St Boris and St Gleb

• Mid-14th century
• Wood, gesso, tempera. 142,5 x 94,3 x 2,5
• The State Russian Museum
• ДРЖ-2117

St Boris and St Gleb were the youngest of the twelve sons of Prince Vladimir of Kiev (978–1015). Boris ruled Rostov and Gleb ruled Murom.After Prince Vladimir’s death in 1015, their brother, Svyatopolk of Turov, seized the throne of Kiev for himself and had the brothers murdered. For his act of fratricide, Svyatopolk became known in Russia as «the cursed”. Boris and Gleb were known for their humility and Christian virtues.

For meekly accepting death and refusing to raise their hands against their brother, they were worshipped as «passion-bearers”. Symbolising Christian meekness in the face of internecine warfare and sibling rivalry, Boris and Gleb were regarded as the first Russian martyrs. Their humble acceptance of death was likened to Christ’s own sacrifice and death on the cross. In 1037, Jaroslav the Wise canonized the two brothers, who became the first Russian saints.

This particular icon depicts the two princes in royal robes, holding crosses and swords. The professional attributes of the work suggest that it was painted by a leading icon-painter in the fourteenth century. Russian Museum: From Icons to the Modern Times. Palace Editions, St Petersburg, 2015. P. 41.

Богоматерь Знамение и избранные святые: преподобный Варлаам Хутынский, святитель Иоанн Милостивый, мученицы Параскева и Анастасия

• Wood, tempera. 66,3 × 50,2 × 2,6
• The State Russian Museum
• ДРЖ-2061

Преподобный Варлаам Хутынский

• Wood, gesso, tempera. 131,0 х 46,5 х 2,5
• The State Russian Museum
• ДРЖ-1907

St Cyril of Beloozero

• Pavoloka. 121,7 х 62 х 3
• The State Russian Museum
• ДРЖ-2733

Образок «Никола - Борис и Глеб»

• Silver, , carving, engraving.
• The State Russian Museum
• ДРКам-57

Три святых - Варлаам, Иоанн Златоуст и Сергий

• Wood, gesso, tempera, , . 27,1 х 21,0 х 2,1
• The State Russian Museum
• ДРЖ-470

Лицевой покров "Кирилл Белозерский"

• Damask, canvas, , , , . 150,5 х 116,7
• The State Russian Museum
• ДРТ-262

Лицевой покров "Кирилл Белозерский"

• Damask, canvas, , stitching. 150,5 х 116,7
• The State Russian Museum
• ДРТ-293

Лицевой покров "Кирилл Белозерский"

• Canvas, , , . 150,5 х 116,7
• The State Russian Museum
• ДРТ-304

Лицевой покров «Антоний Печерский»

• Silk, canvas, , , . 193,0 х 77,5
• The State Russian Museum
• ДРТ-305

Пелена "Кирилл Белозерский"

• Damask, , , , , . 150,5 х 116,7
• The State Russian Museum
• ДРТ-276

Преподобный Кирилл Белозерский, с житием в двадцати одном клейме

• Wood, , , , pavoloka. 150,5 х 116,7
• The State Russian Museum
• ДРЖ-2741

Преподобный Сергий Радонежский, с житием в 12 клеймах

• Wood, , , tempera. 51 х 40,2 х 2,3
• The State Russian Museum
• ДРЖ-1195

Резная икона «Богоматерь на троне и Кирилл Белозерский»

• Wood, carving, , silver, chasing, engraving.
• The State Russian Museum
• БК-3467/а,б

Святые князья Борис и Глеб

• Wood, gesso, tempera. 116 х 82,5 х 2,5
• The State Russian Museum
• ДРЖ-3273

Лицевой покров "Кирилл Белозерский"

• Silk, canvas, , , , . 150,5 х 116,7
• The State Russian Museum
• ДРТ-306

Явление Богоматери Сергию Радонежскому

• Wood, carving, tempera painting, , silver, chasing, engraving. 27,8 х 19,8 х 1
• The State Russian Museum
• ДРД-171

Богоматерь Одигитрия Смоленская, со святыми Кириллом Белозерским и Сергием Радонежским (?) на полях

• Wood, gesso, tempera. 26,2 х 20,5 х 1,8
• The State Russian Museum
• ДРЖ-1005

Погребение преподобного Варлаама Хутынского

• Wood, gesso, tempera, , . 22,8 х 18,4 х 1,5
• The State Russian Museum
• ДРЖ-37

Преподобный Варлаам Хутынский

• Wood, gesso, silver, fabric, tempera, , chasing, . 30,7 х 23,6 х 2,7
• The State Russian Museum
• ДРЖ-251

Dionysius and Workshop

Dionysius

Circa 1440 - Before 1508

Old Russian painter of icons and frescoes. Headed a team of artists including two of his sons — Vladimir and Theodosius. Painted the frescoes and iconostasis of the Cathedral of the Dormition in the Moscow Kremlin (1481) and the Cathedral of the Nativity of the Blessed Virgin in the St Ferapont Monastery (1502-03). Created one of the recognised masterpieces of Old Russian icon-painting - The Crucifixion (1500).

St Boris and St Gleb

• Mid-14th century
• Wood, gesso, tempera. 142,5 x 94,3 x 2,5
• The State Russian Museum
• ДРЖ-2117

St Boris and St Gleb were the youngest of the twelve sons of Prince Vladimir of Kiev (978–1015). Boris ruled Rostov and Gleb ruled Murom.After Prince Vladimir’s death in 1015, their brother, Svyatopolk of Turov, seized the throne of Kiev for himself and had the brothers murdered. For his act of fratricide, Svyatopolk became known in Russia as «the cursed”. Boris and Gleb were known for their humility and Christian virtues.

For meekly accepting death and refusing to raise their hands against their brother, they were worshipped as «passion-bearers”. Symbolising Christian meekness in the face of internecine warfare and sibling rivalry, Boris and Gleb were regarded as the first Russian martyrs. Their humble acceptance of death was likened to Christ’s own sacrifice and death on the cross. In 1037, Jaroslav the Wise canonized the two brothers, who became the first Russian saints.

This particular icon depicts the two princes in royal robes, holding crosses and swords. The professional attributes of the work suggest that it was painted by a leading icon-painter in the fourteenth century. Russian Museum: From Icons to the Modern Times. Palace Editions, St Petersburg, 2015. P. 41.

Образок «Никола - Борис и Глеб»

• Silver, , carving, engraving.
• The State Russian Museum
• ДРКам-57

Святые князья Борис и Глеб

• Wood, gesso, tempera. 116 х 82,5 х 2,5
• The State Russian Museum
• ДРЖ-3273

Убиение Бориса

• 1835–1838
• Paper, etching.
• The State Russian Museum
• Гр.-12410

Избранные святые Борис, Александр Невский, Глеб

• Wood, gesso, fabric, , . 18,0 х 15,6 х 1,8
• The State Russian Museum
• ДРЖ Б-1573

Князья Борис и Глеб

• 1896–1898
• Cardboard, oil. 31 х 38,8
• The State Russian Museum
• Ж-1825

Ship (Boris and Gleb Sailing)

• 1926
• Canvas, oil. 105,5 х 89
• The State Russian Museum
• Ж-9056

Пластина «Видение Бориса и Глеба воину Пельгусию»

• Papier-mâche, tempera, gold, varnish, painting.
• The State Russian Museum
• ОНИ/Р-3923

Boris and Gleb

• 1942
• Tempera, canvas. 61 х 123
• The State Russian Museum
• Ж-7089

St Boris and St Gleb were two sons of Grand Prince Vladimir, the ruler of Kievan Rus who accepted Christianity in 988. Following Christian teachings, Boris and Gleb would not go against their elder brother; they prevented his murder, and thereby strengthened the principles of Orthodoxy that had come to replace paganism with its harsh and savage customs. Because of their many good works the two brothers, who were murdered in 1015, were the first princes to be canonized by the Russian and Byzantine Churches.

Декоративный кубок «Борис и Глеб»

• 1990
• .
• The State Russian Museum
• Рк-455

Bruni Fidelio (Fyodor Antonovich)

Painter, engraver, author of religious and history compositions, portraitist. Son of the painter and sculptor Antonio Baroffi-Bruni. Moved to Russia with his father (1807). Studied under Alexei Yegorov, Andrei Ivanov and Vasily Shebuyev at the Imperial Academy of Arts (from 1809). Graduated with a first-class degree (1818). Moved to Rome to con¬tinue his art education (1819). Returned to Russia and painted portraits and icons for churches and cathedrals in St Petersburg and environs (1835-38). Lived and worked in Rome (1838-43, 1843-45). Honorary member of the Academies of Art of Bologna and Milan, professor of the Florentine Academy of Arts and St Luke\'\'s Academy in Rome. Taught at the Imperial Academy of Arts (1836-38, 1846-71). Second-class professor (1836), first-class professor (1846), rector of painting and sculpture (1855-71). Curator of the Imperial Hermitage picture gallery (1849-64), headed the mosaic studio at the Imperial Academy of Arts (from 1866

Ryabushkin Andrei Petrovich

Painter, graphic artist. Studied at the Moscow School of Painting, Sculpture and Architecture (1875-82) and the Imperial Academy of Arts (1882-90). Member of the Society of Artists of History Painting (from 1895), World of Art (from 1901) and the Union of Russian Artists (from 1903). Contributed to exhibitions at the Imperial Academy of Arts (from 1888).

Bilibin Ivan Yakovlevich

Graphic artist, theatrical designer. Studied at the Faculty of Law, St Petersburg University (1896–1900), School of Drawing, Society for the Encouragement of Arts (1895–1898), Anton Ažbè’s school in Munich (1898), under Ilya Repin at the Princess Maria Tenisheva School (1898–1900) and at the Higher School of Art, Imperial Academy of Arts (1900–1904). Contributed to exhibitions (from 1900). Founding member of the World of Art (1900–1917). Drew for World of Art, Hell’s Post, Bugbear and Golden Fleece and magazines. Designed for theatres (from 1907). Illustrated and designed children’s books — traditional heroic poems, folk tales and the fairytales of Alexander Pushkin — for publishing houses in St Petersburg (1900s). Illustrated the fairytales of Alexander Pushkin for Goslitizdat (1930s). Created his own highly original style of book design, based on the motifs of Russian folk and medieval art. 

Палех

Roerich Nicholas (Nikolai Konstantinovich)

Painter, theatrical designer, writer. Studied under Arkhip Kuindzhi at the Imperial Academy of Arts (1893-97), Faculty of Law, St Petersburg University (1893-98) and Fernand Cormon\'\'s studio in Paris (1900-01). Academician of painting (1909). Contributed to exhibitions (from 1895). Contributed to the exhibitions of the World of Art (1902, 1903, 191 1-17; founding member 1910; chairman 1910-13), Union of Russian Artists ( 1903-10; member from 1903), Salon d\'\'Automne (1906, 1907; member from 1906), Exposition Universelle in Paris (1900), World Exhibition in St Louis (1904), International Exhibitions in Munich (1909), Rome (1911, 1914) and Malmo (1914) and the Exhibitions of Russian Art in Paris (1906-08), Berlin (1906) and Vienna (1908). Director of the School of Drawing, Society for the Encouragement of the Arts (1906-16). Designed for theatres in Moscow and St Petersburg and Sergei Diaghilev\'\'s Saisons Russes (from 1907). Emigrated (1918). Settled in Kullu in India (1928).

Kholmogory

Апостолы Петр и Павел, святые князья Владимир и Александр Невский

• 1742
• Wood, , tempera. 53,5 х 44 х 2,8
• The State Russian Museum
• ДРЖ-2259

Крещение Российского народа при великом князе Владимире

• 1804
• Sepia, brush, nib. 55,9 х 82
• The State Russian Museum
• Р-5979

Святые Владимир и Ольга

• 1833
• Paper, watercolour. 59,2 х 43,9
• The State Russian Museum
• Р-35421

Крещение русского народа

• Paper, .
• The State Russian Museum
• Гр.-36044

Обращение князя Владимира в христианство

• 1866
• Canvas, oil. 170 х 230
• The State Russian Museum
• Ж-5634

Святой равноапостольный Владимир

• 1890s
• Canvas, oil. 148 х 62
• The State Russian Museum
• ЖБ-1301

Равноапостольный князь Владимир

• 1899–1900
• Paper, gouache, watercolour, white pigment, graphite pencil.
• The State Russian Museum
• Р-40874

Егор Иванов Грек

Vasily Shebuev

Нотбек Александр (Иоганн-Вильгельм фон) Васильевич

Unknown painter

Заболотский Петр Петрович

Бодаревский Николай Корнильевич

Nesterov Mikhail Vasilyevich

Painter, portraitist, landscape artist, genre painter, author of memoirs and essays on artists. Studied at the Moscow School of Painting, Sculpture and Architecture (1877-81, 1884-86) and the Imperial Academy of Arts (1881-84). Full member of the Imperial Academy of Arts (1910). Member of the Society of Travelling Art Exhibitions (1896) and founding member of the Union of Russian Artists (1903). Contributed to the exhibitions of the Society of Travelling Art Exhibitions (1889-1901), World of Art (1899-1901), 36 Artists (1901-03), Union of Russian Artists (1922, 1923), All-Russian Exhibition in Nizhny Novgorod (1896), Exposition Universelle in Paris (1900), International Exhibitions in Munich (1898,1909) and Rome (1911), Die erste russische Kunstausstellung in Berlin (1922) and the Exhibition of Russian Art in New York (1924). Honoured Artist of the RUSSIAN SOVIET FEDERATED SOCIALIST REPUBLIC (1942). 

Покров «Святой князь Александр Невский»

• 1642–1652
• Damask, taffeta, pearls, . 238 х 96
• The State Russian Museum
• ДРТ-294

Александр Невский

• Wood, gesso, silver, tempera. 31,2 х 23,6 х 2,8
• The State Russian Museum
• ДРЖ-2307

Александр Невский

• Wood, gesso, silver, fabric, tempera, engraving. 31,1 х 25,5 х 3,2
• The State Russian Museum
• ДРЖ-748

Князья Александр Невский и Михаил Тверской (?)

• Wood, gesso, silver, mother of pearl, velvet, tempera, , , . 30,8 х 24,6 х 2,0
• The State Russian Museum
• ДРЖ-2564

Покров «Святой князь Александр Невский»

• 1695–1697
• Damask, , pearls, emeralds, , silver, . 213 х 92
• The State Russian Museum
• ДРТ-296

Святой князь Александр Невский

• Wood, tempera. 34,5 х 29,5 х 3,2
• The State Russian Museum
• ДРЖ Б-272

Апостолы Петр и Павел, святые князья Владимир и Александр Невский

• 1742
• Wood, , tempera. 53,5 х 44 х 2,8
• The State Russian Museum
• ДРЖ-2259

Икона «Александр Невский»

• Mosaic.
• The State Russian Museum
• СТ-2

Иконка Благоверный великий князь Александр Невский

• Copper, metal, . 5,3 х 4
• The State Russian Museum
• ОНИ/Р-784

Пластина Благоверный великий князь Александр Невский

• Copper, . 5,8 х 4,9
• The State Russian Museum
• ОНИ/Р-783

Воскресение Христово (девятичастная)

• Wood, mixed media, . 45,2 х 38 х 2,7
• The State Russian Museum
• ДРЖ Б-1406

Пластина «Святой князь Александр Невский»

• Bone, carving. 10,3 х 19
• The State Russian Museum
• ДРК-105

Александр Невский, Андрей Юродивый и Екатерина

• 1812
• Wood, gesso, tempera. 31,5 х 27,5 х 3,0
• The State Russian Museum
• ДРЖ Б-634

Благоверный князь Александр Невский

• 1819
• Canvas, oil. 165 х 67
• The State Russian Museum
• Ж-3303

Святой князь Александр Невский

• Wood, oil, , . 35,6 х 28,0 х 2,2
• The State Russian Museum
• ДРЖ Б-1794

Святой князь Александр Невский, с житием в шестнадцати клеймах

• Wood, , tempera. 53 х 44 х 2,5
• The State Russian Museum
• ДРЖ Б-219

Александр Невский

• Ink, nib, sepia. 29 x 13,1
• The State Russian Museum
• Р-26427

Александр Невский

• Paper, ink, nib, sepia, graphite pencil. 17,3 x 8,2
• The State Russian Museum
• Р-26610

Четыре эскиза изображений св. Спиридона, Александра Невского и др.

• Paper, , graphite pencil, ink, nib, sepia. 28,6 x 47,6
• The State Russian Museum
• Р-26408

Александр Невский

• Paper, lithography.
• The State Russian Museum
• Гр.-33096

Ust-Ruditsa Factory of Mikhail Lomonosov

Ростов Великий (Ярославская губерния/область)

Yegorov Alexei Yegorovich

Painter, draughtsman, engraver, iconographer. Author of pictures on historical themes and portraits. At the age of five was found in the Kalmyk steppe by Cossacks, and put into the Moscow foster home. Studied at the Imperial Academy of Arts (1782–1797). Awarded the title of artist and an Academy bursary (1797), taught drawing (1798). Fellow of the Imperial Academy of Arts in Italy (1803–1807). Appointed to the Imperial Academy of Arts (1800), academician (1807). Taught at the Imperial Academy of Arts from 1798, junior professor (1807), professor (1812), professor emeritus (1832). Expelled from the Academy at the express wish of Tsar Nicholas I (1840). Married Vera Martos, daughter of sculptor Ivan Martos.

Три святых - Варлаам, Иоанн Златоуст и Сергий

• Wood, gesso, tempera, , . 27,1 х 21,0 х 2,1
• The State Russian Museum
• ДРЖ-470

Преподобный Сергий Радонежский, с житием в 12 клеймах

• Wood, , , tempera. 51 х 40,2 х 2,3
• The State Russian Museum
• ДРЖ-1195

Явление Богоматери Сергию Радонежскому

• Wood, carving, tempera painting, , silver, chasing, engraving. 27,8 х 19,8 х 1
• The State Russian Museum
• ДРД-171

Богоматерь Одигитрия Смоленская, со святыми Кириллом Белозерским и Сергием Радонежским (?) на полях

• Wood, gesso, tempera. 26,2 х 20,5 х 1,8
• The State Russian Museum
• ДРЖ-1005

Святые Сергий Радонежский и Варлаам Хутынский

• Wood, gesso, tempera. 27,8 х 21 х 1,8
• The State Russian Museum
• ДРЖ-136

Спас Смоленский со святыми Варлаамом Хутынским и Сергием Радонежским

• Wood, , tempera, silver, chasing, , enamel. 31,5 х 25,5 х 2,8
• The State Russian Museum
• ДРЖ-265

Преподобные Варлаам и Сергий

• Wood, gesso, silver, tempera, chasing, engraving. 28,2 х 22,0
• The State Russian Museum
• ДРЖ-3046

Явление Богоматери преподобному Сергию Радонежскому

• Wood, tempera. 31,7 × 27 × 2,1
• The State Russian Museum
• ДРЖ-955

Сергий Радонежский благословляет Дмитрия Донского на побоище и с ним отпускает двух иноков Ослябю и Пересвета

• 1840s
• Paper, graphite pencil, sepia. 29,8 х 43,8
• The State Russian Museum
• Р-916

Юность преподобного Сергия

• 1891
• paper mounted on cardboard, watercolour, gouache, bronze paint, graphite pencil. 27,3 х 24,2
• The State Russian Museum
• Р-6188

Труды Сергия Радонежского

• 1896
• Paper, graphite pencil. 25 x 16,7
• The State Russian Museum
• Р-1586

Venerable Sergius of Radonezh

• 1899
• Canvas, oil. 248 х 248
• The State Russian Museum
• Ж-1848

M.V. Nesterov believed that the salvation of Russia lied in a moral ideal. For the artist the embodiment of such an ideal of Venerable Sergius of Radonezh, the founder of the Trinity Lavra of St. Sergius, a hermit, a wonder-worker, a patron saint of all Russian lands. The image of Sergius of Radonezh attracted the artist’s attention during his whole life. Nesterov studied his deeds in chronicles and annals, and the results of these studies were 15 major paintings dedicated to the “hegumen of all Russia”. Among them there are Vision to Young Varfolomey and Youth of Venerable Sergius created in 1892—1897; a triptych Deeds of Venerable Sergius dated back to 1896—1897; Venerable Sergius 1899; studies for the work Venerable Sergius Bids Farewell to Dmitry Donskoy created in 1898—1899 and many others. The painter himself wrote about his favourite character: “I painted the life of a good Russian man of the 14^th century, a man who sensed Nature and its beauty, and a man who loved his motherland and strived for truth. I illustrated a legend that my people made long ago about a person who was worth their love and memory”.

Преподобный Сергий Радонежский

• 1899-1900
• Paper, gouache, watercolour, white pigment, graphite pencil.
• The State Russian Museum
• Р-40881

Завьялов Федор Семенович

St Cyril of Beloozero

• Pavoloka. 121,7 х 62 х 3
• The State Russian Museum
• ДРЖ-2733

Лицевой покров "Кирилл Белозерский"

• Damask, canvas, , stitching. 150,5 х 116,7
• The State Russian Museum
• ДРТ-293

Лицевой покров "Кирилл Белозерский"

• Damask, canvas, , , , . 150,5 х 116,7
• The State Russian Museum
• ДРТ-262

Лицевой покров "Кирилл Белозерский"

• Canvas, , , . 150,5 х 116,7
• The State Russian Museum
• ДРТ-304

Пелена "Кирилл Белозерский"

• Damask, , , , , . 150,5 х 116,7
• The State Russian Museum
• ДРТ-276

Преподобный Кирилл Белозерский, с житием в двадцати одном клейме

• Wood, , , , pavoloka. 150,5 х 116,7
• The State Russian Museum
• ДРЖ-2741

Резная икона «Богоматерь на троне и Кирилл Белозерский»

• Wood, carving, , silver, chasing, engraving.
• The State Russian Museum
• БК-3467/а,б

Лицевой покров "Кирилл Белозерский"

• Silk, canvas, , , , . 150,5 х 116,7
• The State Russian Museum
• ДРТ-306

Кирилл Белозерский

• Silk, , , . 150,5 х 116,7
• The State Russian Museum
• ДРТ-7

Крышка раки преподобного Александра Свирского

• 1643
• Silver, wood, emeralds, sapphire, rock crystal, forging, chasing, casting, gilding. 214,5 × 80,7
• The State Russian Museum
• БК-2891

Покров «Преподобный Александр Свирский»

• 1643
• Damask, , , , pearls, weaving, stitching, stringing. 204 × 84,5
• The State Russian Museum
• ДРТ-263

Александр Свирский

• Wood, tempera, , .
• The State Russian Museum
• ДРЖ-907

Явление Троицы преподобному Александру Свирскому. Палица

• Stitching, , , spangles, passementerie, , spangle, .
• The State Russian Museum
• ДРТ-217

ARMOURY CHAMBER, Moscow

Мастерская царицы Евдокии Лукьяновны Стрешневой, жены царя Михаила Федоровича

Богоматерь Знамение и избранные святые: преподобный Варлаам Хутынский, святитель Иоанн Милостивый, мученицы Параскева и Анастасия

• Wood, tempera. 66,3 × 50,2 × 2,6
• The State Russian Museum
• ДРЖ-2061

Преподобный Варлаам Хутынский

• Wood, gesso, tempera. 131,0 х 46,5 х 2,5
• The State Russian Museum
• ДРЖ-1907

Три святых - Варлаам, Иоанн Златоуст и Сергий

• Wood, gesso, tempera, , . 27,1 х 21,0 х 2,1
• The State Russian Museum
• ДРЖ-470

Погребение преподобного Варлаама Хутынского

• Wood, gesso, tempera, , . 22,8 х 18,4 х 1,5
• The State Russian Museum
• ДРЖ-37

Преподобный Варлаам Хутынский

• Silver, gesso, metal, fabric, tempera. 31,6 х 25,3 х 1,9
• The State Russian Museum
• ДРЖ-307

Преподобный Варлаам Хутынский

• Wood, gesso, silver, fabric, tempera, , chasing, . 30,7 х 23,6 х 2,7
• The State Russian Museum
• ДРЖ-251

Преставление преподобного Варлаама Хутынского

• Wood, gesso, tempera, , , . 22,2 х 18,0 х 1,5
• The State Russian Museum
• ДРЖ-124

Святые Сергий Радонежский и Варлаам Хутынский

• Wood, gesso, tempera. 27,8 х 21 х 1,8
• The State Russian Museum
• ДРЖ-136

Спас Смоленский со святыми Варлаамом Хутынским и Сергием Радонежским

• Wood, , tempera, silver, chasing, , enamel. 31,5 х 25,5 х 2,8
• The State Russian Museum
• ДРЖ-265

Варлаам Хутынский, с житием в двадцати клеймах

• 1550–1560s
• Wood, , pavoloka, tempera. 44,7 х 37 х 2,5
• The State Russian Museum
• ДРЖ-2749

Преподобные Варлаам и Сергий

• Wood, gesso, silver, tempera, chasing, engraving. 28,2 х 22,0
• The State Russian Museum
• ДРЖ-3046

Преподобный Варлаам Хутынский

• Wood, gesso, silver, tempera, . 26,9 х 31,1 х 2,7
• The State Russian Museum
• ДРЖ-2537

Преподобный Варлаам Хутынский

• Wood, gesso, tempera, , . 31,5 х 27,0 х 2,5
• The State Russian Museum
• ДРЖ-628

Преподобный Варлаам Хутынский

• Paper, , , , , paper. 22,3 х 8,5
• The State Russian Museum
• Др.Пр-412

Преподобный Варлаам Хутынский

• Wood, gesso, silver, tempera, engraving. 33,5 х 28,2 х 3,5
• The State Russian Museum
• ДРЖ-2481

Преподобный Варлаам Хутынский

• Wood, gesso, tempera. 29,2 х 24,8 х 2,1
• The State Russian Museum
• ДРЖ-2322

Преподобный Варлаам Хутынский

• Wood, , gesso, pavoloka, tempera.
• The State Russian Museum
• ДРЖ-1168

Преподобный Варлаам Хутынский

• Wood, , carving. 6,5 х 9 х 0,6
• The State Russian Museum
• ОНИ/Д-3242

Спас Смоленский

• Casting, enamel. 11,2 х 9,2 х 0,4
• The State Russian Museum
• ДРМ-105

Уланов Кирилл (Корнилий)

Пелена. Зосима и Савватий Соловецкие

• 1650–1660
• Silk, , , . 40,5 х 30,5
• The State Russian Museum
• ДРТ-85

Палица. Преображение. Зосима и Савватий Соловецкие

• 1658
• Taffeta, canvas, , , , pearls. 44,2 × 43
• The State Russian Museum
• ДРТ-94

Савватий Соловецкий. Покров

• Silk, , , , .
• The State Russian Museum
• ДРТ-300

Зосима Соловецкий. Покров

• 1661
• Silk, , , , . 195 × 113
• The State Russian Museum
• ДРТ-301

Святой князь Александр Невский, апостол Архип и преподобный Зосима Соловецкий

• Wood, mixed media, , silver, chasing, , enamel, gilding. 57 х 58 х 8,3
• The State Russian Museum
• Сер-343

Мастерская Анны Ивановны Строгановой

Святые царевич Дмитрий и князь Роман Углицкий

• Wood, , , pavoloka, tempera.
• The State Russian Museum
• ДРЖ-2053

Пелена (плащаница) «Царевич Димитрий»

• 1656
• Taffeta, damask, , , .
• The State Russian Museum
• ДРТ-206

Икона с рельефным изображением царевича Дмитрия

• Wood, carving, , . 95,0 х 68,0 х 11,0 см
• The State Russian Museum
• СМБ-204

Убиение царевича Дмитрия в Угличе

• .
• The State Russian Museum
• Ж-1143

Святой Димитрий царевич убиенный

• 1899
• Canvas, oil. 197 x 175
• The State Russian Museum
• Ж-1849

Procopius Chirin

Строгановская школа

Pleshanov, Pavel Fyodorovich

Painter, portraitist and creator of paintings on religious and historical subjects. Son of a merchant. Studied at the St Petersburg Commercial College and the Imperial Academy of Arts (under Fyodor Bruni). Awarded a minor gold medal and a title of the artist of the third degree (1854) for The Prophet Elisha Raising the Widow of Zarephath’s Son. Academician (1857) for Grand Prince Ivan the Terrible and Priest Sylvester. Professor (1869) for Murder of TsarevichDimitryinUglich. Executed paintings after his studies for the Cathedral of Christ the Saviour. Assistant of the head of the mosaic department at the Imperial Academy of Arts (from 1878).

Лицевой покров «Антоний Печерский»

• Silk, canvas, , , . 193,0 х 77,5
• The State Russian Museum
• ДРТ-305

Богоматерь на престоле, с предстоящими святыми Антонием и Феодосием Печерскими (Богоматерь Печерская)

• Wood, , , , pavoloka, gesso, tempera, . 31 × 26,8 × 3,2
• The State Russian Museum
• ДРЖ-908

Пелена «Богоматерь Печерская, с Антонием и Феодосием Печерскими»

• . 55 х 66,8
• The State Russian Museum
• ДРТ-215

Блаженный Алипий, иконописец Печерский

• 1848
• Canvas, oil. 200 х 150
• The State Russian Museum
• Ж-3727

Rayev Vasily

Преподобный Варлаам Хутынский

• Wood, gesso, tempera. 131,0 х 46,5 х 2,5
• The State Russian Museum
• ДРЖ-1907

Три святых - Варлаам, Иоанн Златоуст и Сергий

• Wood, gesso, tempera, , . 27,1 х 21,0 х 2,1
• The State Russian Museum
• ДРЖ-470

Погребение преподобного Варлаама Хутынского

• Wood, gesso, tempera, , . 22,8 х 18,4 х 1,5
• The State Russian Museum
• ДРЖ-37

Преподобный Варлаам Хутынский

• Wood, gesso, silver, fabric, tempera, , chasing, . 30,7 х 23,6 х 2,7
• The State Russian Museum
• ДРЖ-251

Преподобный Варлаам Хутынский

• Silver, gesso, metal, fabric, tempera. 31,6 х 25,3 х 1,9
• The State Russian Museum
• ДРЖ-307

Преставление преподобного Варлаама Хутынского

• Wood, gesso, tempera, , , . 22,2 х 18,0 х 1,5
• The State Russian Museum
• ДРЖ-124

Святые Сергий Радонежский и Варлаам Хутынский

• Wood, gesso, tempera. 27,8 х 21 х 1,8
• The State Russian Museum
• ДРЖ-136

Спас Смоленский со святыми Варлаамом Хутынским и Сергием Радонежским

• Wood, , tempera, silver, chasing, , enamel. 31,5 х 25,5 х 2,8
• The State Russian Museum
• ДРЖ-265

Варлаам Хутынский, с житием в двадцати клеймах

• 1550–1560s
• Wood, , pavoloka, tempera. 44,7 х 37 х 2,5
• The State Russian Museum
• ДРЖ-2749

Святой Антоний Римлянин

• 1573
• Wood, carving, gilding. 159 x 43 x 15
• The State Russian Museum
• ДРД-494

Святитель Никита, архиепископ Новгородский

• Wood, , , , tempera, gilding. 31,6 × 26,8 × 2,5
• The State Russian Museum
• ДРЖ-2189

Преподобные Варлаам и Сергий

• Wood, gesso, silver, tempera, chasing, engraving. 28,2 х 22,0
• The State Russian Museum
• ДРЖ-3046

Преподобный Варлаам Хутынский

• Wood, gesso, silver, tempera, . 26,9 х 31,1 х 2,7
• The State Russian Museum
• ДРЖ-2537

Преподобный Варлаам Хутынский

• Wood, gesso, tempera, , . 31,5 х 27,0 х 2,5
• The State Russian Museum
• ДРЖ-628

Преподобный Варлаам Хутынский

• Paper, , , , , paper. 22,3 х 8,5
• The State Russian Museum
• Др.Пр-412

Преподобный Варлаам Хутынский

• Wood, gesso, silver, tempera, engraving. 33,5 х 28,2 х 3,5
• The State Russian Museum
• ДРЖ-2481

Преподобный Варлаам Хутынский

• Wood, gesso, tempera. 29,2 х 24,8 х 2,1
• The State Russian Museum
• ДРЖ-2322

Преподобный Варлаам Хутынский

• Wood, , gesso, pavoloka, tempera.
• The State Russian Museum
• ДРЖ-1168

Богоматерь Тихвинская и новгородские святые

• Wood, gesso, silver, tempera. 32,2 х 26,2 х 3,2
• The State Russian Museum
• ДРЖ Б-248

Преподобный Варлаам Хутынский

• Wood, , carving. 6,5 х 9 х 0,6
• The State Russian Museum
• ОНИ/Д-3242

Святые царевич Дмитрий и князь Роман Углицкий

• Wood, , , pavoloka, tempera.
• The State Russian Museum
• ДРЖ-2053

Богоматерь и ростовские чудотворцы

• 1628
• Wood, gesso, tempera. 31,3 × 27,3 × 3,1
• The State Russian Museum
• ДРЖ-516

Святые князья Феодор, Давид и Константин Ярославские

• Wood, , , , tempera, gilding. 27,3 × 24 × 2,7
• The State Russian Museum
• ДРЖ-2191

Пелена (плащаница) «Царевич Димитрий»

• 1656
• Taffeta, damask, , , .
• The State Russian Museum
• ДРТ-206

Икона с рельефным изображением царевича Дмитрия

• Wood, carving, , . 95,0 х 68,0 х 11,0 см
• The State Russian Museum
• СМБ-204

Убиение царевича Дмитрия в Угличе

• .
• The State Russian Museum
• Ж-1143

Святой Димитрий царевич убиенный

• 1899
• Canvas, oil. 197 x 175
• The State Russian Museum
• Ж-1849

Преподобный Сергий Радонежский, с житием в 12 клеймах

• Wood, , , tempera. 51 х 40,2 х 2,3
• The State Russian Museum
• ДРЖ-1195

Явление Богоматери Сергию Радонежскому

• Wood, carving, tempera painting, , silver, chasing, engraving. 27,8 х 19,8 х 1
• The State Russian Museum
• ДРД-171

Богоматерь Одигитрия Смоленская, со святыми Кириллом Белозерским и Сергием Радонежским (?) на полях

• Wood, gesso, tempera. 26,2 х 20,5 х 1,8
• The State Russian Museum
• ДРЖ-1005

Святой Алексий, митрополит Московский

• Wood, tempera. 29,3 × 22,9 × 2,1
• The State Russian Museum
• ДРЖ-570

Святые Сергий Радонежский и Варлаам Хутынский

• Wood, gesso, tempera. 27,8 х 21 х 1,8
• The State Russian Museum
• ДРЖ-136

Преподобные Варлаам и Сергий

• Wood, gesso, silver, tempera, chasing, engraving. 28,2 х 22,0
• The State Russian Museum
• ДРЖ-3046

Явление Богоматери преподобному Сергию Радонежскому

• Wood, tempera. 31,7 × 27 × 2,1
• The State Russian Museum
• ДРЖ-955

Сергий Радонежский благословляет Дмитрия Донского на побоище и с ним отпускает двух иноков Ослябю и Пересвета

• 1840s
• Paper, graphite pencil, sepia. 29,8 х 43,8
• The State Russian Museum
• Р-916

Труды Сергия Радонежского

• 1896
• Paper, graphite pencil. 25 x 16,7
• The State Russian Museum
• Р-1586

Venerable Sergius of Radonezh

• 1899
• Canvas, oil. 248 х 248
• The State Russian Museum
• Ж-1848

M.V. Nesterov believed that the salvation of Russia lied in a moral ideal. For the artist the embodiment of such an ideal of Venerable Sergius of Radonezh, the founder of the Trinity Lavra of St. Sergius, a hermit, a wonder-worker, a patron saint of all Russian lands. The image of Sergius of Radonezh attracted the artist’s attention during his whole life. Nesterov studied his deeds in chronicles and annals, and the results of these studies were 15 major paintings dedicated to the “hegumen of all Russia”. Among them there are Vision to Young Varfolomey and Youth of Venerable Sergius created in 1892—1897; a triptych Deeds of Venerable Sergius dated back to 1896—1897; Venerable Sergius 1899; studies for the work Venerable Sergius Bids Farewell to Dmitry Donskoy created in 1898—1899 and many others. The painter himself wrote about his favourite character: “I painted the life of a good Russian man of the 14^th century, a man who sensed Nature and its beauty, and a man who loved his motherland and strived for truth. I illustrated a legend that my people made long ago about a person who was worth their love and memory”.

Преподобный Сергий Радонежский

• 1899-1900
• Paper, gouache, watercolour, white pigment, graphite pencil.
• The State Russian Museum
• Р-40881

Святитель Алексий, митрополит Московский

• 1904
• Paper, gouache, graphite pencil.
• The State Russian Museum
• Р-40882

St Cyril of Beloozero

• Pavoloka. 121,7 х 62 х 3
• The State Russian Museum
• ДРЖ-2733

Лицевой покров "Кирилл Белозерский"

• Damask, canvas, , , , . 150,5 х 116,7
• The State Russian Museum
• ДРТ-262

Лицевой покров "Кирилл Белозерский"

• Damask, canvas, , stitching. 150,5 х 116,7
• The State Russian Museum
• ДРТ-293

Лицевой покров "Кирилл Белозерский"

• Canvas, , , . 150,5 х 116,7
• The State Russian Museum
• ДРТ-304

Пелена "Кирилл Белозерский"

• Damask, , , , , . 150,5 х 116,7
• The State Russian Museum
• ДРТ-276

Преподобный Кирилл Белозерский, с житием в двадцати одном клейме

• Wood, , , , pavoloka. 150,5 х 116,7
• The State Russian Museum
• ДРЖ-2741

Резная икона «Богоматерь на троне и Кирилл Белозерский»

• Wood, carving, , silver, chasing, engraving.
• The State Russian Museum
• БК-3467/а,б

Лицевой покров "Кирилл Белозерский"

• Silk, canvas, , , , . 150,5 х 116,7
• The State Russian Museum
• ДРТ-306

Кирилл Белозерский

• Silk, , , . 150,5 х 116,7
• The State Russian Museum
• ДРТ-7

Крышка раки преподобного Александра Свирского

• 1643
• Silver, wood, emeralds, sapphire, rock crystal, forging, chasing, casting, gilding. 214,5 × 80,7
• The State Russian Museum
• БК-2891

Покров «Преподобный Александр Свирский»

• 1643
• Damask, , , , pearls, weaving, stitching, stringing. 204 × 84,5
• The State Russian Museum
• ДРТ-263

Пелена. Зосима и Савватий Соловецкие

• 1650–1660
• Silk, , , . 40,5 х 30,5
• The State Russian Museum
• ДРТ-85

Палица. Преображение. Зосима и Савватий Соловецкие

• 1658
• Taffeta, canvas, , , , pearls. 44,2 × 43
• The State Russian Museum
• ДРТ-94

Савватий Соловецкий. Покров

• Silk, , , , .
• The State Russian Museum
• ДРТ-300

Зосима Соловецкий. Покров

• 1661
• Silk, , , , . 195 × 113
• The State Russian Museum
• ДРТ-301

Александр Свирский

• Wood, tempera, , .
• The State Russian Museum
• ДРЖ-907

Святой Артемий Веркольский, с житием в 16 клеймах

• Wood, , , pavoloka, , tempera.
• The State Russian Museum
• ДРЖ-3126

Явление Троицы преподобному Александру Свирскому. Палица

• Stitching, , , spangles, passementerie, , spangle, .
• The State Russian Museum
• ДРТ-217