty of Law, Moscow University and studios of M. Le Blanc (1914–1916); VKhUTEMAS in Moscow (1922–1924). Contributed to exhibitions (from 1916). Professor, head of the painting and drawing department at the All-Union Institute of Cinematography (1938–1959). Honoured Artist of the RSFSR (1946), corresponding member of the USSR Academy of Arts (1947).

Город Варшава

• Paper,
• Муромский историко-художественный музей

Портрет маршала К.К. Рокоссовского

• Canvas, oil
• Курганский художественный музей им. Г. А. Травникова

Фронтовой приятель Саша

• Paper,
• Ярославский художественный музей

Рейхстаг 1945

• Cardboard, oil
• Калининградский музей изобразительных искусств

Руины. Дворец. Дрезден

• Ярославский художественный музей

Portrait of Georgy Zhukov

• 1945
• Canvas, oil
• 109 х 90
• The State Russian Museum

Georgy Konstantinovich Zhukov (1896–1974): Soviet military commander, Marshal of the Soviet Union (1943), four-times Hero of the Soviet Union (1939, 1944, 1945, 1956), deputy USSR People’s Commissar for defence and deputy Commander-in-Chief (from 1942). Commanderin-Chief of the group of Soviet Forces in Germany and high commander of the Soviet Administration (1945–1946). He was also a Hero of the Mongol People’s Republic. Pyotr Kotov’s work is an artistic document depicting a concrete person. The literature is silent about the circumstances surrounding the painting of the portrait, possibly linked to the fact that the popular commander fell into official disfavour in March 1946 and was removed by Stalin from the post of Deputy Minister of Armed Forces and Commander of Land Forces of the Odessa Military District and, two years later, the Urals Military District.

Берлин в мае 1945 года

• Canvas, oil
• Таганрогский художественный музей

Берлин. Бранденбургские ворота

• Canvas, pasted on cardboard, oil
• Омский областной музей изобразительных искусств имени М. А. Врубеля

Берлин. Бранденбургские ворота

• Paper,
• The State Russian Museum

Берлин. Канал Шпрее

• Canvas, oil
• Новосибирский государственный художественный музей

Берлин. Купол Рейхстага

• Paper,
• Донецкий республиканский художественный музей

Берлин. Май. Врытый в землю "Тигр"

• Paper,
• Ярославский художественный музей

Берлин. Рейхстаг

• Graphite pencil
• Ярославский художественный музей

Берлин. Рейхстаг

• Cardboard, oil
• The State Russian Museum

Берлинская операция. Пленный немецкий офицер

• Paper, , graphite pencil
• Ярославский художественный музей

Берлинский житель смотрит на советских солдат

• Paper,
• Ярославский художественный музей

Бранденбургские ворота. 3 мая 1945

• Paper, , watercolours
• Донецкий республиканский художественный музей

Буда. Наши трофеи

• Paper,
• Донецкий республиканский художественный музей

В логове фашистского зверя

• Canvas, oil
• Владимиро-Суздальский историко-архитектурный и художественный музей-заповедник

В районе Александрплаца

• plywood, oil
• Чувашский государственный художественный музей (Чебоксары)

Автопортрет

• Paper,
• Муромский историко-художественный музей

Салют

• Canvas, oil
• Тверская областная картинная галерея

Салют в Москве

• Paper, watercolours, gouache, whiting, ink
• The State Russian Museum

Рейхстаг 1945

• Cardboard, oil
• Калининградский музей изобразительных искусств

1 мая 1945 года в Ленинграде

• Paper,
• Таганрогский художественный музей

В логове фашистского зверя

• Canvas, oil
• Владимиро-Суздальский историко-архитектурный и художественный музей-заповедник

Германия. Город Штаргард (?)

• Paper,
• Муромский историко-художественный музей

Мальчик

• Canvas, oil
• Севастопольский художественный музей имени М.П. Крошицкого

Москва салютует

• Paper, watercolours, gouache, ink
• The State Russian Museum

На Крымской конференции руководителей трех великих держав

• Bronze
• The State Russian Museum

Невский в праздник 9 июля 1945 года

• Canvas, oil
• The State Russian Museum

Победа

• Canvas, tempera
• The State Russian Museum

Победа. Знамя над Рейхстагом

• Canvas, oil
• The State Russian Museum

Победа. Этюд

• Cardboard, oil
• Муромский историко-художественный музей

Последний бросок. Штурм Рейхстага

• Paper, gouache
• Орловский музей изобразительных искусств

Праздник Победы на Набережной в городе Архангельске в мае 1945-го

• plywood, oil
• ГМО «Художественная культура Русского Севера» (Архангельск)

Рейхстаг

• Canvas, oil
• Ставропольский музей изобразительных искусств

Танцы

• Paper, gouache
• The State Russian Museum

Унтер ден Линден

• Paper,
• Курганский художественный музей им. Г. А. Травникова

Штурм Рейхстага

• Paper,
• Брянский областной художественный музейно-выставочный центр

1900, Rybinsk – 1951, Leningrad
Painter, graphic artist, theatrical designer, landscapist, portraitist; painted still lifes and genre scenes. Studiedatthe Baron Stieglitz Central School of Technical Drawing (1916–1917, 1920–1922) and under Alexei Karev and Alexei Savinov at the Higher Art and Technical Studios (1922–1925). Contributed to exhibitions (from 1922). Member and contributor to the exhibitions of the Union of New Trends in Art (1921–1922) and the Circle of Artists (1926–1932; founding member and chairman). Member of the Board of the Leningrad branch of the Union of Artists (1935). Member of the team of artists (1935) (headed by Alexander Samokhvalov) working on the panel Cotton for All-Union Agricultural Exhibition.

At the Crimea Conference

• 1945
• Canvas, oil
• 74,5 x 120
• The State Russian Museum

The meeting between the leaders of the three great powers — Britain, the USSR and the USA — that took place on 4–11 February 1945 at the Livadia Palace in Yalta, otherwise known as the Crimean Conference. When it was held, fighting was already underway within Germany, and the matter of postwar restructuring was one of the items on the agenda. The three countries were represented by Chairman of the Council of People’s Commissars of the USSR Joseph Stalin, British Prime Minister Winston Churchill, and US President Franklin D. Roosevelt.

Partisan. Two-Time Hero of the Soviet Union Major General Sidor Kovpak

• 1945
• Canvas, oil
• 11х 90
• The State Russian Museum

В рабство

• Canvas, oil
• Омский областной музей изобразительных искусств имени М. А. Врубеля

Твардовский в иллюстрациях. Про солдата-сироту

• Paper, ink
• Калининградский музей изобразительных искусств

Первые дни мира. В трамвае

• Canvas, oil
• Калининградский музей изобразительных искусств

A Fascist Flew By

• 1947
• Canvas, oil
• 134,5 х 181
• The State Russian Museum

Зоя Космодемьянская перед казнью

• Canvas, oil
• Омский областной музей изобразительных искусств имени М. А. Врубеля

Первый салют в Ленинграде

• Paper,
• Омский областной музей изобразительных искусств имени М. А. Врубеля

Сын вернулся

• Canvas, oil
• Оренбургский областной музей изобразительный искусств

The People in the Second World War

• 1948
• Canvas, oil
• 200 х 300
• The State Russian Museum

To create a rich image to express what the country had experienced, Deineka used a poster-like compositional treatment with a precisely balanced linear rhythm and a combination of several subjects of differing scales. Taking a scene he’d personally witnessed, the artist recreated it to reflect its importance in historical terms. The female figure in the foreground is allegorically charged: the motherland herself seeing her sons off to the front. The road’s broad diagonal divides the pictorial space into two planes, intensifies the composition’s expressive dynamism and symbolises both progress towards victory and the coming life of peacetime.

В тыл к противнику (На боевое задание)

• Canvas, oil
• Омский областной музей изобразительных искусств имени М. А. Врубеля

Герой Советского Союза Г.П.Ионин

• Bronze
• Омский областной музей изобразительных искусств имени М. А. Врубеля

Допрос в землянке

• Canvas, oil
• Омский областной музей изобразительных искусств имени М. А. Врубеля

Корреспондент беседует на передовой с бойцами

• Астраханская государственная картинная галерея им. П. М. Догадина

Portrait of Two-Time Hero of the Soviet Union Major Ivan Pavlov

• 1949
• Canvas, oil
• The State Russian Museum

He Writes the Word “Peace”

• From the Struggle for Peace composition. 1950
• Bronze
• 60 x 87 x 48
• The State Russian Museum

The Youth of the World

• From the Struggle for Peace composition. 1950
• Bronze
• 106,7 x 87,5 x 52,5
• The State Russian Museum

Крепостная церковь

• Cardboard, oil
• Приморская государственная картинная галерея (Владивосток)

Сбор винограда (Встреча героя)

• faience, painting, glaze
• Чувашский государственный художественный музей (Чебоксары)

Суровое время

• Paper,
• Омский областной музей изобразительных искусств имени М. А. Врубеля

Painter. Studied at Moisei Toidze’s art studio (1922–1924) and the Academy of Arts in Tiflis (1924–1929). Contributed to exhibitions (from 1935). Stalin Prize winner (1946, 1951).

Painter, graphic artist. Studied under Archangelsky at the Simbirsk Theological College (1908-1912), at the Stroganov School of Art and Industry (1912-1914, occasional student), advised by Fyodor Fedorovsky (1914-1917) and studied sculpture under Sergei Volnukhin at the Moscow School of Painting, Sculpture and Architecture and painting under Leonid Pasternak, Alexei Korin, Apollinary Vasnetsov and Alexei Stepanov in studios. Contributed to exhibitions (from 1921).

Painter, graphic artist, sculptor, poster designer. Helped to decorate streets on Communist holidays. Studied at the Kharkiv School of Art (1914-1918) and the Free/Higher Art and Technical Studios (1920-1925). Contributed to exhibitions (from 1924). Member of the Union of Artists (from 1932). Taught at the Higher Art and Technical Institute (1928–1930), Moscow Institute of Polygraphy (1930–1934), Vasily Surikov Institute of Art (1936, 1946, 1957–1964), Moscow Institute of Applied and Decorative Art (1945–1952) and Moscow Institute of Architecture (1953–1957). Business trips to Italy, France and the USA (1935). Full member of the Academy of Arts of the USSR (1947). Vice President of Academy of Arts of the USSR (1962, 1966). People\'s Artist of the USSR (1963). Corresponding member of the Academy of Arts of the GDR (1964). Hero of Socialist Labour (1969). Awarded the Lenin Prize (1964). 

Sculptor. Studied in Petrograd / Leningrad at the Baron Stieglitz Central School of Technical Drawing (1908–1909); School of Drawing of the Society for the Encouragement of the Arts (1909–1911); Higher School of Art at the Imperial Academy of Arts (1911–1916). Contributed to exhibitions (from 1916). Vice President of the USSR Academy of Arts (1947–1966). Headed the sculpture studio at the Academy of Arts in Leningrad (1947–1952) and his studio at the Vasily Surikov Institute of Art in Moscow (from 1952). Winner of the Stalin Prize (1941, 1943, 1950). Gold medal from the Academy of Arts for the Lenin statue for the Soviet pavilion at the World Exhibition in Brussels (1958).

Portrait of Partisan V

• 1942
• Canvas, oil
• 101 х 83
• The State Russian Museum

The painting depicts Dmitry Ivanovich Vlasov, an engineer at the Dubrovka Wood Processing Factory who commanded the 164th Vsevolozhsk Partisan Detachment from 1941 onwards.

Portrait of Partisan V.

• 1942
• Canvas, oil
• 48 x 40
• The State Russian Museum

In 1942 Proshkin was sent on assignment to a partisan headquarters in Malaya Vishera, Leningrad Region. The trip resulted in a series of portraits and thematic paintings devoted to partisan life, which the artist exhibited in 1942 and 1943.

Батя

• Canvas, oil
• Магнитогорская картинная галерея

Допрос пленного

• Paper,
• Музей изобразительных искусств Кузбасса (Кемерово)

Налет партизан на штаб немецкой части. Эскиз.

• Canvas, oil
• Калужский музей изобразительных искусств

Партизан

• Paper,
• Нижнетагильский музей изобразительных искусств

Партизан в ушанке и с автоматом

• Paper, ink,
• The State Russian Museum

Партизанка

• Gypsum
• The State Russian Museum

Партизанский отряд

• Canvas, oil
• The State Russian Museum

Портрет командира партизанского отряда Поддубина

• Paper,
• Тверская областная картинная галерея

Портрет комиссара группы гомельских партизан А.А.Куцака

• Canvas, oil
• Нижнетагильский музей изобразительных искусств

Портрет партизанки Вали Сафроновой

• Canvas, oil
• Нижнетагильский музей изобразительных искусств

У карты

• Gypsum
• The State Russian Museum

A Partisan’s Mother

• Study for the painting of the same name (1943, Tretyakov Gallery). 1943
• Canvas, oil
• 113 х 84,5
• The State Russian Museum

When creating this painting, the artist didn’t have any particular woman in mind but rather all Russian women who’d replaced their husbands and sons in the fields after the latter had gone off to war. These women endured and survived under wartime conditions thanks to their great spiritual strength, will and courage.

Портрет Батьки Миная

• Canvas, oil
• Севастопольский художественный музей имени М.П. Крошицкого

Девушка-партизанка из-под Пскова

• Paper,
• Брянский областной художественный музейно-выставочный центр

Партизан-школьник

• Paper,
• Брянский областной художественный музейно-выставочный центр

Партизанка

• Canvas, oil
• Тверская областная картинная галерея

Портрет комиссара партизанского отряда "Вперед" Пивуева М.П.

• Canvas, oil
• Владимиро-Суздальский историко-архитектурный и художественный музей-заповедник

Похороны партизана

• Paper,
• Музей изобразительных искусств Кузбасса (Кемерово)

Painter, graphic artist, book designer; master of genre paintings, landscapes, still lifes. Studied at the College of Folk Art (1921–1923) in Kharkiv, at Nikolai Starozhevsky’s School of Art (1920–1923); VKhUTEMAS / VKhUTEIN in Leningrad (1924–1930). Contributed to exhibitions (from 1931). Designed street decorations (1930s). One of the founding member of the Leningrad Union of Artists (1932), executive secretary (1938–1945) and member of the Board (1937–1942). Seconded to the partisan command unit at Malaya Vishera in Leningrad Region (1942). Taught drawing at the Leningrad Institute of Industrial Construction (from 1938); Vera Mukhina School of Art and Industry (from 1948) where founded the painting department (1951). Professor (1967).

Painter, poster designer. Studied at the Poltava Studio of Art (1922–1923), the Leningrad College of Art and Industry (1924–1927) and VKhUTEIN / Institute of Proletarian Fine Arts (1927–1931) in the theatrical design department, and simultaneously at Vasily Savinsky’s private studio. Contributed to exhibitions (from 1925). Worked as a designer (1931–1937). Contributed to the design of the film Counterplan (1941) at Lenfilm Studios. Lived in besieged Leningrad (1941–1945); worked as a poster designer. Taught at the Ilya Repin Institute of Painting, Sculpture and Architecture (1948–1979). Professor (1946). Chairman of the Leningrad Union of Artists (1948–1952; 1954–1958). Corresponding member of the USSR Academy of Arts (1947). People’s Artist of the USSR (1965).

В очаге поражения

• Paper,
• The State Russian Museum

За водой

• Bronze
• The State Russian Museum

Ожидание

• Canvas, oil
• Башкирский государственный художественный музей им. М.В.Нестерова, Уфа

Portrait of Maria Petrova

• 1942
• Canvas, oil
• The State Russian Museum

Maria Grigorievna Petrova (1906–1992): Leningrad radio artist. People’s Artist of the RSFSR (1978). Wife of the artist.

Maria Petrova worked as a political instructor at the House of Radio in Leningrad during the war. A member of the civil defence team of the Leningrad Radio Committee, she helped to save people from under the rubble of destroyed houses. From 1942 onwards, she performed at the Maxim Gorky Theatre of Drama, recreated during the war and known as the legendary Blockade Theatre. Petrova’s voice inspired the citizens of Leningrad both during the siege and after the war. She worked on the radio for a total of fifty-six years.

Once, during the Siege of Leningrad, Maria Petrova exchanged her bread ration for a collection of poems by Alexander Pushkin. Thirty years later, she presented the book to the poet Sergei Davydov, who dedicated the poem A Gift to her:

Slim volume of poetry, so few like you:

Exchanging her last dry slices of bread

For a collection of Pushkin’s verses

In the hungry winter of ’41...

Maria Petrova was a regular wartime visitor to the Union of Artists, where she read out the stories of Vladimir Korolenko. Her future husband, Yaroslav Nikolaev, made sketches of her while she was reading. The image in the portrait is both touching and inspired. The harmony of the light-pink and white tones of the clothes and the softly painted background is natural and beautiful. The notes of lyricism in the sitter’s outer appearance and the painterly resolution are particularly distinctive in comparison with such other works by the artist as Self-Portrait and Portrait of Vasily Vikulov.

Воин Красной Армии, спаси!

• The State Russian Museum

Жены рабочих Уралмаша шьют белье для бойцов

• Paper, ink,
• Нижнетагильский музей изобразительных искусств

За водой

• Canvas, oil
• The State Russian Museum

Казнь Зои Космодемьянской

• Paper, watercolours, gouache, , ink
• Чувашский государственный художественный музей (Чебоксары)

Ленинград. На набережной Фонтанки в августе 1942

• Paper, ,
• The State Russian Museum

Ленинградка. Февраль 1942 г.

• Paper,
• Брянский областной художественный музейно-выставочный центр

Мать. Блокада

• Canvas, oil
• Чувашский государственный художественный музей (Чебоксары)

Младший воентехник Гаккер

• Paper, сharcoal
• Приморская государственная картинная галерея (Владивосток)

На Неву за водой

• Государственный художественный музей Алтайского края (Барнаул)

Партизанка

• Gypsum
• The State Russian Museum

Пахомов А.Ф. В очаге поражения. Из серии «Ленинград в дни блокады». 1942

• Paper,
• Белгородский государственный художественный музей

Письмо на фронт

• Canvas, oil
• Таганрогский художественный музей

Письмо с фронта

• Canvas, oil
• Екатеринбургский музей изобразительных искусств

Портрет женщины-бойца

• Canvas, oil
• Чувашский государственный художественный музей (Чебоксары)

Портрет медсестры Нины Макшенюк

• Canvas, oil
• Таганрогский художественный музей

Портрет партизанки Вали Сафроновой

• Canvas, oil
• Нижнетагильский музей изобразительных искусств

Painter, graphic artist. Studied at School of Drawing of the Society for the Encouragement of the Arts (1915–1918); Petrograd State Free Art Studios / VKhUTEMAS (1918–1922). Contributed to exhibitions (from 1922). Member of the Union of Artists (1932).

Painter, graphic artist. Studied at the Red Army art studio in Mogilev (1920–1922); VKhUTEMAS / VKhUTEIN in Moscow, monumental sculpture department (1922–1930). Contributed to exhibitions (from 1929). Worked as a draughtsman and designer at the decoration studios of the Army’s political agitation unit in Mogilev and the Mitrophan Grekov Studio of Military Artists.

Портрет генерал-майора В.А.Дегтярева, конструктора стрелкового оружия

• Canvas, oil
• Владимиро-Суздальский историко-архитектурный и художественный музей-заповедник

Адьютант Круглов и командир звена

• Paper,
• Музей изобразительных искусств Кузбасса (Кемерово)

Балтиец

• Gypsum
• The State Russian Museum

Балтийцы

• The State Russian Museum

Будь героем!

• The State Russian Museum

Защитим город Ленина

• The State Russian Museum

Зенитчики

• Paper, watercolours
• ГМО «Художественная культура Русского Севера» (Архангельск)

Краснофлотец с винтовкой. Севастополь

• Cardboard, oil
• Севастопольский художественный музей имени М.П. Крошицкого

Минирование моста

• Ink
• Музей изобразительных искусств Кузбасса (Кемерово)

На фронт. Зима 1941

• Canvas, oil
• Курганский художественный музей им. Г. А. Травникова

Наше дело правое - Победа будет за нами

• The State Russian Museum

Портрет военного

• Paper,
• Нижнетагильский музей изобразительных искусств

Поясной портрет солдата в бушлате, подпоясанном ремнём

• Paper, graphite pencil
• ГМО «Художественная культура Русского Севера» (Архангельск)

Сибиряки приехали

• Paper,
• Калужский музей изобразительных искусств

Юный разведчик. Шевчук Володя

• Paper,
• Калужский музей изобразительных искусств

Старшина Храпов

• Paper, ink, sepia
• The State Russian Museum

Defence of Sebastopole

• 1942
• Canvas, oil
• 200 x 400
• The State Russian Museum

The picture was painted in 1942, during the height of the Second World War. The artist wrote: “I was in the war and saw the battles and many grave and heroic episodes. For some reason, I decided to paint Defence of Sebastopole, although I did not see the resistance of the city; I only heard the tales about the defence. Why did I paint this work? I love Sebastopole, a town I often visited before the war, on ships and cruisers… When I saw photographs of the ruined town, I realized that I had to paint this picture. When I was working on it, I experienced everything for real and put my whole heart into it.”

Portrait of Partisan V

• 1942
• Canvas, oil
• 101 х 83
• The State Russian Museum

The painting depicts Dmitry Ivanovich Vlasov, an engineer at the Dubrovka Wood Processing Factory who commanded the 164th Vsevolozhsk Partisan Detachment from 1941 onwards.

Portrait of Partisan V.

• 1942
• Canvas, oil
• 48 x 40
• The State Russian Museum

In 1942 Proshkin was sent on assignment to a partisan headquarters in Malaya Vishera, Leningrad Region. The trip resulted in a series of portraits and thematic paintings devoted to partisan life, which the artist exhibited in 1942 and 1943.

Автопортрет

• Paper, graphite pencil
• ГМО «Художественная культура Русского Севера» (Архангельск)

Ребята, заменим отцов и братьев, ушедших на фронт! Поможем убрать урожай!

• The State Russian Museum

Юный разведчик. Шевчук Володя

• Paper,
• Калужский музей изобразительных искусств

Воин Красной Армии, спаси!

• The State Russian Museum

На Неву за водой

• Государственный художественный музей Алтайского края (Барнаул)

Письмо на фронт

• Canvas, oil
• Таганрогский художественный музей

Письмо с фронта

• Canvas, oil
• Екатеринбургский музей изобразительных искусств

Работа детского дома для фронта (5-й детдом Ленфронту)

• Canvas, oil
• The State Russian Museum

Уборка снега

• Paper,
• Удмуртский республиканский музей изобразительных искусств, Ижевск

Брат и сестра

• Paper, watercolours
• Чувашский государственный художественный музей (Чебоксары)

В рабство

• Paper, watercolours, gouache
• Чувашский государственный художественный музей (Чебоксары)

Воронеж. На родные места

• gouache
• Воронежский областной художественный музей им. И.Н.Крамского

Воспитанник полка

• Paper,
• Мурманский областной художественный музей

Юный водопроводчик

• Bronze
• The State Russian Museum

Партизан-школьник

• Paper,
• Брянский областной художественный музейно-выставочный центр

Салют 27 января 1944 года

• The State Russian Museum

Юноши и девушки города Ленина, самоотверженно трудитесь на помощь фронту!

• The State Russian Museum

Дети на пушке

• Paper, ink
• Музей изобразительных искусств Кузбасса (Кемерово)

Мальчик

• Canvas, oil
• Севастопольский художественный музей имени М.П. Крошицкого

Медаль за оборону Ленинграда

• Paper, gouache, сharcoal
• The State Russian Museum

Сын полка Василёк

• Paper, сharcoal ,
• Донецкий республиканский художественный музей

Портрет генерал-майора В.А.Дегтярева, конструктора стрелкового оружия

• Canvas, oil
• Владимиро-Суздальский историко-архитектурный и художественный музей-заповедник

Интерьер военного времени

• Paper,
• Музей изобразительных искусств Кузбасса (Кемерово)

Портрет Г.С.Улановой

• Bronze, marble
• The State Russian Museum

Ребята, заменим отцов и братьев, ушедших на фронт! Поможем убрать урожай!

• The State Russian Museum

Саксаульск

• Paper, watercolours
• Оренбургский областной музей изобразительный искусств

Portrait of Maria Petrova

• 1942
• Canvas, oil
• The State Russian Museum

Maria Grigorievna Petrova (1906–1992): Leningrad radio artist. People’s Artist of the RSFSR (1978). Wife of the artist.

Maria Petrova worked as a political instructor at the House of Radio in Leningrad during the war. A member of the civil defence team of the Leningrad Radio Committee, she helped to save people from under the rubble of destroyed houses. From 1942 onwards, she performed at the Maxim Gorky Theatre of Drama, recreated during the war and known as the legendary Blockade Theatre. Petrova’s voice inspired the citizens of Leningrad both during the siege and after the war. She worked on the radio for a total of fifty-six years.

Once, during the Siege of Leningrad, Maria Petrova exchanged her bread ration for a collection of poems by Alexander Pushkin. Thirty years later, she presented the book to the poet Sergei Davydov, who dedicated the poem A Gift to her:

Slim volume of poetry, so few like you:

Exchanging her last dry slices of bread

For a collection of Pushkin’s verses

In the hungry winter of ’41...

Maria Petrova was a regular wartime visitor to the Union of Artists, where she read out the stories of Vladimir Korolenko. Her future husband, Yaroslav Nikolaev, made sketches of her while she was reading. The image in the portrait is both touching and inspired. The harmony of the light-pink and white tones of the clothes and the softly painted background is natural and beautiful. The notes of lyricism in the sitter’s outer appearance and the painterly resolution are particularly distinctive in comparison with such other works by the artist as Self-Portrait and Portrait of Vasily Vikulov.

Urgent Order for the Front

• 1942
• Canvas, oil
• 66 x 86
• The State Russian Museum

Nikolai Dormidontov spent the entire Siege of Leningrad in his native city. His many paintings and drawings tell the story of the epic struggle of the people of Leningrad. The besieged citizens not only fought against the cold and hunger; they also spent entire days and nights in the factories, making ammunitions for the front. The tense tones and dynamic composition reflect the heroism of the citizens, manufacturing a new tank at the Kirov Factory.

Готовые танки

• Paper, ink,
• Нижнетагильский музей изобразительных искусств

Жены рабочих Уралмаша шьют белье для бойцов

• Paper, ink,
• Нижнетагильский музей изобразительных искусств

На оборонных работах. Заполярье

• Canvas, oil
• ГМО «Художественная культура Русского Севера» (Архангельск)

Операция в институте им. Склифосовского в годы войны

• Canvas, oil
• Брянский областной художественный музейно-выставочный центр

Патриотическое молебствие 22 июня 1942 года в Москве

• Canvas, oil
• Ярославский художественный музей

Работа детского дома для фронта (5-й детдом Ленфронту)

• Canvas, oil
• The State Russian Museum

Сборка зенитных орудий на одном из уральсих заводов

• Paper, ink,
• Нижнетагильский музей изобразительных искусств

Токарь-стахановец А.Иванов

• Paper, graphite pencil
• Нижнетагильский музей изобразительных искусств

Уральский писатель П.П. Бажов среди раненых в госпитале

• Paper, graphite pencil
• Нижнетагильский музей изобразительных искусств

Илецкая Защита

• Paper, watercolours
• Музей изобразительных искусств Кузбасса (Кемерово)

Около Козолинска

• Paper, watercolours
• Оренбургский областной музей изобразительный искусств

Д.Д.Шостакович. Набросок

• Paper, сharcoal
• The State Russian Museum

Домны Кузбасса

• Canvas, gouache
• Музей изобразительных искусств Кузбасса (Кемерово)

Sculptor, decorative and easel master, theatrical designer, applied artist, portraitist. Studied at the Konstantin Juon School of Art in Moscow (1909–1911), Ilya Mashkov’s studio (1911), under Émile Antoine Bourdelle and at the Académie de Filippo Colarossi, Académie de la Palette, Académie de la Grande-Chaumière and the Académie des Beaux-Arts in Paris (1912–1914). Contributed to exhibitions (from 1920).

Балтиец

• Gypsum
• The State Russian Museum

Балтийцы

• The State Russian Museum

Защитим город Ленина

• The State Russian Museum

Краснофлотец с винтовкой. Севастополь

• Cardboard, oil
• Севастопольский художественный музей имени М.П. Крошицкого

Defence of Sebastopole

• 1942
• Canvas, oil
• 200 x 400
• The State Russian Museum

The picture was painted in 1942, during the height of the Second World War. The artist wrote: “I was in the war and saw the battles and many grave and heroic episodes. For some reason, I decided to paint Defence of Sebastopole, although I did not see the resistance of the city; I only heard the tales about the defence. Why did I paint this work? I love Sebastopole, a town I often visited before the war, on ships and cruisers… When I saw photographs of the ruined town, I realized that I had to paint this picture. When I was working on it, I experienced everything for real and put my whole heart into it.”

Зимние залпы Балтики

• Canvas, oil
• Астраханская государственная картинная галерея им. П. М. Догадина

Моряк-балтиец

• Bronze
• The State Russian Museum

Патруль

• Paper, gouache
• The State Russian Museum

Подводная лодка

• Canvas, oil
• ГМО «Художественная культура Русского Севера» (Архангельск)

Суда

• Paper, gouache
• The State Russian Museum

Севастополь

• Paper, gouache
• Калужский музей изобразительных искусств

The Taking of Sevastopol

• 1944-1947
• Canvas, oil
• 317 х 494,5
• The State Russian Museum

The painting was shown in 1948 at the all-union art exhibition in the Pushkin Museum of Fine Arts in Moscow dedicated to the Soviet military’s 30th anniversary. The artist received a 3rd-degree State Prize for this exemplary work of the Soviet battle-painting genre, which in this case intersects with the historical genre, since it depicts a real historic event. The painting records the climactic moment in one of the key episodes of the Second World War, the liberation of Sevastopol from enemy occupation.

Набеговый рейд черноморских кораблей у Одессы

• Canvas, oil
• Курганский художественный музей им. Г. А. Травникова

Проводка каравана в Белом море

• Paper, gouache
• ГМО «Художественная культура Русского Севера» (Архангельск)

Эсминец

• Canvas, oil
• ГМО «Художественная культура Русского Севера» (Архангельск)

Клятва балтийцев

• Canvas, oil
• The State Russian Museum

Сталинградец

• Canvas, oil
• Воронежский областной художественный музей им. И.Н.Крамского

Заветный камень

• Canvas, oil
• Новокузнецкий художественный музей

Конвой

• Paper, sepia
• Мурманский областной художественный музей

Подводники

• Paper, sepia
• Мурманский областной художественный музей

Painter, graphic artist, monumentalist. Studied architecture (1937–1940) and painting (1940–1946) at the Ilya Repin Institute of Painting, Sculpture and Architecture. Contributed to exhibitions (from 1946). Taught at the Ilya Repin Institute of Painting, Sculpture and Architecture (from 1947), headed the studio of monumental painting (from 1953). Professor (1957). Full member of the Academy of Arts of the USSR (1966). People’s Artist of the USSR (1976). Winner of the Stalin Prize for "On Peaceful Fields" (1951). Awarded a silver medal by the Ministry of Culture of the USSR for "Awakening" (1958).